“Bloody” Mary is not your typical vampire. He can withstand sunlight, holds a reflection in mirrors, refuses to drink blood—and wants 17-year-old student and priest Maria to kill him. But to Mary’s dismay, Maria doesn’t know how to kill vampires. Desperate to die, Mary agrees to become Maria’s bodyguard until Maria can find a way to kill him at last. -- VIZ Media

Maria’s father, Yusei, was killed by vampires—and it was Maria’s own fault. Haunted by guilt, he sealed away the memory. That is, until he remembers the face of the murderous vampire...and it looks just like Mary’s! On a mission for answers, Maria comes to the kidnapped Mary’s rescue, but he finds someone else within Mary... -- VIZ Media

There is a right way and a wrong way to summon her. Jess had done the research. Success requires precision: a dark room, a mirror, a candle, salt, and four teenage girls. Each of them--Jess, Shauna, Kitty, and Anna--must link hands, follow the rules . . . and never let go. A thrilling fear spins around the room the first time Jess calls her name: "Bloody Mary. Bloody Mary. BLOODY MARY." A ripple of terror follows when a shadowy silhouette emerges through the fog, a specter trapped behind the mirror. Once is not enough, though--at least not for Jess. Mary is called again. And again. But when their summoning circle is broken, Bloody Mary slips through the glass with a taste for revenge on her lips. As the girls struggle to escape Mary's wrath, loyalties are questioned, friendships are torn apart, and lives are forever altered. A haunting trail of clues leads Shauna on a desperate search to uncover the legacy of Mary Worth. What she finds will change everything, but will it be enough to stop Mary--and Jess--before it's too late?

No one suspected that the death and resurrection of “Mary” was actually an attempt to revive the weak and ailing Mary. When Mary learns this truth, he hears the voice of “Mary.” And now Maria must finally fulfill Mary’s death wish... But a tragedy awaits... -- VIZ Media

When Mary Tudor, eldest daughter of Henry VIII, succeeded to the throne of England in 1553 it was with wild rejoicing and a degree of popularity rarely seen on the accession of a British monarch. Yet at her death five years later she was almost universally reviled and hated by her people so much so that she was posthumously awarded the sobriquet Bloody Mary. Mary's revenge on the church and on a religion she hated was swift and total. Noblemen like the Duke of Northumberland, would-be queens like Lady Jane Grey, churchmen like Thomas Cranmer and bishops Latimer and Ridley, Mary's fires or the executioner's axe ended the lives of all of them. During her brief reign she restored the Catholic faith to England and had over 280 Protestant martyrs burned at the stake. For a reign that looked so promising Mary's brief period in power brought the greatest officially sanctioned religious bloodletting the country had ever seen. And at the end, the stench of the execution fires and the grey smoke that settled like a pall across the country seemed to epitomize the reactionary forces that had assumed control.

Seven ways in which psychoanalysis illuminates folklore Bloody Mary in the Mirror mixes Sigmund Freud with vampires and explores various folklore genres to see what new light psychoanalysis can shed on folklore techniques and forms. In seven fascinating essays, folklorist Alan Dundes applies psychoanalytic theory to illuminate such genres as legend (in the vampire tale), folktale (in the ancient Egyptian tale of two brothers), custom (in fraternity hazing and ritual fasting), and games (in the modern Greek game of "Long Donkey"). One of two essays Dundes co-authored with daughter Lauren Dundes, professor of sociology at Western Maryland College, successfully probes the content of Disney's The Little Mermaid, yielding new insights into this popular reworking of a Hans Christian Andersen favorite. Among folk rituals investigated is the girl's game of "Bloody Mary." Elementary or middle school-age girls huddle in a darkened bathroom awaiting the appearance in the mirror of a frightening apparition. The plausible analysis of this well-known, if somewhat puzzling, rite is one of many surprising and enlightening finds in this book. All of the essays in this volume create new takes on old traditions. Bloody Mary in the Mirror is an expedition into psychoanalytic folklore techniques and constitutes a giant step towards realizing the potential psychoanalysis promises for folklore studies. Alan Dundes (deceased) was professor of anthropology and folklore at the University of California, Berkeley.

The first reigning Queen of England, Mary Tudor believed fervently that Catholicism should be the religion of the land, leading her to burn at the stake hundreds of Protestants. Was she just a ruler of her times, or did she deserve the name, Bloody Mary? Gorgeous illustrations and an intelligent, evocative story bring to life a real dastardly dame who, fueled by her faith, created a religious firestorm.

Unable to bear the shocking truth that Maria reveals to him, Mary loses consciousness and disappears inside of himself, which allows “Mary” to surface to take his place. “Mary” heads out alone, while Maria, along with Shinobu and Hydra, confront a trio of vampires. Bathed in blood, “Mary” gradually succumbs to madness... -- VIZ Media

Gather ’round the fire, fellow campers, because it’s time for that most terrifying of traditions-campfire stories so scary you’ll never sleep without a night-light again! The Teen Titans guide those brave enough through tales of Batman and the hidden killer, Superman and Lois Lane and the killer in their back seat, Harley Quinn and Darkseid versus a furious Bloody Mary, and four more stories so hair-raising you’ll call your momma to come pick you up. So toast your marshmallows, pull up a s’more, and answer the only question that matters this Halloween: Are you afraid of Darkseid?

Learn about the first ruling queen of England.