"BRUTALISTS," Part One In the spirit of BloodstrikeÕs groundbreaking carnage, the creator behind the indie hit Copra shines a light on ImageÕs most extreme series. Witness the origin of Cabbot as he launches his undead strikeforce upon the world!

MICHEL FIFFE, the creator of the indie hit Copra, celebrates Image's most extreme series as only a comics-auteur can. From revealing the origin of an undead strikeforce to solving the trail of mysteries that plague them, this story shines a light on the classic Image series and introduces it to new readers. Collects BLOODSTRIKE #0, 23, 24

1993's original BLOODSTRIKE #1. Celebrate the 25th anniversary of Image Comics with a bloody delightful remastered edition of 1993Õs BLOODSTRIKE #1, illustrated by DAN FRAGA and DANNY MIKI over layouts from ROB LIEFELD, dramatically recolored by color wizard THOMAS MASON (X-Men)!

Extreme's zombie-black op-superheroes return! Cabbot Stone was the last unliving Bloodstrike agent, an unstoppable weapon in America's war on terror! But being dead is a hell of way to make a living, and Cabbot is losing his faith. Having a new team might be just what Cabbot needs to give him something to believe in. At the least it'll be nice to have back up in the battle against threats like high tech mummies, the super terrorist Quantum, his brother Battlestone, and the super-villain team known as The Quanta! Bloody horror-action with heart by Hack/Slash scribe Tim Seeley and artist Franchesco Gaston!

"Originally published in single monthly issues as Copra."

In the epic fifth installment in this “compulsively readable” (People) series, Galbraith’s “irresistible hero and heroine” (USA Today) take on the decades-old cold case of a missing doctor, one which may be their grisliest yet. Private Detective Cormoran Strike is visiting his family in Cornwall when he is approached by a woman asking for help finding her mother, Margot Bamborough—who went missing in mysterious circumstances in 1974. Strike has never tackled a cold case before, let alone one forty years old. But despite the slim chance of success, he is intrigued and takes it on; adding to the long list of cases that he and his partner in the agency, Robin Ellacott, are currently working on. And Robin herself is also juggling a messy divorce and unwanted male attention, as well as battling her own feelings about Strike. As Strike and Robin investigate Margot’s disappearance, they come up against a fiendishly complex case with leads that include tarot cards, a psychopathic serial killer and witnesses who cannot all be trusted. And they learn that even cases decades old can prove to be deadly . . .

"“BRUTALISTS,” Conclusion The conclusion to COPRA creator MICHEL FIFFE’s epic tale! Celebrate BLOODSTRIKE’s incredible take-no-prisoners legacy as Cabbot is forced to hunt down his own team."

"BRUTALISTS," Part Two Bureaucratic overlords with morbid agendas need love, too. What lengths will they go to? A string of gruesome murders, a deadly disease, and a dark conspiracy; for Bloodstrike, thatÕs a Tuesday.

BLOODSTRIKE Is back! A new recruit to the Bloodstrike program is compromised and struggles on a covert mission that puts him on a collision course with his former squadron! Unload the guns and ammo in this action-packed spectacle by ROB LIEFELD (Deadpool, X-Force)! Guest starring Brigade and Bloodwulf!

This early work by Radclyffe Hall was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'The Well of Loneliness' is a novel that follows an upper-class Englishwoman who falls in love with another woman while serving as an ambulance driver in World War I. Marguerite Radclyffe Hall was born on 12th August 1880, in Bournemouth, England. Hall's first novel The Unlit Lamp (1924) was a lengthy and grim tale that proved hard to sell. It was only published following the success of the much lighter social comedy The Forge (1924), which made the best-seller list of John O'London's Weekly. Hall is a key figure in lesbian literature for her novel The Well of Loneliness (1928). This is her only work with overt lesbian themes and tells the story of the life of a masculine lesbian named Stephen Gordon.