Even if you think you don’t know him, you know him. Few in the Hollywood orbit have had greater influence; few have experienced more humiliating failure in their lifetime. Thanks in part to the biopic directed by Tim Burton, starring Johnny Depp and bearing his name, Ed Wood has become an icon of Americana. Perhaps the purest expression of Wood’s théma—pink angora sweaters, over-the-top violence and the fraught relationships between the sexes—can be found in his unadulterated short stories, many of which (including “Blood Splatters Quickly”) appeared in short-lived “girly” magazines published throughout the 1970s. The 32 stories included here, replete with original typos, lovingly preserved, have been verified by Bob Blackburn, a trusted associate of Kathy Wood, Ed’s widow. In the forty years or more since those initial appearances in adult magazines, none of these stories has been available to the public. Wood died in 1978, but the legacy of the director of “Plan 9 from Outer Space,” “Glen or Glenda,” “Jail Bait” and so many other beloved screen classics has only grown in importance. Wood speaks—not least for himself—as one of America’s “outsiders” caught up in the struggle to find acceptance inside—and never more directly than in the material in this book.

Edward D. Wood, Jr. was a name forgotten in the history of Hollywood until the release of the 1994 Tim Burton biopic, Ed Wood, starring Johnny Depp as Ed, and Martin Landau as the horror icon Bela Lugosi, a role for which Landau received the Academy Award. Following service with the U.S. Marines during World War II, Ed followed his dream to Hollywood, hoping to achieve success as a movie director. Ed did realize his goal but his talents did not match his ambitions. Working with practically nonexistent budgets, he directed movies ignored in their day but have since become recognized as cult classics: Glen or Glenda, Bride of The Monster, Orgy of The Dead, and his most "infamous" production: Plan 9 From Outer Space. Barely skimping by on his movie earnings, Ed turned to writing a series of lurid paperbacks with such titles as "Black Lace Drag," "Let Me Die In Drag" and "Devil Girls." His professional decline continued when he worked for a skin magazine publisher in the late 60's, churning out copy and short fiction in prodigious amounts, an amazing accomplishment considering that by this point Ed Wood had become a serious alcoholic. Edited and with a foreword by Bob Blackburn, a close friend of Ed's widow Kathy, these later stories penned by Ed Wood have finally been collected in this exclusive volume.

As witnessed in landmark criminal cases, the quality and integrity of bloodstain evidence can be a crucial factor in determining a verdict.

Klee’s last book, his first, was variously hailed as “sharply intelligent” (Publishers Weekly) and “harsh, spastic” (Justin Taylor): we like to think of True False as intelligently spastic, or sharply harsh—disquieting and funny. A collection of stories that range from the very short to the merely short, these forty-four tales evoke extraordinary scenes in an understated manner that’s marked Klee one of today’s most intriguing writers. From the apocalyptic to the utopic, from a haunted office building to a suburban pool that may be alive, a day in the mind of a demi-god Pythagoras to a secret race to develop artificial love, True False captures a fractured reality more real than our own.

An illustrated guide to blood that explores this vital fluid through a mixture of science, history, and culture.

DANGEROUS DANA is a Mystery/Suspense/Thriller about a young gorgeous Caribbean woman living in New York who gets revenge by killing people, living a secret double life as a murderer. DANGEROUS DANA involves chasings, fistfights, chokings, stalkings, arrests, jail time, prison time and a series of murders. Dana is not the kind of person who goes around looking for trouble, but if it happens to come her way or any member in her family’s way, she will become a psychopath and respond with violence. Dana fights like a boxer and is very well known for breaking people’s bones when she fights. She believes in fighting fire with fire. Is she a savior, or is she a psycho? Is she a vigilante, or is she a homicidal maniac?

Try to imagine this. Try to imagine that you’re the last of a dying, powerful breed. Try to imagine that you can’t live alone. You must marry a modern-day king, or you’ll die. That’s me – the Last Queen. As my life falls apart, I’m forced into a world of dark magic, death, power, and arrogant kings who will do anything to acquire me. In this violent game, I will need to align myself to live. Instead, I will choose to fight. …. The Last Queen follows a legendary fighter and a kingpin who must have her at all costs fighting to win an ancient game one last time. If you love your urban fantasies with high-octane action, legendary stakes, and a splash of romance, grab The Last Queen Book One today and soar free with an Odette C. Bell series.

Two brothers brave a whirlwind summer in this taut and luminous coming-of-age novel A twelve-year-old boy lives with his family in a small, poverty-stricken town in Vermont. His father works at a manufacturing plant, his mother is a homemaker, and his fifteen-year-old brother is about to enter high school. His family has gained enough financial stability to move out of the nearby trailer park, and as conflict rages abroad, his father’s job at a weapons manufacturing plant appears safe. But then his mother is diagnosed with cancer, and everything changes. As the family clings to the traditions of their hard-line Catholicism, he meets Taylor, a perceptive, beguiling girl from the trailer park, a girl who has been forced to grow up too fast. Taylor represents everything his life isn’t, and their fledgling connection develops as his mother’s health deteriorates. Set over the course of one propulsive summer, Soon the Light Will Be Perfect chronicles the journey of two brothers on the cusp of adulthood, a town battered by poverty and a family at a breaking point. In spare, fiercely honest prose, Dave Patterson captures what it feels like to be gloriously, violently alive at a moment of political, social and familial instability.