An engaging and reflective look at how austerity and the billionaire class paved the way for Trump's presidency, the rise of the "alt-right," and the caging of migrants children and adults in detention centers across the country. For all of the energy that the far right has demonstrated-and for all of the support that they receive from institutional conservatives in the GOP and affiliated organizations-the United States is experiencing an upsurge in left-wing social movements unlike any other in the past half-century, with roots not in the Democratic Party but Occupy Wall Street and Black Lives Matter. Drawing on his original reporting as well as archival research, O'Connor investigates how the capitalist class and the radical right mobilize racism to defend their interests, while focusing on one of the most pressing issues of our time: immigration.

The book that will “blow you away”** has a dazzling new look in paperback! Saba has spent her whole life in Silverlake, a dried-up wasteland ravaged by constant sandstorms. The Wrecker civilization has long been destroyed, leaving only landfills for Saba and her family to scavenge from. That's fine by her, as long as her beloved twin brother Lugh is around. But when four cloaked horsemen capture Lugh, Saba's world is shattered, and she embarks on a quest to get him back. Suddenly thrown into the lawless, ugly reality of the outside world, Saba discovers she is a fierce fighter, an unbeatable survivor, and a cunning opponent. Teamed up with a handsome daredevil named Jack and a gang of girl revolutionaries called the Free Hawks, Saba’s unrelenting search for Lugh stages a showdown that will change the course of her own civilization. Blood Red Road has a searing pace, a poetic writing style, and an epic love story—making Moira Young is one of the most exciting new voices in teen fiction.

“This powerful and meticulously argued book reveals that immigration crackdowns … [have] always been about saving and protecting the racist idea of a white America.” —Ibram X. Kendi, award-winning author of Four Hundred Souls and Stamped from the Beginning “A damning inquiry into the history of the border as a place where race is created and racism honed into a razor-sharp ideology.” —Greg Grandin, Pulitzer Prize–winning author of The End of the Myth Recent racist anti-immigration policies, from the border wall to the Muslim ban, have left many Americans wondering: How did we get here? In what readers call a “chilling and revelatory” account, Reece Jones reveals the painful answer: although the US is often mythologized as a nation of immigrants, it has a long history of immigration restrictions that are rooted in the racist fear of the “great replacement” of whites with non-white newcomers. After the arrival of the first slave ship in 1619, the colonies that became the United States were based on the dual foundation of open immigration for whites from Northern Europe and the racial exclusion of slaves from Africa, Native Americans, and, eventually, immigrants from other parts of the world. Jones’s scholarship shines through his extensive research of the United States’ racist and xenophobic underbelly. He connects past and present to uncover the link between the Chinese Exclusion laws of the 1880s, the “Keep America American” nativism of the 1920s, and the “Build the Wall” chants initiated by former president Donald Trump in 2016. Along the way, we meet a bizarre cast of anti-immigration characters, such as John Tanton, Cordelia Scaife May, and Stephen Miller, who pushed fringe ideas about “white genocide” and “race suicide” into mainstream political discourse. Through gripping stories and in-depth analysis of major immigration cases, Jones explores the connections between anti-immigration hate groups and the Republican Party. What is laid bare after his examination is not just the intersection between white supremacy and anti-immigration bias but also the lasting impacts this perfect storm of hatred has had on United States law.

Texas is heating up. . . . The summer heat wave that’s hit Rio Seco, Texas, has even the vampires complaining, but now that Keira—the Kelly Heir—is home from Vancouver, the weather isn’t the only thing too hot to handle. Keira should be setting up her court and planning the big reception at which she and her consort, vampire ruler Adam Walker, will receive the magical leaders from the local area, but pomp and circumstance just aren’t Keira’s thing, especially not with trouble smoldering in her domain. A werewolf couple has mysteriously gone missing from a local pack, and when Keira is asked by their leader to investigate, she finds that some dissatisfied neighbors may have been taking, well, strong action against the wer community—action that could be repeated and could involve Keira and those she loves. With the reception looming and danger fast blazing out of control, the pressure is on Keira to keep Texas safe for supernaturals. Sometimes, it’s just not that great to be Heir. . . .

'I think you know who killed your stepfather', said Wexford, and so begins this scintillating collection of long and short stories by the world's best living crime writer, Ruth Rendell. It was clear both to Wexford and Burden that Tom Peterlee was not killed for £360, but various people would have liked them to believe the lie. It is a case which reminds the Chief Inspector that there is only a thin line dividing the policeman from the criminal. The criminal impulse may be present in the most routine or intimate situation. The book ends with The Strawberry Tree, a disturbingly evocative novella-length tale of lost innocence, set on the island of Majorca. It is a triumphant conclusion to a collection of horror stories that linger in the mind.

Günter Koschorrek wrote his illicit diary on any scraps of paper he could lay his hands on, storing them with his mother on infrequent trips home on leave. The diary went missing, and it was not until he was reunited with his daughter in America some forty years later that it came to light and became Blood Red Snow. The author’s excitement at the first encounter with the enemy in the Russian Steppe is obvious. Later, the horror and confusion of fighting in the streets of Stalingrad are brought to life by his descriptions of the others in his unit – their differing manners and techniques for dealing with the squalor and death. He is also posted to Romania and Italy, assignments he remembers fondly compared to his time on the Eastern Front. This book stands as a memorial to the huge numbers on both sides who did not survive and is, some six decades later, the fulfilment of a responsibility the author feels to honour the memory of those who perished.

Long before that ghastly and quite unnecessary slogging match in the mud which we now call the First World War had dragged to its blood-soaked conclusion the belief that most of the senior officers had spent their time in comfort and safety in chateaux far behind the lines with no idea of the conditions in which the men they commanded were fighting was firmly embedded in the public mind. As the years pass by that belief has, if anything, become more deeply held, gaining strength from plays like Oh! What a Lovely War, itself based on Alan Clark's book The Donkeys.It is the purpose of this book to show not only how the myth was born and grew but how totally at odds it is with the facts. Biographies of over 200 officers who held the rank of Brigadier-General or above who were killed or wounded during the war show how closely involved the men at the top were with the men at the front. Ironically, as the authors point out, this was more than just a waste of blood, for these were the very men whose experience was vital to the successful prosecution of the war. Had they actually stayed in their chateaux, as Lloyd George alleged, they might have done much more to hasten the end of the conflict.This is not only an invaluable work of reference but a tribute to those gallant senior officers who have been so unfairly traduced by many who should have known better.As featured in Essence Magazine.

The Blood Books are now available in "Blood Ties" TV tie-in editions. View our TV tie-in feature page here here. An evil being has been sealed away for centuries in a sarcophagus never meant to be opened, waiting patiently for his chance to rise again. Now, brought to the Egyptology Department of Toronto’s Royal Ontario Museum, the seals and spells that imprisoned him chipped away from his discoverers, he has reached forth to claim the minds and souls of Toronto’s unsuspecting citizens. And only three people had any sense that something was wrong…. For Henry Fitzroy, it began with terrifying images of the sun, a marker of death for a vampire. Fearing for his sanity, he turns to his sometimes-lover, private investigator Vicki Taylor, for help. As the two struggle to cope with Henry’s obsession, Vicki’s closest friend and former partner Mike Celluci, is following up on two mysterious deaths at the museum, certain that a force from beyond the grave is responsible for everything.

Before his untimely death in 1982, Lester Bangs was inarguably the most influential critic of rock and roll. Writing in hyper-intelligent Benzedrine prose that calls to mind Jack Kerouac and Hunter S. Thompson, he eschewed all conventional thinking as he discussed everything from Black Sabbath being the first truly Catholic band to Anne Murray’s smoldering sexuality. In Mainlines, Blood Feasts, Bad Taste fellow rock critic John Morthland has compiled a companion volume to Psychotic Reactions and Carburetor Dung, the first, now classic collection of Bangs’s work. Here are excerpts from an autobiographical piece Bangs wrote as a teenager, travel essays, and, of course, the music pieces, essays, and criticism covering everything from titans like Miles Davis, Lou Reed, and the Rolling Stones to esoteric musicians like Brian Eno and Captain Beefheart. Singularly entertaining, this book is an absolute must for anyone interested in the history of rock.

There never was a story that was happy through and through. When writer Arthur Ransome leaves his unhappy marriage in England and moves to Russia to work as a journalist, he has little idea of the violent revolution about to erupt. Unwittingly, he finds himself at its center, tapped by the British to report back on the Bolsheviks even as he becomes dangerously, romantically entangled with Trotsky's personal secretary. Both sides seek to use Arthur to gather and relay information for their own purposes . . . and both grow to suspect him of being a double agent. Arthur wants only to elope far from conflict with his beloved, but her Russian ties make leaving the country nearly impossible. And the more Arthur resists becoming a pawn, the more entrenched in the game he seems to become. Blood Red Snow White, a Soviet-era thriller from renowned author Marcus Sedgwick, is sure to keep readers on the edge of their seats. This title has Common Core connections.