Blood is Life. A Drug. Oceans in you. Red Paint. this is about vampires.

Kavika Kamalani is a Pali Boy, a post-plague heir to an ancient Hawai'ian warrior tradition that believes in overcoming death by embracing one's fears and living large. His life on the Nomi No Toshi, the floating city, is turned upside down when one of his friends dies, harvested for his blood, and he sets out to find the killer. Kidnapped himself and subjected to a terrifying transformation, Kavika must embrace the ultimate fear - death itself - if he, his loved ones, and the Pali Boys themselves are to survive.

Add That Certain Je Ne Sais Quoi to Your Home, Effortlessly Rustic and elegant French décor never goes out of style—and with easy yet sophisticated accessories for your home, these 70 projects will transform your space and add that special touch to any room. Jamie Lundstrom’s projects use easy-to-find and recycled objects, as well as new materials, to bring her French vintage style into your life. Projects span every season and category, from sewing to painting and upholstery, including provincial antique baskets, a fantastique Trumeau mirror, a jolie gold leaf frame, boutique plaster of Paris–dipped flowers and a chic antique chair. Featuring simple step-by-step instructions with beautiful photos to help guide you, these projects can be created in just a few hours or less.

Powerful feminist nature writing by the pioneer of women's big-wave surfing in Ireland. Easkey Britton provides a rare female perspective on surfing, exploring the mental skills it fosters, and the need to recognize the value of the ocean and of nature's cycles in our lives. This is an incredibly inspiring exploration of the sea's role in the wellness of people and the planet, beautifully written by Easkey Britton – surfer, scientist and social activist. She offers a powerful female perspective on the sea and surfing, explaining what it’s like to be a woman in a man's world and how she promoted the sport to women in Iran, surfing while wearing a hijab. She speaks of the undiscussed taboo around entering the water while menstruating – and of how she has come to celebrate her own bodily cycles. She has developed her own approach to surfing, which instead of seeking to dominate the waves, works in tune with the natural cycles of her body, the moon and the seasons. In a society that rewards busyness, she believes that understanding the influence of cycles becomes even more important – and we all have them, men and women. For Easkey, the sea is a source of mental and physical wellbeing. She explores the mental toughness needed in big-wave surfing, and presents surfing as an embodied mindfulness practice in which we can find flow and connect with the movement of the waves. She stresses the need to recognize the ocean as our most powerful ally when addressing our greatest global challenge: the climate crisis. Above all, Easkey’s relationship to the sea has taught her about the need to meet life and evolve with it, rather than seeking to control it. By such wisdom our planet might just survive and thrive.

This collection of essays presents the materials of the Third Annual Juri Lotman Days at Tallinn University in Estonia (3–5 June 2011). The participants discussed the semiotics of urban space from the perspective of the Tartu-Moscow School in comparison with contemporary approaches. This book consists of four sections. The articles in the first section discuss how “urban texts” function in modern and contemporary Baltic cultures. The papers in the second section focus on the semiotics of place in nineteenth- and twentieth-century Russian and Soviet culture from the perspective of linguistic poetics, cultural semiotics, and new materiality. The last two sections are devoted to the visual perceptions of the cityscape and their ideological interpretations as exemplified by Ukrainian, Estonian, Korean, Chinese, and North American illustrations.

In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

During refits to three ships anchored in the shallows of the Bahamas a gang infiltrate the work crew and move from ship to ship emptying the gem safe of the jewellery shop on each vessel, but they are noticed by a whistleblower. Undercover investigators board and the ship is locked down under a false quarantine. They need to find and question the whistleblower, but he has gone missing. With no one able to leave the ship desperation brews.

This fascinating book, translated from the French, explores the Yafar society, a forest people living by shifting cultivation, hunting and gathering. Based on fifteen years of research, it offers a detailed examination of all aspects of a society whose material and nutritional relations with their rainforest environment are mediated by a sociocultural system based on a carefully negotiated relationship with natural forces, and harmony between the sexes. The author shows how these basic ideas can be found in the ritualized and institutional aspects of the Yafar's social life, as well as their mythology. Rich in detail and insight, this book fully documents the Yafar's complex ritual involving a symbolic exchange with the spirit world, a secret cult, and curing rites presided over by hereditary religious officials. The author's analysis of Yafar ideologies reveals that sexual reproduction is the key to their society and the model for continuity and regeneration prescribed by nature.

Leif Wainwright is a jerk who has a hard-fast opinion about the way things are and tends to disagree with most ways. Mathematically speaking, he knows his contempt for the world around him doesn't add up, but it is all he has. So he jets forward, aligning what he can to his will and running over the rest. When Leif is not working as a salesman, he is spending time with his fourteen-year-old daughter, Sarah, writing screenplays at his local Starbucks, or playing gigs with his street musician friend, Bigfoot. But what no one knows is that Leif is standing at a crossroads. In his heart, he knows he is no longer a salesman. But what is he? As he searches for his identity, Leif embarks on a journey of self-discovery that leads him down an introspective path where he hopes the answers and the truth lie. In this colorful novel, an aspiring filmmaker / musician in the midst of a charming existential crisis sets out on a quest to seek an understanding of the world and his own life.