The legendary Spartacus is recast as a fierce female warrior in this action-packed tale of a 17-year-old princess and a handsome gladiator who dared take on the Roman Republic.

On 6 June 2004, in a quiet suburb of Riyadh, BBC security correspondent Frank Gardner and cameraman Simon Cumbers were ambushed by Islamist gunmen. Simon was killed outright. Frank was hit in the shoulder and leg. As he lay in the road, pleading for his life, a figure stood over him and pumped four more bullets into his body at point-blank range ...

Having been born in the Middle East and raised among Arabs, Christians, and Jews, Pastor Hinn has a truly unique perspective on the Middle East. He shares personal memories of growing up in the region, scriptural prophecies pertaining to the current crisis, and his own heart regarding what he believes is on the horizon. (Practical Life)

The Seductress Sexy siren Amy DeChant had a lifelong habit of finding men-- rich men-- who would take care of her. And when the money ran out, so did Amy. When she met wealthy bookie Bruce Weinstein at a poker room in Las Vegas, she had found the perfect prey... The Bookie 300-pound Bruce Weinstein was the most successful sports bookie in Las Vegas. When he met the red-haired, blue-eyed Amy DeChant, he was smitten. Amy immediately moved in with Bruce and he showered her with expensive gifts. But cars, furs and jewelry didn't hold a candle to the horde of cash Bruce had stashed in a hole in the wall of his home-- or the glittering fortune he kept in a safety deposit box... The Sin-City Murder Hoping to get her hands on Bruce's fortune, Amy murdered him and dumped his body in the Nevada desert-- then she poured industrial-strength cleaning fluid on his corpse to further decomposition. When police found the body and identified it as Weinstein's, the search for Amy was on. Finally, with the help of America's Most Wanted, the lethal lady was captured and found guilty of first-degree murder. Blood in the Sand is a fascinating case of greed, deception, and cold-blooded murder in the most outrageous city in the world.

Eight teens are dropped off on a remote west-coast island for a week-long treatment program called INTRO (Into Nature to Renew Ourselves). The story is told by two of them: Alice, whose police-officer mother believes Alice might have a substance-abuse problem, and Caleb, who assaulted his abusive stepfather. They are joined by six other miscreants and three staff: a psychologist, a social worker and an ex-cop. On the first night, one of the girls disappears from her cabin. There is a panicked search of the island, but she is nowhere to be found. The adults seem oddly ineffectual in dealing with the crisis—and then the ex-cop gets sick and dies. The radio has been sabotaged, and there is no way to call for help. When the social worker also becomes ill, the kids decide to take matters into their own hands and track down the killer.

Ancient vampire Rue keeps to herself. It makes it easier to fight the constant hunger that plagues her. That is, until the night she catches Grace-a not very good vampire hunter-stalking her through the streets of Dublin. Something about Grace is achingly familiar. And strangely irresistible. Rue soon learns that Grace is herself being hunted, and is thrown into a battle she never wanted, to save a woman who wants her dead. As Rue unravels the horrifying and treacherous plot, she also uncovers a secret about Grace that could change everything. Along the way, Rue finds herself drawn to the girl, and is forced to choose: Continue her solitary life of safety, or risk it all for love? Through it all, Rue recalls her creation and formative nights in an ancient world far from the rainy streets of Dublin, a world where she learned to live, love, hunt and kill.

In this adventure based on a true story, a Scottish soldier captured in the Napoleonic Wars converts to Islam and joins forces with the Ottoman Empire. 1807, Egypt. It is the height of the Napoleonic Wars. 6,000 British soldiers have invaded Alexandria in a bid to wrest the control of the country from the Ottoman Empire. Among their number is Private Thomas Keith of the 78th Highlanders. After the initial successful occupation of the city, however, the tide of the Alexandria campaign begins to turn against the British. At the Battle of El Hamed, Keith is captured by the Ottoman forces. While a prisoner of war, Keith is introduced to Islam and falls in love with the religion, making the decision to convert to the faith and join the Ottoman army. His conversion and skill with a sword impress the Ottoman general, who sends him to train with the Bedouin cavalry. So begins Keith’s unlikely journey up the ranks of the Ottoman military, which ultimately saw him become Emir of the Holy City of Medina . . . Praise of Blood and Sand: “[A] stirring native. . . . In this veteran British author’s hands, what might have become merely a harsh tale of violence in the deserts of Arabia becomes a memorable, sensitively rendered story.” —Publishers Weekly “An astonishing, exciting story with great imaginative power.” —The Daily Telegraph “The tone is dark and thoughtful, the detail carefully observed, and the flavor unmistakably exotic.” —The Lady

A damning portrait of the U.S.-Mexico border, where militaristic fantasies are unleashed, violent technologies are tested, and immigrants are targeted. Over the past three decades, U.S. immigration and border security policies have turned the southern states into conflict zones, spawned a network of immigrant detention centers, and unleashed an army of ICE agents into cities across the country. As award-winning journalist John Carlos Frey reveals in this groundbreaking book, the war against immigrants has been escalating for decades, fueled by defense contractors and lobbyists seeking profits and politicians--Republicans and Democrats alike--who relied on racist fear-mongering to turn out votes. After 9/11, while Americans' attention was trained on the Middle East and the wars in Iraq and Afghanistan, the War on Terror was ramping up on our own soil--aimed not at terrorists but at economic migrants, refugees, and families from South and Central America seeking jobs, safety, and freedom in the U.S. But we are no safer. Instead, families are being ripped apart, undocumented people are living in fear, and thousands of migrants have died in detention or crossing the border. Taking readers to the Border Patrol outposts, unmarked graves, detention centers, and halls of power, Sand and Blood is a frightening, essential story we must not ignore.

The second book in The Song of the Shattered Sands series--an epic fantasy with a desert setting, filled with rich worldbuilding and pulse-pounding action. Çeda, now a Blade Maiden in service to the kings of Sharakhai, trains as one of their elite warriors, gleaning secrets even as they send her on covert missions to further their rule. She knows the dark history of the asirim—that hundreds of years ago they were enslaved to the kings against their will—but when she bonds with them as a Maiden, chaining them to her, she feels their pain as if her own. They hunger for release, they demand it, but with the power of the gods compelling them, they find their chains unbreakable. Çeda could become the champion they've been waiting for, but the need to tread carefully has never been greater. After their recent defeat at the hands of the rebel Moonless Host, the kings are hungry for blood, scouring the city in their ruthless quest for revenge. Çeda's friend Emre and his new allies in the Moonless Host hope to take advantage of the unrest in Sharakhai, despite the danger of opposing the kings and their god-given powers, and the Maidens and their deadly ebon blades. When Çeda and Emre are drawn into a plot of the blood mage Hamzakiir, they learn a devastating secret that may very well shatter the power of the hated kings. But it may all be undone if Çeda cannot learn to navigate the shifting tides of power in Sharakhai and control the growing anger of the asirim that threatens to overwhelm her...

In late February and early March of 1836, the Mexican Army under the command of General Antonio López de Santa Anna besieged a small force of Anglo and Tejano rebels at a mission known as the Alamo. The defenders of the Alamo were in an impossible situation. They knew very little of the events taking place outside the mission walls. They did not have much of an understanding of Santa Anna or of his government in Mexico City. They sent out contradictory messages, they received contradictory communications, they moved blindly and planned in the dark. And in the dark early morning of March 6, they died. In that brief, confusing, and deadly encounter, one of America's most potent symbols was born. The story of the last stand at the Alamo grew from a Texas rallying cry, to a national slogan, to a phenomenon of popular culture and presidential politics. Yet it has been a hotly contested symbol from the first. Questions remain about what really happened: Did William Travis really draw a line in the sand? Did Davy Crockett die fighting, surrounded by the bodies of two dozen of the enemy? And what of the participants' motives and purposes? Were the Texans justified in their rebellion? Were they sincere patriots making a last stand for freedom and liberty, or were they a ragtag collection of greedy men-on-the-make, washed-up politicians, and backwoods bullies, Americans bent on extending American slavery into a foreign land? The full story of the Alamo -- from the weeks and months that led up to the fateful encounter to the movies and speeches that continue to remember it today -- is a quintessential story of America's past and a fascinating window into our collective memory. In A Line in the Sand, acclaimed historians Randy Roberts and James Olson use a wealth of archival sources, including the diary of José Enrique de la Peña, along with important and little-used Mexican documents, to retell the story of the Alamo for a new generation of Americans. They explain what happened from the perspective of all parties, not just Anglo and Mexican soldiers, but also Tejano allies and bystanders. They delve anew into the mysteries of Crockett's final hours and Travis's famous rhetoric. Finally, they show how preservationists, television and movie producers, historians, and politicians have become the Alamo's major interpreters. Walt Disney, John Wayne, and scores of journalists and cultural critics have used the Alamo to contest the very meaning of America, and thereby helped us all to "remember the Alamo."