She didn't know what she was--or that what she was could get her killed...A struggling private detective in Los Angeles, Chase Alcott has no idea about her unique genetic makeup. So when she takes on a new client--an old man with ulterior motives--she's unaware of the danger she'll soon face. Traveling to England to solve a mysterious murder at the request of her new client, Chase encounters terrifying creatures she thought only existed in her nightmares--only to find out she's one of them. Caught in a web of evil and deception after learning some terrifying truths about her long dead parents, Chase doesn't know who to believe. Does she dare trust the enigmatic Roman, a man with dark secrets of his own?He knew what she was--he just had no idea what to do about her...English nobleman, Roman Fernwood, half-werewolf/half-Vampire, doesn't want a mate, especially not a half human/half-weretiger with no knowledge of what she is. But there's something about Chase, Roman can't resist in spite of his determination not to fall in love. Is it her fascinating American spunk and courage or her stunning cinnamon eyes? Or could it be the passion he senses just beneath her calm, unruffled demeanor? Whatever it is, Roman must keep her safe from those who want to kill her--and find a way to show her what she is without driving her into the arms of the other Weres who also want her for a mate.

She has some deadly secrets...Tabitha Norkus wants only one thing in life--freedom from slavery for herself and the others held captive at the Lithuanian weretiger compound. When she gets the chance to escape, she grabs it. Taking three other Weres with her, she bolts for England, hoping to find sanctuary with her cousin in the British weretiger pride. But Tabbi's fierce attraction to Drake Gatos, the English pride leader terrifies her, compounding her inability to trust him. She has no doubt he's strong enough to protect her from her old pride leader. But will he? Her mind tells her, Drake's the real deal. But her heart fears that once he discovers the truth, he'll send her packing.He can't afford to let her keep them...Drake catches Tabbi and her three young charges hiding in a barn. Realizing they're on the run and terrified, he takes them into his home and offers them protection. He knows Tabbi is trouble, but she's also in trouble, and his sense of honor won't let him turn her away. His instincts warn him the woman's deep, dark secrets may endanger his whole pride. So why does he find her so irresistible? Can he gain her trust in time to get the answers he needs in order to protect her from the danger that's stalking her--or will he die trying to save her?Tabitha wants only one thing--freedom for everyone held captive at the Lithuanian weretiger compound. When she finally escapes, she bolts for England, hoping to find sanctuary with her cousin in the British weretiger pride. But will the irresistible English pride leader Drake Gatos protect her from the danger that's stalking her or will he send her packing as soon as he learns the truth about her?

She didn't know what she was-or that what she was could get her killed... A struggling private detective in Los Angeles, Chase Alcott has no idea about her unique genetic makeup. So when she takes on a new client-an old man with ulterior motives-she's unaware of the danger she'll soon face. Traveling to England to solve a mysterious murder at the request of her new client, Chase encounters terrifying creatures she thought only existed in her nightmares-only to find out she's one of them. Caught in a web of evil and deception after learning some terrifying truths about her long dead parents, Chase doesn't know who to believe. Does she dare trust the enigmatic Roman, a man with dark secrets of his own? He knew what she was-he just had no idea what to do about her... English nobleman, Roman Fernwood, half-werewolf/half-Vampire, doesn't want a mate, especially not a half human/half-weretiger with no knowledge of what she is. But there's something about Chase, Roman can't resist in spite of his determination not to fall in love. Is it her fascinating American spunk and courage or her stunning cinnamon eyes? Or could it be the passion he senses just beneath her calm, unruffled demeanor? Whatever it is, Roman must keep her safe from those who want to kill her-and find a way to show her what she is without driving her into the arms of the other Weres who also want her for a mate.

She didn't know what she was-or that what she was could get her killed...A struggling private detective in Los Angeles, Chase Alcott has no idea about her unique genetic makeup. So when she takes on a new client-an old man with ulterior motives-she's unaware of the danger she'll soon face. Traveling to England to solve a mysterious murder at the request of her new client, Chase encounters terrifying creatures she thought only existed in her nightmares-only to find out she's one of them. Caught in a web of evil and deception after learning some terrifying truths about her long dead parents, Chase doesn't know who to believe. Does she dare trust the enigmatic Roman, a man with dark secrets of his own?He knew what she was-he just had no idea what to do about her...English nobleman, Roman Fernwood, half-werewolf/half-Vampire, doesn't want a mate, especially not a half human/half-weretiger with no knowledge of what she is. But there's something about Chase, Roman can't resist in spite of his determination not to fall in love. Is it her fascinating American spunk and courage or her stunning cinnamon eyes? Or could it be the passion he senses just beneath her calm, unruffled demeanor? Whatever it is, Roman must keep her safe from those who want to kill her-and find a way to show her what she is without driving her into the arms of the other Weres who also want her for a mate.

In its seven years on television, Buffy the Vampire Slayer has earned critical acclaim and a massive cult following among teen viewers. One of the most distinguishing features of the program is the innovative way the show's writers play with language: fabricating new words, morphing existing ones, and throwing usage on its head. The result has been a strikingly resonant lexicon that reflects the power of both youth culture and television in the evolution of American slang. Using the show to illustrate how new slang is formed, transformed, and transmitted, Slayer Slang is one of those rare books that combines a serious explanation of a pop culture phenomena with an engrossing read for fans of the show, word geeks, and language professionals. Michael Adams begins his book with a synopsis of the program's history and a defense of ephemeral language. He then moves to the main body of the work: a detailed glossary of slayer slang, annotated with actual dialogue and recorded the style accepted by the American Dialect Society. The book concludes with a bibliography and a lengthy index, a guide to sources (novels based on the show, magazine articles about the show, and language culled from the official posting board) and an appendix of slang-making suffixes. Introduced by Jane Espenson, one of the show's most inventive writers (and herself a linguist), Slayer Slang offers a quintessential example of contemporary youth culture serving as a vehicle for slang. In the tradition of The Physics of Star Trek, Slayer Slang is one of those rare books that offers a serious examination a TV cult phenomenon appealing to fans and thinkers alike. A few examples from the Slayer Slang glossary: bitca n [AHD4 bitch n in sense 2.a + a] Bitch 1997 Sep 15 Whedon When She Was Bad "[Willow:] 'I mean, why else would she be acting like such a b-i-t-c-h?' [Giles:] 'Willow, I think we're all a little old to be spelling things out.' [Xander:] 'A bitca?'" break and enterish adj [AHD4 sv breaking and entering n + -ish suff in sense 2.a] Suitable for crime 1999 Mar 16 Petrie Enemies "I'll go home and stock up on weapons, slip into something a little more break and enterish." [B] carbon-dated adj [fr. AHD4 carbondating + -ed] Very out of date 1997 Mar 10 Whedon Welcome to the Hellmouth "[Buffy:] 'Deal with that outfit for a moment.' [Giles:] 'It's dated?' [Buffy:] 'It's carbon-dated.'" cuddle-monkey n [AHD4 cuddle v + monkey n in sense 2, by analogy fr. RHHDAS (also DAS3 and NTC) sv cuddle bunny 'an affectionate, passionate, or sexually attractive young woman'] Male lover 1998 Feb 10 Noxon Bewitched, Bothered, and Bewildered "Every woman in Sunnydale wants to make me her cuddle-monkey." [X]

Head, Eyes, Flesh, and Blood is the first comprehensive study of a central narrative theme in premodern South Asian Buddhist literature: the Buddha's bodily self-sacrifice during his previous lives as a bodhisattva. Conducting close readings of stories from Sanskrit, Pali, Chinese, and Tibetan literature written between the third century BCE and the late medieval period, Reiko Ohnuma argues that this theme has had a major impact on the development of Buddhist philosophy and culture. Whether he takes the form of king, prince, ascetic, elephant, hare, serpent, or god, the bodhisattva repeatedly gives his body or parts of his flesh to others. He leaps into fires, drowns himself in the ocean, rips out his tusks, gouges out his eyes, and lets mosquitoes drink from his blood, always out of selflessness and compassion and to achieve the highest state of Buddhahood. Ohnuma places these stories into a discrete subgenre of South Asian Buddhist literature and approaches them like case studies, analyzing their plots, characterizations, and rhetoric. She then relates the theme of the Buddha's bodily self-sacrifice to major conceptual discourses in the history of Buddhism and South Asian religions, such as the categories of the gift, the body (both ordinary and extraordinary), kingship, sacrifice, ritual offering, and death. Head, Eyes, Flesh, and Blood reveals a very sophisticated and influential perception of the body in South Asian Buddhist literature and highlights the way in which these stories have provided an important cultural resource for Buddhists. Combined with her rich and careful translations of classic texts, Ohnuma introduces a whole new understanding of a vital concept in Buddhists studies.

The original Orcs series continues War is throwing the land of Maras Dantia into chaos: war between the elder races and the invading humans; war between the two sects of humans themselves. As the armies gather and the magic leaks away from the land, Stryke and his warband of orcs are on the run from everyone; from the orcs that Jennasta has sent after them and from the humans who will kill any orc on sight. Stryke's quest for the artifacts that will secure the destiny of the orcs and, if they but knew it, all the races old and new in Maras Dantia, has never been more urgent and more difficult. As the net closes in and his troopers fall one by one to foes that even they never imagined in their worst dreams, time is running out for Stryke, for all orcs and for Maras Dantia.

'High energy, highly unique, swashbuckling-cop-epic-noir story. Buy it. BUY IT NOW' Sam Sykes The Greatcoats are back - and this time it's personal. How do you kill a Saint? Falcio, Brasti and Kest are about to find out, as someone is doing just that, and they've started with a friend. The Dukes were already looking for ways to weasel out of their promise to put Aline on her father's throne - but with Saints turning up dead, and Church Inquistitors pushing for control - rumours are spreading that the Gods themselves oppose her ascension. The only way Falcio can stop the country turning into a vicious theocracy is to find and stop the Saint-killer - but his only clue is the iron mask encasing the head of the Saint of Mercy, which prevents her from speaking. And even if he can find the murderer, he will still have to face them in battle - and this may be a duel that no swordsman, no matter how skilled, can win.

The familiar story of the Civil War tells of a predominately agricultural South pitted against a rapidly industrializing North. However, Adam Wesley Dean argues that the Republican Party's political ideology was fundamentally agrarian. Believing that small farms owned by families for generations led to a model society, Republicans supported a northern agricultural ideal in opposition to southern plantation agriculture, which destroyed the land's productivity, required constant western expansion, and produced an elite landed gentry hostile to the Union. Dean shows how agrarian republicanism shaped the debate over slavery's expansion, spurred the creation of the Department of Agriculture and the passage of the Homestead Act, and laid the foundation for the development of the earliest nature parks. Spanning the long nineteenth century, Dean's study analyzes the changing debate over land development as it transitioned from focusing on the creation of a virtuous and orderly citizenry to being seen primarily as a "civilizing" mission. By showing Republicans as men and women with backgrounds in small farming, Dean unveils new connections between seemingly separate historical events, linking this era's views of natural and manmade environments with interpretations of slavery and land policy.