The White Sister... The Bony Lady... The Godmother... The Pretty Girl... This is Santa Muerte, personification of death. A veiled skeleton with an unquenchable thirst for destruction, Santa Muerte is Mexico’s grim and vengeful goddess. She is worshipped by outcasts and sinners, those for whom the traditional Christian deities of Jesus and the Virgin Mary have no place. For the notorious drug cartels, Santa Muerte is venerated as the saint who does not judge. She provides divine protection against authority and from rival gangs, demanding human sacrifice in return. The cult of Santa Muerte has become inextricably linked to the Mexican cartels over the past decade, resulting in barbaric rituals that have escalated the tide of violence across the streets. Bodies of cartel members are executed en masse at Santa Muerte shrines, and rumors abound of even worse atrocities in the name of magical protection. This book is the story of unholy alliance, of drug gangs and Santa Muerte, and a galvanic passion for blood and death.

In the early 1990s, Swedish death metal revolutionized the international music scene. Suddenly, the mild-mannered Scandinavian country found itself at the forefront of a new movement with worldwide impact thanks to bands such as Entombed, Dismember, and At the Gates. The birth of black metal drove the culture to even greater extremes, featuring a rawer, darker sound and non-ironic death-worship. Soon churches in both Norway and Sweden were aflame, and be- fore long Satanism emerged as more than just an image. But how did it all start? Why did Sweden become a hotbed for such aggressive, nihilistic music? And who are the people and bands that brought it all about? Blood, Fire, Death: A Swedish Metal Story recounts the evolution of the genre from the massive amplifier walls of 1970s rock, through the church-burning Satanic 1990s, to the diverse and paradoxical manifestations of the scene today. This book focuses on the phenomena that have propelled the scene forward in an evolution that has not only been musical, but aesthetic and ideological as well. This is a story about grotesque logos and icons that invoke death and darkness, but also a story of dedication, friendship, community, and a profound love for music.

One Blood traces both the life of the famous black surgeon and blood plasma pioneer Dr. Charles Drew and the well-known legend about his death. On April 1, 1950, Drew died after an auto accident in rural North Carolina. Within hours, rumors spread: the man who helped create the first American Red Cross blood bank had bled to death because a whites-only hospital refused to treat him. Drew was in fact treated in the emergency room of the small, segregated Alamance General Hospital. Two white surgeons worked hard to save him, but he died after about an hour. In her compelling chronicle of Drew's life and death, Spencie Love shows that in a generic sense, the Drew legend is true: throughout the segregated era, African Americans were turned away at hospital doors, either because the hospitals were whites-only or because the 'black beds' were full. Love describes the fate of a young black World War II veteran who died after being turned away from Duke Hospital following an auto accident that occurred in the same year and the same county as Drew's. African Americans are shown to have figuratively 'bled to death' at white hands from the time they were first brought to this country as slaves. By preserving their own stories, Love says, they have proven the enduring value of oral history. General Interest/Race Relations

“Inspiring and deeply distressing.” —Ezekiel J. Emanuel, author of Which Country Has the World’s Best Health Care? How did a lifesaving medical breakthrough become a for-profit enterprise that threatens many of the people it’s meant to save? Six decades ago, visionary doctors achieved the impossible: the humble kidney, acknowledged since ancient times to be as essential to life as the heart, became the first human organ to be successfully replaced with a machine. Yet huge dialysis corporations, ambitious doctor-entrepreneurs and Beltway lobbyists soon turned this medical miracle into an early experiment in for-profit medicine—and one of the nation’s worst healthcare catastrophes. With powerful insight and on-the-ground reporting, New York Times best-selling author Tom Mueller introduces an unforgettable cast of characters. Heroic patients, including a Hollywood stuntman and body double, risk their lives to blow the whistle on how they’ve been mistreated. An unpaid activist living in a south Georgia trailer park fights to save patients from involuntary discharge from their lifesaving care. Industry insiders put their careers on the line to speak out about the endemic wrongs and pervasive inequality they’ve witnessed—and about dialysis executives who dress as musketeers and Star Wars characters to exhort their employees to more aggressive profit-seeking. Mueller evokes the scientific ingenuity and optimism of the 1950s and 1960s, when the burgeoning field of organ transplant and early dialysis machines offered long-awaited hope for lifesaving care. That is, until a New York salesman had himself dialyzed on the floor of the House, and Congress made renal disease the only “Medicare for All” condition—opening the financial floodgates for Big Dialysis. Of the thousands caught in a web of corporate greed, a disproportionate number are Black and Latino, highlighting the stark racial divides already endemic to American medicine. How to Make a Killing reveals dialysis as a microcosm of American medicine and poses a vital challenge: find a way to fix dialysis, and we’ll have a fighting chance of fixing our country’s dysfunctional healthcare system as a whole, restoring patients, not profits, as its true purpose.

After six months on leave in Maine, Homicide Detective Brie Beaumont returns home to Minnesota to make decisions about her life and career with the Minneapolis Police Department. But her partner's death still haunts her, and she soon realizes that, to be whole again, she must solve the case of Detective Phil Thatcher's murder-a case that went cold eighteen months ago. But threatening letters, a shadowy character, and a shooting on the North Shore where she is vacationing make Brie question her decision. When a tip from a confidential informant reveals surprising and disturbing new information about the case, Brie decides to undergo hypnosis in an attempt to recover the missing pieces from that terrible night in North Minneapolis. With locales on the north shore of Lake Superior, Minneapolis, and the coast of Maine, Death in the Blood Moon provides a canvas rich in both characters and settings as this page-turning double mystery unfolds.

Have you ever been locked in a cooler with piles of decomposing humans for so long that you had to shave all the hair off your body in order to get rid of the smell? Joseph Scott Morgan did. Have you ever lit a Marlboro from the ignited gas of a bloated dead man's belly? Joseph Scott Morgan has. Have you ever wept over a dead dog while not giving a shit about the dead owner laying next him? Morgan did. Were you named after a murder victim? Joseph Scott Morgan was. This isn't Hollywood fantasy—it's the true story of a boy born into the deprivations of a white trash trailer park who as an adult gets further involved in the desperate backdoor sagas of the "new South." No hot blondes here, just maggots, grief, and the truth about forensics and death investigation. Joseph Scott Morgan became a death investigator with the Jefferson Parish Coroner's Office in suburban New Orleans in 1987, the youngest medicolegal death investigator in the country. During the day, Morgan worked in the morgue, and at night investigated for the coroner. In 1992 Morgan became senior investigator with the Fulton County Medical Examiner's Office in Atlanta. Morgan is now a college professor at North Georgia College and State University, where he teaches a death investigation course based on the national standards which he helped develop. He and his family reside in the Blue Ridge Mountains of north Georgia.

25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

Estimation of the Time Since Death remains the foremost authoritative book on scientifically calculating the estimated time of death postmortem. Building on the success of previous editions which covered the early postmortem period, this new edition also covers the later postmortem period including putrefactive changes, entomology, and postmortem r

The tears of Alexander shall flow, giving bread and freedom . . . 612 AD. Egypt, the jewel of the Roman Empire, seethes with unrest, as bread runs short and the Persians plot an invasion. In Alexandria, a city divided between Greeks and Egyptians by language, religion and far too few soldiers, the mummy of the Great Alexander, dead for nine hundred years, still has the power to calm the mob - or inflame it . . . In this third novel of the series, Aelric of England has become the Lord Senator Alaric and the trusted Legate of the Emperor Heraclius. He's now in Alexandria, to send Egypt's harvest to Constantinople, and to force the unwilling Viceroy to give land to the peasants. But the city - with its factions and conspirators - thwarts him at every turn. And when an old enemy from Constantinople arrives, supposedly on a quest for a religious relic that could turn the course of the Persian war, he will have to use all his cunning, his charm and his talent for violence to survive. NB - This new edition contains sixty pages from the rejected first draft. These were considered too shocking for a book already loaded with extreme and graphic violence. Praise for the Novels of Richard Blake 'Fascinating to read, very well written, an intriguing plot and I enjoyed it very much.' - Derek Jacobi, star of I Claudius and Gladiator 'Vivid characters, devious plotting and buckets of gore are enhanced by his unfamiliar choice of period.... Nasty, fun and educational.' - The Daily Telegraph 'He knows how to deliver a fast-paced story and his grasp of the period is impressively detailed.' - The Mail on Sunday 'A rollicking and raunchy read . . . Anyone who enjoys their history with large dollops of action, sex, intrigue and, above all, fun will absolutely love this novel.' - Historical Novels 'It would be hard to over-praise this extraordinary series, a near-perfect blend of historical detail and atmosphere with the plot of a conspiracy thriller, vivid characters, high philosophy and vulgar comedy.' - The Morning Star Richard Blake is a pseudonym for Sean Gabb, who is an historian, writer and university lecturer. He lives in Kent with his wife and daughter.