Anna Caldwell has spent the last few days in a blur. She's seen her brother's dead body, witnessed the shooting of innocent civilians, and been shot at herself. Now she has nowhere to turn-and only one person she can possibly call. Since Anna dumped him, it seems waiting is all Josiah Wolfe has done. Now, she's calling, and she needs his help, or rather, the 'talents' she once ran away from. As a liquidation agent, Josiah knows everything about getting out of tough situations. He'll get whatever she's carrying to the proper authorities, then settle down to making sure she doesn't leave him again. But the story Anna's stumbled into is far bigger than even Josiah suspects. Anna wants to survive, Josiah wants Anna back, and the powerful people chasing her want the only thing worth killing for -- immortality. An ancient evil has been trapped, a woman is in danger, and the world is going to see just how far a liquidation agent will go . . .

A brand new thriller with a supernatural twist from New York Times bestselling author Lilith Saintcrow. Anna Caldwell has spent the last few days in a blur. She's seen her brother's dead body, witnessed the shooting of innocent civilians, and been shot at herself. Now she has nowhere to turn-and only one person she can possibly call. Since Anna dumped him, it seems waiting is all Josiah Wolfe has done. Now, she's calling, and she needs his help -- or rather, the "talents" she once ran away from. As a liquidation agent, Josiah knows everything about getting out of tough situations. He'll get whatever she's carrying to the proper authorities, then settle down to making sure she doesn't leave him again. But the story Anna's stumbled into is far bigger than even Josiah suspects. Anna wants to survive, Josiah wants Anna back, and the powerful people chasing her want the only thing worth killing for -- immortality. An ancient evil has been trapped, a woman is in danger, and the world is going to see just how far a liquidation agent will go. . .

Two sisters reckon with their toxic parents through the decline and death of their outlandishly tyrannical mother and with the care of their psychologically terrorized father, all relayed with dark humor and brutal honesty in this award-winning “brilliantly-written memoir... [that] reads like a novel” (best-selling author Margaret Atwood via Twitter). When her elderly mother is hospitalized unexpectedly, Vicki Laveau-Harvie and her sister travel to their parents' ranch home in Alberta, Canada, to help their father. Estranged from their parents for many years, they are horrified by what they discover on their arrival. For years their mother has camouflaged her manic delusions and savage unpredictability, and over the decades she has managed to shut herself and her husband away from the outside world, systematically starving him and making him a virtual prisoner in his own home. Rearranging their lives to be the daughters they were never allowed to be, the sisters focus their efforts on helping their father cope with the unending manipulations of their mother and encounter all the pressures that come with caring for elderly parents. And at every step they have to contend with their mother, whose favorite phrase during their childhood was: "I'll get you and you won't even know I'm doing it." Set against the natural world of the Canadian foothills ("in winter the cold will kill you, nothing personal"), this memoir—at once dark and hopeful—shatters precedents about grief, anger, and family trauma with surprising tenderness and humor.

Vampires are real! Vampire Central beats in the heart of San Francisco, where the King of the Devil’s Coven, Eirik Bjorn, has ruled over the Unnatural Brethren for centuries. But when the heir of The Dragon lineage defies the millenary vampire leader, chaos ensues, and the aftermath spoils everything for the vampire Ivan Lockhart. Lockhart’s sole wish is to hunt in peace and enjoy the luxuries of his new life in San Francisco, but trouble looms on the horizon, and a call from someone who’d he thought lost to him forever only makes matters worse... Readers who love A Discovery of Witches will love The Unnatural Brethren series! ◆ Excerpt from Call of Blood: Ivan took the first step down the narrow stairway, Phillip and the rest followed. As they descended, the temperature shifted, quickly becoming cooler and moist. A few feet ahead, flickering torchlight bathed the walls, while behind them, pitch darkness swallowed the tunnel. They reached a vast circular room at the end of the stairs. Intricately ornamented pillars prolonged into high-arches that stretched into a rib-vaulted ceiling. Two other tunnels as the one that had led them to this ancient hall were carved into the stone, running deep. Beyond what seemed like a ceremonial antechamber lay another room. Inside, Phillip discovered a dais that led to an empty chair carved in mahogany, lined with red velvet and embroidered in gold. The chair stood beneath a red velvet baldachin. This was no ordinary chair. Phillip had heard the stories, but he never imagined one day he'd be standing before the Red Throne. "I don't like this at all," Phillip said. "There's no one here" "I wouldn't say that." Ivan sniggered, pointing at a headless corpse on the ground, its head, carefully placed on the dais' first step. Revolting. Dozens of red velvet banners hung from the ceiling; embroidered in them was the same sigil he'd found on the throne. "The Dragon..." Phillip mused. © Silvana G. Sánchez 2020

An analysis challenging contemporary,anthropological understanding of kinship,structures.,.

The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune

Let sleeping dogs lie… Don’t stir up the past. Especially when that past is an ancient, feral vampire sleeping at the bottom of an aged cobblestone well, one who is famished for blood, determined to claim you, and haunted by mystical shadows…remnants from the past. Long ago, in a Romanian castle, the last females of a dying race called him Nanaşule. Godfather. One who wields the powers of the gods, yet behaves as Father, one who is both respected and beloved…at least before the Blood Curse. One who hails from a long line of powerful mages who served the monarchy faithfully. But something is different about Fabian Antonescu. He is haunted by visions of a golden hawk and a copper-eyed raven—cryptic vials of blood—and he will do anything to remain one step ahead of his memories. For the secrets shrouded in the fog could change everything. Gwendolyn Hamilton, as strong as she is, has already survived the unthinkable. She didn’t ask to be thrust into a predatory world of vampires, warriors, and ancient mages. She didn’t ask to be taken by Fabian. Yet one touch of a stone, one electrical current, one fateful moment when a vampire’s eyes met hers were more than enough to set off an explosion — and cause a thunderous BLOOD ECHO. If she hopes to survive, she must answer back… To the call of the wild ~ to a savage vampire. To the demands of antiquity in a modern world. To the threat and promise of a looming Blood Moon ~ and the destiny that awaits her.

Blood, in Gil AnidjarÕs argument, maps the singular history of Christianity. A category for historical analysis, blood can be seen through its literal and metaphorical uses as determining, sometimes even defining, Western culture, politics, and social practices and their wide-ranging incarnations in nationalism, capitalism, and law. Engaging with a variety of sources, Anidjar explores the presence and the absence, the making and unmaking of blood in philosophy and medicine, law and literature, and economic and political thought, from ancient Greece to medieval Spain, from the Bible to Shakespeare and Melville. The prevalence of blood in the social, juridical, and political organization of the modern West signals that we do not live in a secular age into which religion could return. Flowing across multiple boundaries, infusing them with violent precepts that we must address, blood undoes the presumed oppositions between religion and politics, economy and theology, and kinship and race. It demonstrates that what we think of as modern is in fact imbued with Christianity. Christianity, Blood fiercely argues, must be reconsidered beyond the boundaries of religion alone.