An action-packed historical novel whose charismatic characters take the reader from the roaring twenties to the fiery nineties in America's favorite left coast city. Los Angeles has never been better portrayed than by novelist James Oliver Goldsborough in Blood and Oranges. Blood and Oranges: The Story of Los Angeles tells the story of how Los Angeles got that way— you know, THAT way, with Hollywood, mega-churches, impossible traffic, oil wells on the beaches, murders in the foothills, and riots in the suburbs. You have to go back a ways to understand, back to when the water came. Twin brothers Willie and Eddie Mull, a preacher and a high roller, arrive with the water and set out to make their marks. They rise with the city and reach the top. The brothers have much to answer for, especially to their children. Maggie and Lizzie, Eddie’s daughters, don’t like Eddie’s mob ties, oil wells, or his gambling ship in Santa Monica Bay. Cal Mull, Willie’s son, watches his father rise to become the nation’s top evangelistic preacher, but like his idol, St. Augustine, Willie is weak in the flesh. Maggie, an aviator, wants women to fly in the war, but must get past Howard Hughes and find help in Washington. Lizzie works for the LA Times, wants women to be able to write for more than just the society pages in the paper, and does her best to get crime out of the D.A.’s department. (And what happened to the trolleys that once covered 1,100 miles of city streets, half the distance to Chicago?) The second generation of the family reacts to the first, but then must face the revolt of its own children. In Blood and Oranges, we follow and fall in love with the City of Angels as it transforms itself over three generations, rolling with the waves that lap its Pacific shores, a place of plazas and orange groves becoming something unrecognizable to those who knew it even a half century earlier. It is the story of a family with its fingers in the seminal events of a city’s history—the rise and fall of institutions, neighborhoods, citizens, of the very land itself, constantly threatened by the people who call themselves its stewards.

No synopsis or comparison can convey the novel's lyric comedy or, indeed, its sinister power—sinister because of the strength of will Cyril exerts over his wife, his mistress, his wife's reluctant lover; lyric, since he is also a “sex-singer" in the land where music is the food of love. "Need I insist that the only enemy of the mature marriage is monogamy? That anything less than sexual multiplicity . . . is naive? That our sexual selves are merely idylers in a vast wood?" Thus the central theme of John Hawkes's widely acclaimed novel The Blood Oranges is boldly asserted by its narrator, Cyril, the archetypal multisexualist. Likening himself to a white bull on Love's tapestry, he pursues his romantic vision in a primitive Mediterranean landscape. There two couples—Cyril and Fiona, Hugh and Catherine—mingle their loves in an "lllyria" that brings to mind the equally timeless countryside of Shakespeare's Twelfth Night.

Blood Oranges traces the origins and legacy of racial differences between Anglo Americans and ethnic Mexicans (Mexican nationals and Mexican Americans) in the South Texas borderlands in the twentieth century. Author Tim Bowman uncovers a complex web of historical circumstances that caused ethnic Mexicans in the region to rank among the poorest, least educated, and unhealthiest demographic in the country. The key to this development, Bowman finds, was a “modern colonization movement,” a process that had its roots in the Mexican-American war of the nineteenth century but reached its culmination in the twentieth century. South Texas, in Bowman’s words, became an “internal economy just inside of the US-Mexico border.” Beginning in the twentieth century, Anglo Americans consciously transformed the region from that of a culturally “Mexican” space, with an economy based on cattle, into one dominated by commercial agriculture focused on citrus and winter vegetables. As Anglos gained political and economic control in the region, they also consolidated their power along racial lines with laws and customs not unlike the “Jim Crow” system of southern segregation. Bowman argues that the Mexican labor class was thus transformed into a marginalized racial caste, the legacy of which remained in place even as large-scale agribusiness cemented its hold on the regional economy later in the century. Blood Oranges stands to be a major contribution to the history of South Texas and borderland studies alike.

My name’s Quinn. If you buy into my reputation, I’m the most notorious demon hunter in New England. But rumors of my badassery have been slightly exaggerated. Instead of having kung-fu skills and a closet full of medieval weapons, I’m an ex-junkie with a talent for being in the wrong place at the right time. Or the right place at the wrong time. Or…whatever. Wanted for crimes against inhumanity I (mostly) didn’t commit, I was nearly a midnight snack for a werewolf until I was “saved” by a vampire calling itself the Bride of Quiet. Already cursed by a werewolf bite, the vamp took a pint out of me too. So now…now, well, you wouldn’t think it could get worse, but you’d be dead wrong.

A Study Guide for Lisel Mueller's "Blood Oranges," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

DIVDIVTroy Blacklaws’s follow-up to his internationally acclaimed Karoo Boy is the bittersweet tale of a South African boy coming of age during apartheid/divDIV Gecko’s childhood is one of sheltered, almost magical innocence on a farm in Natal. He spends his days taking barefoot expeditions with his dogs and his nights listening to Springbok Radio, unaware of the cruel force in his life that apartheid will soon become. With the start of high school in the Cape, Gecko is thrust into a political and personal awakening that is both tragic and heartfelt. With conscription into the South African army looming over him, Gecko’s future is as uncertain as his country’s. Blood Orange evokes the absurdity, longing, and fear of growing up white in the last decades of apartheid./div/div

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The tangy, juicy sweetness of oranges has made them a mainstay on our breakfast tables, as snacks, and even as healthy desserts. Indeed, oranges and orange juices are so ubiquitous nowadays that we take them for granted—but their journey to our supermarket shelves is a long and tantalizing story, as Clarissa Hyman reveals in Oranges. Following the orange from its origins in the Mediterranean world to the grocery produce section, Hyman illuminates the wide-ranging cultural resonance and culinary presence of the popular fruit. Charting the arrival of bitter and sweet oranges in the Mediterranean, where they were seen as a gift from the gods, Hyman chronicles their dramatic voyage to the Americas and the impact they had on agriculture, garden design, and architecture along the way. She surveys the many varieties of oranges that now exist and analyzes their status as symbols of great wealth in art, an inspiration for poets and painters, and a source of natural health. Dealing with the practical complexities of orange cultivation, she details the challenges facing modern producers and consumers across the globe. Packed with delicious recipes and luscious photos, Oranges is a refreshing look at the king of citrus.