Buffoon doesn't look like much of a race horse. He's awkward and ugly. But Tess senses something special in him. Together, the unloved horse and the stubborn girl will forge a bond that will take them further than anyone could have imagined... An touching tale of how friendship can prevail when the odds are stacked against you.

A Color Blind Beauty By: The Families What would be of humanity if she does not know flowers whilst love remains the answer to our living world of understanding? A Color Blind Beauty is a romance novel that profoundly speaks of why our difference should be our strength as it allows us a brilliant perception towards race, religion, gender equality, politics, and nationality. Mr. Wade was born to an Irish American mother and African father. His wellness signifies love above hate, and he is lucky to have found a colorblind beauty for a sweetheart. She works as an event organizer with the State Government of Illinois, where she hails from, while he starts as an unknown writer. It is the supreme power of love against all forms of challenge. Their love story will remind the world and her people about the importance of such unions. Take the journey and unfold the mystery of this wonderful novel.

Pasternak's lost work, an unfinished play, come to light nine years after his death.

“Accessible and authoritative . . . While we may not have much power to eradicate our own prejudices, we can counteract them. The first step is to turn a hidden bias into a visible one. . . . What if we’re not the magnanimous people we think we are?”—The Washington Post I know my own mind. I am able to assess others in a fair and accurate way. These self-perceptions are challenged by leading psychologists Mahzarin R. Banaji and Anthony G. Greenwald as they explore the hidden biases we all carry from a lifetime of exposure to cultural attitudes about age, gender, race, ethnicity, religion, social class, sexuality, disability status, and nationality. “Blindspot” is the authors’ metaphor for the portion of the mind that houses hidden biases. Writing with simplicity and verve, Banaji and Greenwald question the extent to which our perceptions of social groups—without our awareness or conscious control—shape our likes and dislikes and our judgments about people’s character, abilities, and potential. In Blindspot, the authors reveal hidden biases based on their experience with the Implicit Association Test, a method that has revolutionized the way scientists learn about the human mind and that gives us a glimpse into what lies within the metaphoric blindspot. The title’s “good people” are those of us who strive to align our behavior with our intentions. The aim of Blindspot is to explain the science in plain enough language to help well-intentioned people achieve that alignment. By gaining awareness, we can adapt beliefs and behavior and “outsmart the machine” in our heads so we can be fairer to those around us. Venturing into this book is an invitation to understand our own minds. Brilliant, authoritative, and utterly accessible, Blindspot is a book that will challenge and change readers for years to come. Praise for Blindspot “Conversational . . . easy to read, and best of all, it has the potential, at least, to change the way you think about yourself.”—Leonard Mlodinow, The New York Review of Books “Banaji and Greenwald deserve a major award for writing such a lively and engaging book that conveys an important message: Mental processes that we are not aware of can affect what we think and what we do. Blindspot is one of the most illuminating books ever written on this topic.”—Elizabeth F. Loftus, Ph.D., distinguished professor, University of California, Irvine; past president, Association for Psychological Science; author of Eyewitness Testimony

Stories of blind people who use creativity and determination to live the life of their dreams. Also includes lists of resources for advocacy, rehabilitation, recreation, and support systems for the blind.

The blind photographer cannot see a butterfly perched perfectly still on a flower, a bowl of sweet-smelling fruit, or a child's rattle on a darkened floor, but the mind's eye is sharply focused. How then, do blind or partially sighted people capture such extraordinary images? The photographs in this revelatory book suggest a deeper truth: that blindness is itself a kind of seeing, and that those who can see are often blind to the strangeness and beauty of the world around them. As the blind photographer Evgen Bavcar writes, "Photography must belong to the blind, who in their daily existence have learned to become the masters of camera obscura." Through the photographs of more than fifty blind or partially sighted people from around the world, this exhilarating book—the first to explore this phenomenon in all its vibrancy and diversity—will make you see differently.

First published in hardcover by Viking, 2014.

Fourteen-year-old Natalie O'Reilly's world is turned upside down with the news that she will soon go blind. As if this weren't shocking enough, she is forced to face the fact that she must now attend a school for the blind to learn Braille and how to use a cane. As Natalie tackles the skills that will help her to survive in a sighted world, she inwardly hopes for a miracle that will save her sight. But will that miracle come, or will she need to learn to embrace her new life?

Throughout the twentieth century and continuing today, personifications of Russia as a bride occur in a wide range of Russian texts and visual representations, from literature and political and philosophical treatises to cartoons and tattoos. Invariably, this metaphor functions in the context of a political gender allegory, which represents the relationships between Russia, the intelligentsia, and the Russian state, as a competition of two male suitors for the former’s love. In Unattainable Bride Russia, Ellen Rutten focuses on the metaphorical role the intelligentsia plays as Russia’s rejected or ineffectual suitor. Rutten finds that this metaphor, which she covers from its prehistory in folklore to present-day pop culture references to Vladimir Putin, is still powerful, but has generated scarce scholarly consideration. Unattainable Bride Russia locates the cultural thread and places the political metaphor in a broad contemporary and social context, thus paying it the attention to which it is entitled as one of Russia’s modern cultural myths.

Blindness has always fascinated those who can see. Although modern imaginative portrayals of the sightless experience are increasingly positive, the affirmative elements of these renderings are inevitably tempered and problematized by the visual predilections of the artists undertaking them. This book explores a variety of the (dis)continuities between depictions of the sightless experience of beauty by sighted artists and the lived aesthetic experiences of blind people. It does so by pressing a radical interdisciplinary reinterpretation of celebrated dramatic portrayals of blindness into service as a tool with which to probe the boundaries of the capacities of the sighted imagination while exploring the sensory detriment of our visually fixated notions of beauty. Works by J. M. Synge, W. B. Yeats, and Brian Friel are explored as a means of crafting a workable and innovative medium of theoretical and experiential exchange between the disciplines of literature, aesthetics, and disability studies. In addition to appraising previously unexamined aspects of the work of three of Ireland's most celebrated modern dramatists, this book considers the consequences for blind people of the exclusionary and prohibitive elements of traditional aesthetic theory and art education. The insights yielded will be of value to those with an interest in modern literature, differential aesthetics, visual culture, perception, and the experience of blindness.