CONTRIBUTIONS TO THE SOCIOLOGY OF LANGUAGE brings to students, researchers and practitioners in all of the social and language-related sciences carefully selected book-length publications dealing with sociolinguistic theory, methods, findings and applications. It approaches the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches, theoretical and empirical, supplement and complement each other. The series invites the attention of linguists, language teachers of all interests, sociologists, political scientists, anthropologists, historians etc. to the development of the sociology of language.

Translation is everywhere, and matters to everybody. Translation doesn't only give us foreign news, dubbed films and instructions for using the microwave: without it, there would be no world religions, and our literatures, our cultures, and our languages would be unrecognisable. In this Very Short Introduction, Matthew Reynolds gives an authoritative and thought-provoking account of the field, from ancient Akkadian to World English, from St Jerome to Google Translate. He shows how translation determines meaning, how it matters in commerce, empire, conflict and resistance, and why it is fundamental to literature and the arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

“Kristin Swenson offers a confident, well-paced, well-informed, and accessible guide to Bible basics and biblical literacy.” — Walter Brueggemann, author of An Unsettling God: The Heart of the Hebrew Bible Bible Babel, from author and religious studies professor Kristin Swenson, is a lively, humorous, and very readable introduction to the Bible—what’s in it, where it comes from, and how it is used in our culture today. If you’ve ever wondered about the origin of the Christian fish symbol; the history of the Good Book; how the Bible weighs in on contemporary political issues; or even the biblical source of pop-culture references in WALL-E or Battlestar Galatica, then this is the book for you. Readers of A. J. Jacobs’s Year of Living Biblically and David Plotz’s Good Book will enjoy Bible Babel, a perfect primer for anyone interested in the Bible—secular and believing alike.

The Tower of Babel: The Cultural History of Our Ancestors reveals our shared ancestry as never before! Many are familiar with the Biblical account of Babel, but after the dispersal, there was a void beyond Biblical history until empires like Rome and Greece arose. Now, discover the truth of these people groups and their civilizations that spread across the earth and trace their roots back to Babel as well as to the sons and grandsons of Noah. Many of today's scholars write off what occurred at the Tower of Babel as mythology and deny that it was a historical event. Beginning with the Biblical accounts, author Bodie Hodge researched ancient texts, critical clues, and rare historic records to help solve the mystery of what became of the failed builders of Babel. For the purpose of defending the Bible, Hodge presents these and other vital historical facts surrounding this much-debated event. Teens and older can use this layman's reference for Biblical classes, ancient history, apologetics training, and to realize their own cultural connection to the Bible.

The book of Genesis contains some of the most beautiful and well-known stories in the Bible: the garden, the flood, the tower of Babel, and the lives of the patriarchs. But these are more than just good stories. They lay the groundwork for God's relationship with humanity and for his plan for our salvation, making Genesis foundational to understanding everything else that happens in the Bible. Genesis reveals much about human nature and the nature of God. From the actions of the first man and woman, we see where our rebellious, sinful nature originates. And through the whole book we see the hand of a sovereign God who is loving and merciful, but also just and holy. Time and again in Genesis, God showers his grace upon undeserving humanity, giving us our first tastes of God's enduring faithfulness that shines throughout the entire Bible. R. Kent Hughes, respected pastor and author of many other commentaries in the Preaching the Word series, takes readers back to the beginning of the Bible and moves through Genesis with careful exegesis. He explores the superbly crafted structure of the book as well as the weighty themes it contains. For those who preach, teach, and study God's Word, this exceptionally detailed work will reveal much about the beginnings of God's great story. Part of the Preaching the Word series.

In Babel's Tower Translated, Phillip Sherman explores the narrative of Genesis 11 and its reception and interpretation in several Second Temple and Early Rabbinic texts (e.g., Jubilees, Philo, Genesis Rabbah). The account of the Tower of Babel (Genesis 11:1-9) is famously ambiguous. The meaning of the narrative and the actions of both the human characters and the Israelite deity defy any easy explanation. This work explores how changing historical and hermeneutical realities altered and shifted the meaning of the text in Jewish antiquity.

An invitation to listen in on, and perhaps join in, the voyage of mutual discovery between God and humanity which is the central thread of the book of Genesis.

This innovative collection of essays shows how linguistic diversity has inspired people across time and cultures to embark on adventurous journeys through the translation of texts. It tells the story of how ideas have travelled via the medium of translation into different languages and cultures, focusing on illustrated examples ranging from Greek papyri through illuminated manuscripts and fine early books to fantasy languages (such as J.R.R. Tolkien's Elvish), the search for a universal language and the challenges of translation in multicultural Britain.Starting with the concept of Babel itself, which illustrates the early cultural prominence of multilingualism, and with an illustration of a Mediterranean language of four millennia ago (Linear A) which still resists deciphering, it goes on to examine how languages have interacted with each other in different contexts.The book also explores the multilingual transmission of key texts in religion, science (the history of Euclid), animal fable (from Aesop in Greek to Beatrix Potter via La Fontaine, with some fascinating Southeast Asian books), fairy-tale, fantasy and translations of the great Greek epics of Homer.It is lavishly illustrated with a diverse range of material, from papyrus fragments found at Oxyrhynchus to Esperanto handbooks to Asterix cartoons, each offering its own particular adventure into translation.

What is the future of languages in an increasingly globalized world? Are we moving toward the use of a single language for global communication, or are there ways of managing language diversity at the international level? Can we, or should we, maintain a balance between the global need to communicate and the maintenance of local and regional identities and cultures? What is the role of education, of language rights, of language equality in this volatile global linguistic mix? A group of leading scholars in sociolinguistics and language policy examines trends in language use across the world to find answers to these questions and to make predictions about likely outcomes. Highlighted in the discussion are, among other issues, the rapidly changing role of English, the equally rapid decline and death of small languages, the future of the major European languages, the international use of constructed languages like Esperanto, and, not least, the question of what role applied scholarship can and should play in mapping and influencing the future.

Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.