Though usually classified as a Romantic, Blake subverts and dissolves the binaries on which Romanticism turns: self and other, art and nature, country and city. Rather than reject the city outright like many of his contemporaries, Blake embraces it as the intricate workshop of human imagination. Each chapter of this book focuses on a specific text of Blake's that illustrates a particular conception of metaphorical embodiment of the city. These shifting metaphors emphasize the construction of all human environments and the need for imaginative labor to build and interpret them. This study seeks to bridge a gap between transcendent and historicist readings of Blake while at the same time challenging assumptions that still color our view of the city in the twenty-first century. Jennifer Davis Michael is Associate Professor of English at the University of the South.

In 1917, women won the vote in New York State. Suffrage and the City explores how activists in New York City were instrumental in achieving this milestone. Santangelo uncovers the ways in which the demand for women's rights intersected with the history, politics, and culture of New York City in the Gilded Age and Progressive Era. The fight for the vote in the nation's largest metropolis demanded that suffragists both mobilize and contest urban etiquette, as they worked to gain visibility and underscore their cause's respectability. From the Polo Grounds to the Lower East Side, organizers championed political equality to anyone who would listen in the early twentieth century. Their Fifth Avenue parades showcased the various Manhattan subcultures, including industrial laborers, teachers, nurses, and even socialites, that they transformed into a broad coalition by the 1910s. Films and newspapers broadcasted their tactics to rest of the country, just as the national suffrage organization decided to draw on Gotham's resources by moving its own headquarters to midtown and thereby turning Manhattan into the movement's capital. The city's mores, rhythms, and physical layout helped to shape what was possible for organizers campaigning within it. At the same time, suffragists helped to redefine the urban experience for white, middle-class women. Combining urban studies, geography, and gender and political history, Suffrage and the City demonstrates that the Big Apple was more than just a stage for suffrage action; it was part of the drama. As much as enfranchisement was a political victory in New York State, it was also a uniquely urban and cultural one.

Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.

The twenty contributors to this volume offer a new perspective on the relationship between Blake's poetry and his visionary forms. Their illustrated discussions explore and debate the nature of Blake's mixed art and the energetic interaction of text and design. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Blake's 7, Terry Nation's science fiction tale of cosmic freedom fighters, became a hit series in Great Britain when it premiered in 1978. Eight years later, the show quickly became a cult program in America. A dramatization of futuristic outlaw heroes who defend the innocent from both alien and human conquering forces, the series might better be said to be equal parts Robin Hood and The Magnificent Seven. The series defied traditional genre elements of science fiction television, and developed the concept of the continual "story arc" years before such shows as Babylon 5 and Deep Space Nine. This book provides a critical history and episode guide for Blake's 7, including commentaries for all 52 episodes. Also included are analytical essays on the show, dealing with such topics as themes, imagery and story arc; a consideration of the series as a futuristic Robin Hood myth; cinematography and visual effects; and an overview of Blake's 7 in books, comics and videos. A detailed appendix lists the genre conventions found in the series. The author also includes information about Blake's 7 fan clubs and Internet sites.

Blake's Night Thoughts discusses Blake as a poet and artist of night, considering night through graveyard poetry and Young in the eighteenth-century, urbanism in the nineteenth and Levinas and Blanchot's writings in the twentieth. Taking 'night' as the breakdown of rational progressive thought and of thought based on concepts of identity, the book reads the lyric poetry, some Prophetic works, including a chapter on The Four Zoas , the illustrations to Young, and Dante, and look's at Blake's writing of madness.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

Jerusalem represents the culmination of Blake's artistic endeavor in poetry and picture. The author approaches Blake's masterpiece from within rather that without, in an attempt to find a clue to the poem's structure in the poetry itself.