Replicants are bioengineered humans, once designed by the Tyrell Corporation for use Off-world. After a series of violent rebellions, their manufacture was prohibited, and Tyrell Corp went bankrupt. Niander Wallace acquired the remains of Tyrell Corp and created a new line of Replicants who obey. A Replicant underground survives, led by the former combat model Freysa and her human partner Aahna Ashina, known as Ash, formerly a Blade Runner. Twenty years ago, in 2019, Ash spared the Replicant Isobel Selwyn, a replica of industrialist Alexander Selwyn’s wife. Together with Alexander’s human daughter Cleo, Isobel escaped to the Off-world colonies. Searching for the late Alexander Selwyn’s research into Replicant physiology, Niander Wallace sent his creation Luv, the first Replicant Blade Runner, to hunt down both Cleo and Isobel, believing that Isobel holds the secret to Replicant fertility. To aid Luv in her mission, Wallace manufactured a new Replicant created from Ash’s DNA. While Cleo recovered from a serious gunshot wound, Ash and Mack, and old Replicant who saved Cleo’s life, set out to search Alexander Selwyn’s old family estate for Isobel. However, waiting for them was Luv and the Replicant Ash. A furious gun battle erupted and Mack was killed, with Ash captured. Only the timely intervention of Isobel saved her life, allowing them to escape. Together, they headed back to Freysa where Isobel and Cleo were finally reunited…

By 2021, the Terminus War had driven mankind off-planet and entire species into extinction. Now only the rich can afford living creatures; others may buy amazingly realistic simulacrae: horses, cats, sheep ... Even humans. These artificial people are so advanced it's impossible to tell them from true men and women--except for their lack of empathy. Without empathy, androids can--and do--kill their owners and blend into society, so they're illegal on Earth. It's Rick Deckard's job to find these rogues and "retire" them. But "andys" tend to fight back--with deadly results.

RickDeckard has sold his story to a young Turk film director, Urbenton and shooting is scheduled at an orbital station off planet. Watching his past hunt for the replicants being repeated on the set is doing weird things to his mind. As soon as filming is over he is going straight back to Mars where he has been living incognito with Sarah Tyrell. But before corporation loyalists determined to resurrect the vanquished company.

Replicants are bioengineered humans, once designed by the Tyrell Corporation for use Off-world. After a series of violent rebellions, their manufacture was prohibited, and Tyrell Corp went bankrupt. Niander Wallace acquired the remains of Tyrell Corp and created a new line of Replicants who obey. Twenty years ago, in 2019, Ash spared the Replicant Isobel Selwyn, a replica of industrialist Alexander Selwyn’s wife. Together with Alexander’s human daughter, Cleo, Isobel escaped to the Off-world colonies. In 2039, Cleo returned to Earth and enlisted Ash’s help in finding her missing surrogate mother whom she believed had returned to Earth. Convinced that Cleo held the secret to Replicant fertility, Wallace sent his creation Luv, the first Replicant Blade Runner, to hunt her down. However, Ash and Cloe managed to escape Luv’s pursuit and set off cross country to San Francisco, determined to locate Isobel. Thwarted, Luv returned to Wallace who teamed her up with a new Replicant, created by Niander from Ash’s DNA, and the two resumed their hunt for Ash and Cleo. While en route, Ash and Cleo were stranded by a sandstorm and attacked by a biker gang who shot and critically injured Cleo. Only the intervention of an elderly farmer saved her life. In the morning, following the storm, as Ash was preparing to leave, the farmer revealed himself to be a Replicant who had survived an encounter with Blade Runner Ash 20 years previously.

THE ASH SAGA CONCLUDES! Twenty years ago, Aahna “Ash” Ashina was the LAPD’s most efficient and deadly Blade Runner, hunting Replicants with a zeal unrivalled. Now, two decades later, Ash lives as a fugitive helping Replicants escape their enslaved servitude and survive undetected on Earth. Convinced that the secret of Replicant reproduction lies hidden in the DNA of Cleo Selwyn, a young woman whom Ash helped to escape back in 2019, Niander Wallace has unleashed his Replicant protegee, Luv – LAPD’s first Replicant Blade Runner, and a clone of Ash in her prime to bring them to him dead or alive. For twenty years, Ash has been running. Today, she stops… Collects Blade Runner 2039 #9-12 “Johnson’s plotting, pacing and dialog are excellent, and Guinaldo’s art is outstanding.” – Comical Opinions.

Early in the 21 Century, the Tyrell Corporation advanced Robot evolution to the Nexus phase – a being virtually identical to a human – known as a Replicant. Replicants were used Off-World as slave labor, in the hazardous exploration and colonization of other planets. Replicants who escaped and returned to Earth were hunted by special police squads – Blade Runner Units – with orders to kill any trespassing Replicant upon detection. In 2022, radical elements with the Replicant Underground detonate an EMP device over Los Angeles, destroying Tyrell Corporation’s Nexus databases, and making it easier for escaped Replicants to resettle on Earth. Soon, all Replicants are banned and the Tyrell Corporation declares bankruptcy. In 2027, Aahna ‘Ash’ Ashina, a former Blade Runner rejoined the department to hunt down fugitive Replicants. Her superiors are unaware that her loyalties are divided.

After 20 years living Off-world. Cleo Selwyn has returned to Los Angeles in search for her surrogate Replicant mother Isobel, whom Cleo believes has been abducted on the orders of Niander Wallace. Believing that Cleo’s DNA holds the secret of Replicant fertility, Wallace has ordered his own personal Replicant assistant, Luv, the first Replicant Blade Runner, to hunt her down with approval to kill any who stand in her way. Now reunited with her one-time protector and former Blade Runner Aahna ‘Ash’ Ashina, Cleo and Ash set off on a desperate race to find her mother and escape back Off-world before Luv can find them. “As a Blade Runner series this looks to be one of the best yet. If this is the final chapter, we are in for an explosive end. My anticipation levels are at an all-time high.” – Get Your Comic On Collects Blade Runner 2039 #5-9

Prepare to see the Dark Knight as you’ve never seen him before! Batman, a forgotten icon from the past, is wanted for murder in the future. In the year 2039, a federal agent has been murdered in Gotham. Now a contingent of Washington’s best spooks are hot on the suspect’s trail. Amid the chaos, GCPD’s Detective Gordon, grandson of the former commissioner, launches his own investigation and discovers that the man they are chasing is a man who shouldn’t exist at all. It’s a dark dystopian world devoid of privacy, filled with government conspiracies, psychic police, holographic caller ID and absolutely no room for “secret identities.” A sci-fi future where everything is known by everyone, yet there is one bizarre anomaly…The Batman! Visionary writer-artist PAUL POPE (HEAVY LIQIUD), with JOSÉ VILLARRUBIA (SWEET TOOTH), brings his unique style to Gotham City and beyond! BATMAN: YEAR 100 AND OTHER TALES includes such stories as “Batman of Berlin,” “Broken Nose,” and “Teenage Sidekick,” along with the Eisner Award-winning four-issue miniseries BATMAN: YEAR 100 #1-4. Visionary writer-artist PAUL POPE (HEAVY LIQUID), with JOSÉ VILLARRUBIA (SWEET TOOTH), brings his unique style to Gotham City and beyond! BATMAN: YEAR 100 AND OTHER TALES includes such stories as “Batman of Berlin,” “Broken Nose,” and “Teenage Sidekick,” along with the Eisner Award-winning four-issue miniseries BATMAN: YEAR 100 #1-4.

The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic.

In celebration of the 50th anniversary of Mars Attacks, this comprehensive book is the first-ever compilation of the infamous science-fiction trading card series produced by Topps in 1962. Edgy, subversive, and darkly comedic, this over-the-top series depicting a Martian invasion of Earth has a loyal following and continues to win new generations of fans. For the first time, this book brings together high-quality reproductions of the entire original series, as well as the hard-to-find sequel from 1994, rare and never-before-seen sketches, concept art, and test market materials. Also included are an introduction by series co-creator Len Brown and an afterword by Zina Saunders, daughter of the original artist, providing an insider’s behind-the-scenes view of the bizarre and compelling world of Mars Attacks. Includes four Mars Attacks trading cards. Includes preliminary sketches and artwork, including a facsimile of the original trading card mechanical on the inside back cover, with reproduction of the 1962 handwriting from the original Topps production department. Praise for Mars Attacks: “The best thing about this 50th-anniversary book is that it frees Mars Attacks from rose-tinted memory.” —NPR.org “The work produced by writer Len Brown and artist Norm Saunders, collected now in the anthology Mars Attacks: 50th Anniversary Collection . . . continues to pass muster as a lurid snapshot of sci-fi paranoia at its most pulp-fictiony.” —Wired.com “It’s like a mini-museum of alien grotesquerie between two solid covers, depicting all the iterations of the series, with further treatments by modern illustrators, and sketchbook reproductions, and names, dates, and times. Oh, and? And there are four bonus trading cards included with each copy of this graphic and texty artifact.” —AustinChronicle.com “It’s a true gem of American pop culture history that should be a centerpiece on any true geek’s coffee table.” —The Houston Press Art Attack blog