The reader journeys back in time to late-eighteenth-century France and becomes caught up in the turmoil and tragedy of the French Revolution.

How long did the guillotine's blade hang over the heads of French criminals? Was it abandoned in the late 1800s? Did French citizens of the early days of the twentieth century decry its brutality? No. The blade was allowed to do its work well into our own time. In 1974, Hamida Djandoubi brutally tortured 22 year-old Elisabeth Bousquet in an apartment in Marseille, putting cigarettes out on her body and lighting her on fire, finally strangling her to death in the Provencal countryside where he left her body to rot. In 1977, he became the last person executed by guillotine in France in a multifaceted case as mesmerizing for its senseless violence as it is though-provoking for its depiction of a France both in love with and afraid of The Foreigner. In a thrilling and enlightening account of a horrendous murder paired with the history of the guillotine and the history of capital punishment, Jeremy Mercer, a writer well known for his view of the underbelly of French life, considers the case of Hamida Djandoubi in the vast flow of blood that France's guillotine has produced. In his hands, France never looked so bloody...

'Liberty, equality, fraternity' cry the revolutionaries as they spill the blood of the aristocracy into the streets of Paris. The rumble of the tumbrils strikes fear into the hearts of the once rich and powerful. For one young noblewoman, a simple act of charity from years before could be the only thing that can save her. This gripping new addition to the My Story series is a fascinating glimpse into the French Revolution's Reign of Terror.

Paris has played a unique role in world gastronomy, influencing cooks and gourmets across the world. It has served as a focal point not only for its own cuisine, but for regional specialties from across France. For tourists, its food remains one of the great attractions of the city itself. Yet the history of this food remains largely unknown. A History of the Food of Paris brings together archaeology, historical records, memoirs, statutes, literature, guidebooks, news items, and other sources to paint a sweeping portrait of the city’s food from the Neanderthals to today’s bistros and food trucks. The colorful history of the city’s markets, its restaurants and their predecessors, of immigrant food, even of its various drinks appears here in all its often surprising variety, revealing new sides of this endlessly fascinating city.

The persistent myths of the French Revolution--that the destruction of the old order brought unrivaled freedom and happiness for Europe--are shattered in this rousing study of the political violence and social turmoil that struck France in the late 18th century. In the midst of the terrors which unfettered Enlightenment ideology unleashed on the West, Christian hope arose anew to bring true light to one of history's darkest hours.

The Man Who Thought He Was Napoleon is built around a bizarre historical event and an off-hand challenge. The event? In December 1840, nearly twenty years after his death, the remains of Napoleon were returned to Paris for burial—and the next day, the director of a Paris hospital for the insane admitted fourteen men who claimed to be Napoleon. The challenge, meanwhile, is the claim by great French psychiatrist Jean-Étienne-Dominique Esquirol (1772–1840) that he could recount the history of France through asylum registries. From those two components, Laure Murat embarks on an exploration of the surprising relationship between history and madness. She uncovers countless stories of patients whose delusions seem to be rooted in the historical or political traumas of their time, like the watchmaker who believed he lived with a new head, his original having been removed at the guillotine. In the troubled wake of the Revolution, meanwhile, French physicians diagnosed a number of mental illnesses tied to current events, from “revolutionary neuroses” and “democratic disease” to the “ambitious monomania” of the Restoration. How, Murat asks, do history and psychiatry, the nation and the individual psyche, interface? A fascinating history of psychiatry—but of a wholly new sort—The Man Who Thought He Was Napoleon offers the first sustained analysis of the intertwined discourses of madness, psychiatry, history, and political theory.

The guillotine is a most potent image of revolutionary France, the tool whereby a whole society was 'redesigned'. Tracing the development of the guillotine, this book recounts the stories of famous executions, the lives of the executioners, and the research into whether the head retained consciousness after it was separated from the body.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"In this wickedly humorous book, Geoffrey Abbott describes the effectiveness of instruments of torture and reveals the macabre origins of familiar phrases such as 'gone west' or 'drawn a blank'. Covering everything from the preparation of the victim to the disposal of the body 'What a Way to Go' is everything you ever wanted to know about the ultimate penalty--and a lot you never thought to ask."--Publisher's description

A rich and sweeping novel of courage, duty, sacrifice, and love set during the French Revolution from New York Times bestselling author Allison Pataki and her brother Owen Pataki Three years after the storming of the Bastille, the streets of Paris are roiling with revolution. The citizens of France are enlivened by the ideals of liberty, equality, and fraternity. The monarchy of Louis XVI and Marie Antoinette has been dismantled—with the help of the guillotine—and a new nation is rising in its place. Jean-Luc, an idealistic young lawyer, moves his wife and their infant son from a comfortable life in Marseille to Paris, in the hopes of joining the cause. André, the son of a denounced nobleman, has evaded execution by joining the new French army. Sophie, a young aristocratic widow, embarks on her own fight for independence against her powerful, vindictive uncle. As chaos threatens to undo the progress of the Revolution and the demand for justice breeds instability and paranoia, the lives of these compatriots become inextricably linked. Jean-Luc, André, and Sophie find themselves in a world where survival seems increasingly less likely—for themselves and, indeed, for the nation. Featuring cameos from legendary figures such as Robespierre, Louis XVI, and Thomas-Alexandre Dumas, Where the Light Falls is an epic and engrossing novel, moving from the streets and courtrooms of Paris to Napoleon’s epic march across the burning sands of Egypt. With vivid detail and imagery, the Patakis capture the hearts and minds of the citizens of France fighting for truth above all, and for their belief in a cause greater than themselves. Praise for Where the Light Falls “Compulsively readable . . . a compelling tale of love, betrayal, sacrifice, and bravery . . . a sweeping romantic novel that takes readers to the heart of Paris and to the center of all the action of the French Revolution.”—Bustle “Succeeds in forcefully illustrating the lessons of the French Revolution for today’s democratic movements.”—Kirkus Reviews “Devotees of Alexandre Dumas and Victor Hugo will devour this tale of heroism, treachery, and adventure.”—Library Journal “This is a story of the French Revolution that begins with your head in the slot watching how fast the blade of the guillotine is heading for your neck—and that’s nothing compared to the pace and the drama of what follows.”—Tom Wolfe