Traditional Scholars have often looked at African American studies through the lens of European theories, resulting in the secondarization of the African American presence in Europe and its contributions to European culture. Blackening Europe reverses this pattern by using African American culture as the starting point for a discussion of its influences over traditional European structures. Evidence of Europe's blackening abound, form French ministers of Hip-hop and British incarnations of "Shaft" to slavery memorial in the Netherlands and German youth sporting dreadlocks. Collecting essays by scholars from both sides of the Atlantic and fields as diverse as history, literature, politics, social studies, art, film and music, Blackening Europe explores the implications of these cultural hybrids and extends the growing dialogues about Europe's fascination with African America.

Vol. I of 'The Blackening of Europe' provides one of the first thorough analytical critiques of the European Union from the point of view of the rights of indigenous Europeans. The result is an indispensable study for anyone who would understand the foundations of the European Union and its dangerous anti-European trajectory.

The phrase “The Black Legend” was coined in 1912 by a Spanish journalist in protest of the characterization of Spain by other Europeans as a backward country defined by ignorance, superstition, and religious fanaticism, whose history could never recover from the black mark of its violent conquest of the Americas. Challenging this stereotype, Rereading the Black Legend contextualizes Spain’s uniquely tarnished reputation by exposing the colonial efforts of other nations whose interests were served by propagating the “Black Legend.” A distinguished group of contributors here examine early modern imperialisms including the Ottomans in Eastern Europe, the Portuguese in East India, and the cases of Mughal India and China, to historicize the charge of unique Spanish brutality in encounters with indigenous peoples during the Age of Exploration. The geographic reach and linguistic breadth of this ambitious collection will make it a valuable resource for any discussion of race, national identity, and religious belief in the European Renaissance.

In Critique of Black Reason eminent critic Achille Mbembe offers a capacious genealogy of the category of Blackness—from the Atlantic slave trade to the present—to critically reevaluate history, racism, and the future of humanity. Mbembe teases out the intellectual consequences of the reality that Europe is no longer the world's center of gravity while mapping the relations among colonialism, slavery, and contemporary financial and extractive capital. Tracing the conjunction of Blackness with the biological fiction of race, he theorizes Black reason as the collection of discourses and practices that equated Blackness with the nonhuman in order to uphold forms of oppression. Mbembe powerfully argues that this equation of Blackness with the nonhuman will serve as the template for all new forms of exclusion. With Critique of Black Reason, Mbembe offers nothing less than a map of the world as it has been constituted through colonialism and racial thinking while providing the first glimpses of a more just future.

Blacks have played a significant part in European civilization since ancient times. This encyclopedia illuminates blacks in European history, literature, and popular culture. It emphasizes the considerable scope of black influence in, and contributions to, European culture. The first blacks arrived in Europe as slaves and later as laborers and soldiers, and black immigrants today along with others are transforming Europe into multicultural states. This indispensable set expands our knowledge of blacks in Western civilization. More than 350 essay entries introduce students and other readers to the white European response to blacks in their countries, the black experiences and impact there, and the major interactions between Europe and Africa, the Caribbean, and the United States that resulted in the settling of blacks in Europe. The range of information presented is impressive, with entries on noted European political, literary, and cultural figures of black descent from ancient times to the present, major literary works that had a substantial impact on European perceptions of blacks, black holidays and festivals, the struggle for civil equality for blacks, the role and influence of blacks in contemporary European popular culture, black immigration to Europe, black European identity, and much more. Offered as well are entries on organizations that contributed to the development of black political and social rights in Europe, representations of blacks in European art and cultural symbols, and European intellectual and scientific theories on blacks. Individual entries on Britain, Spain, Portugal, France, Italy, Germany, the Netherlands, Russia, Central Europe, Scandinavia, and Eastern Europe include historical overviews of the presence and contributions of blacks and discussion of country's role in the African slave trade and abolition and its colonies in Africa and the Caribbean. Suggestions for further reading accompany each entry. A chronology, resource guide, and photos complement the text.

Based on an award-winning international research project and photo exhibition, this poignant and beautifully illustrated book examines the experiences of African American GIs in Germany and the unique insights they provide into the civil rights struggle at home and abroad. Thanks in large part to its military occupation of Germany after World War II, America’s unresolved civil rights agenda was exposed to worldwide scrutiny as never before. At the same time, its ambitious efforts to democratize German society after the defeat of Nazism meant that West Germany was exposed to American ideas of freedom and democracy to a much larger degree than many other countries. As African American GIs became increasingly politicized, they took on a particular significance for the Civil Rights Movement in light of Germany’s central role in the Cold War. While the effects of the Civil Rights Movement reverberated across the globe, Germany represents a special case that illuminates a remarkable period in American and world history. Digital archive including videos, photographs, and oral history interviews available at www.breathoffreedom.org

Africa in Europe, in two volumes, meticulously documents Europe's African presence from antiquity to the present. It incorporates findings from areas of study as diverse as physical anthropology, linguistics, social history, social theory, international relations, migrational studies, and globalization. In contrast to most other works focusing on Eurafrican relationships that largely revolve around Atlantic and trans-Atlantic developments since the Age of Global Exploration, this work has a much broader perspective which takes account of human evolution, the history of religion, Judaic studies, Byzantine studies, the history of Islam, and Western intellectual history including social theory. While the issue of racism in its variant manifestations receives thorough treatment, African in Europe is also about human connections across fluid boundaries that are ancient as well as those that date to the Age of Exploration, the Age of Revolution, and continue until the present. Hence, it brings new clarity to our understanding of such processes as acculturation and assimilation while deepening our understanding of interrelationships among racism, violence, and social identities. This work is full of new insights, fresh interpretations, and highly nuanced analyses relevant to our thinking about territoriality, citizenship, migration, and frontiers in a world that is increasingly globalized. The author moves across boundaries of time and space in ways that result in an encyclopedic work that is an integrated and programmatic whole as well as one in which each chapter is a complete module of scholarship that is self-contained.

As a color, black comes in no other shades: it is a single hue with no variation, one half of a dichotomy. But what it symbolizes envelops the entire spectrum of meaning—good and bad. The Story of Black travels back to the biblical and classical eras to explore the ambiguous relationship the world’s cultures have had with this sometimes accursed color, examining how black has been used as a tool and a metaphor in a plethora of startling ways. John Harvey delves into the color’s problematic association with race, observing how white Europeans exploited the negative associations people had with the color to enslave millions of black Africans. He then looks at the many figurative meanings of black—for instance, the Greek word melancholia, or black bile, which defines our dark moods, and the ancient Egyptians’ use of black as the color of death, which led to it becoming the standard hue for funereal garb and the clothing of priests, churches, and cults. Considering the innate austerity and gravity of black, Harvey reveals how it also became the color of choice for the robes of merchants, lawyers, and monarchs before gaining popularity with eighteenth- and nineteenth-century dandies and with Goths and other subcultures today. Finally, he looks at how artists and designers have applied the color to their work, from the earliest cave paintings to Caravaggio, Rembrandt, and Rothko. Asking how a single color can at once embody death, evil, and glamour, The Story of Black unearths the secret behind black’s continuing power to compel and divide us.