One of NPR's Best Books of 2016, winner of the Shirley Jackson Award, the British Fantasy Award, the This is Horror Award for Novella of the Year, and a finalist for the Hugo, Nebula, Locus, World Fantasy, and Bram Stoker Awards People move to New York looking for magic and nothing will convince them it isn't there. Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping. A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break? "LaValle's novella of sorcery and skullduggery in Jazz Age New York is a magnificent example of what weird fiction can and should do." — Laird Barron, author of The Beautiful Thing That Awaits Us All "[LaValle] reinvents outmoded literary conventions, particularly the ghettos of genre and ethnicity that long divided serious literature from popular fiction." — Praise for The Devil in Silver from Elizabeth Hand, author of Radiant Days “LaValle cleverly subverts Lovecraft’s Cthulhu mythos by imbuing a black man with the power to summon the Old Ones, and creates genuine chills with his evocation of the monstrous Sleeping King, an echo of Lovecraft’s Dagon... [The Ballad of Black Tom] has a satisfying slingshot ending.” – Elizabeth Hand for Fantasy & ScienceFiction At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • ONE OF ESQUIRE’S BEST BIOGRAPHIES OF ALL TIME General Alex Dumas is a man almost unknown today, yet his story is strikingly familiar—because his son, the novelist Alexandre Dumas, used his larger-than-life feats as inspiration for such classics as The Count of Monte Cristo and The Three Musketeers. But, hidden behind General Dumas's swashbuckling adventures was an even more incredible secret: he was the son of a black slave—who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas made his way to Paris, where he rose to command armies at the height of the Revolution—until he met an implacable enemy he could not defeat. The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. TIME magazine called The Black Count "one of those quintessentially human stories of strength and courage that sheds light on the historical moment that made it possible." But it is also a heartbreaking story of the enduring bonds of love between a father and son.

Black Tom delivers a groundbreaking examination of the transformative experience of the English revolution from the viewpoint of one of its leading, yet most neglected, participants. It is the first modern academic study of Fairfax, making it essential reading for university students as well as historians of the seventeenth century. Its accessible style will appeal to a wider audience of those interested in the civil wars and interregnum more generally.

Timeless classic on the depths of God¿s love. Must read for every black to grasp their history and potential and every white seeking sensitivity toward their African-American brothers and sisters.

As the heady promise of the 1960s sagged under the weight of widespread violence, rioting, and racial unrest, two young men--one black and one white--took to stages across the nation to help Americans confront their racial divide: by laughing at it. Tim and Tom tells the story of that pioneering duo, the first interracial comedy team in the history of show business--and the last. Tim Reid and Tom Dreesen polished their act in the nightclubs of Chicago, then took it on the road, not only in the North, but in the still-simmering South as well, developing routines that even today remain surprisingly frank--and remarkably funny--about race. Most nights, the shock of seeing an integrated comedy team quickly dissipated in uproarious laughter, but on some occasions the audience’s confusion and discomfort led to racist heckling, threats, and even violence. Though Tim and Tom perpetually seemed on the verge of making it big throughout their five years together, they grudgingly came to realize that they were ahead of their time: America was not yet ready to laugh at its own failed promise. Eventually, the grind of the road took its toll, as bitter arguments led to an acrimonious breakup. But the underlying bond of friendship Reid and Dreesen had forged with each groundbreaking joke has endured for decades, while their solo careers delivered the success that had eluded them as a team. By turns revealing, shocking, and riotously funny, Tim and Tom unearths a largely forgotten chapter in the history of comedy.

The first biography of the little-known real-life Tom Sawyer, told through a harrowing account of Sawyer's involvement in the hunt for a serial arsonist who terrorized mid-nineteenth century San Francisco. When San Francisco Daily Morning Call reporter Mark Twain met Tom Sawyer in 1863, he was seeking a subject for his first novel. He learned that Sawyer was a volunteer firefighter, local hero, and a former “Torch Boy,” racing ahead of hand-drawn fire engines at night carrying torches to light the way. When a mysterious serial arsonist known as “The Lightkeeper” was in the process of burning San Francisco to the ground, Sawyer played a key role in stopping him, helping to contain what is now considered the most disastrous and costly series of fires ever experienced by an American metropolis. By chronicling how Sawyer took it upon himself to investigate, expose, and stop the arsonist, Black Fire details Sawyer’s remarkable life and illustrates why Twain would later feel compelled to name his iconic character after him when writing The Adventures of Tom Sawyer. A vivid portrayal of the gritty, corrupt, and violent world of the Gold Rush-era West, Black Fire is the most vibrant and thorough account of Sawyer’s relationship with Mark Twain, and of the devastating fires that baptized San Francisco.

Sabotage and Shenanigans

Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God. Infused with the wonder of a disquieting dream and laced with Victor LaValle’s fiendish comic sensibility, Big Machine is a mind-rattling mystery about doubt, faith, and the monsters we carry within us.

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.

One hundred years ago, in July 1916, an act of terrorism in New York Harbor changed the world. The attack in New York Harbor was so explosive that people as far away as Maryland felt the ground shake. Windows were blown out uptown at the New York Public Library; the main building at Ellis Island was nearly destroyed; Statue of Liberty was torn into by shrapnel from the explosion, which would have measured 5.5 on the Richter scale. Chaos overtook Manhattan as the midnight sky turned to fire, lit up with exploding ammunition. The year was 1916. And it had been shockingly easy. While war raged in Europe, Americans watched from afar, unthreatened by the danger overseas. Yet the United States was riddled with networks of German spies hiding in plain sight. The attack on New York Harbor was only one part of their plans: secret anthrax facilities were located just ten miles from the White House; bombs were planted on ships, hidden in buildings, and mailed to the country's civic and business leaders; and an underground syndicate helped potential terrorists obtain fake IDs, housing, and money. President Woodrow Wilson knew an attack of this magnitude was possible, and yet nothing was done to stop it. Americans, feeling buffered by miles of ocean and burgeoning prosperity, had ignored the mounting threat. That all changed on a warm summer evening in late July, when the island in New York Harbor called Black Tom exploded, setting alight a vast store of munitions destined for the front. Three American lawyers -- John McCloy, Amos Peaslee, and Harold Martin -- made it their mission to solve the Black Tom mystery. Their hunt for justice would take them undercover to Europe, deep into the shadowy world of secret agents and double-crosses, through the halls of Washington and the capitals of Europe. It would challenge their beliefs in right and wrong. And they would discover a sinister plot so vast it could hardly have been imagined -- a conspiracy that stretched from downtown Manhattan to the very heart of Berlin. The Detonators is the first full accounting of a crime and a cover-up that resonate strongly in a post-9/11 America. And much of the atmosphere and rhetoric in play 100 years ago remains eerily similar to discussions surrounding national security and immigration today. As Millman deftly illustrates in The Detonators, an island may have disappeared, but the resulting lessons have only grown stronger and more urgent, and history has a persistent way of stirring up its ghosts. This is their story. "A gripping account of conspiracy." -- New York Times "A ready-made suspense thriller." -- Boston Globe "Exhaustively researched... fascinating." -- Entertainment Weekly, 50 Hot Summer Books