A follow up to Uncle Montague's Tales of Terror, this is another creepy middle grade story collection with a chilling frame. This time, the stories are all tales of the sea: pirates and plagues and storms a plenty...

Who are the Super-Patriots? Who are the "Inheritors"? And how does Captain Future fit in to all of this? Spinning out of Alex Ross' Project Superpowers is the Black Terror -- opening with this four-part story arc by Alex Ross, Jim Krueger, and Mike Lilly This new story arc will lead directly in to Project Superpowers Chapter Two

On Sunday, September 6, 1970, the Popular Front for the Liberation of Palestine (PFLP) hijacked four airliners bound from Europe for New York. One, a brand new Pan Am 747, was taken to Cairo and blown up only seconds after its passengers escaped. The attempt to hijack a second plane, an El Al flight, was foiled and the plane landed safely in the UK. Two other planes, one TWA and one Swissair, were directed to the desert floor thirty-five miles northeast of Amman, Jordan, where a twenty-five day hostage drama began. With the additional hijacking of a British airliner, over four hundred and fifty hostages had landed in the Jordanian desert. David Raab was on the TWA flight with his mother and siblings but was separated from them and taken to a refugee camp and then to an apartment in Amman where he was held hostage through a civil war. This is his story.

The Black Terror returns! Under the direction of Alex Ross, writer Phil (Darkness, Masquerade) Hester joins the team as writer and is joined by Jonathan (Project Superpowers: Meet the Bad Guys) Lau for this thrilling second story arc! Collects all there volumes of Project Superpowers: Black Terror. Project Superpowers: Black Terror Volume 1 9781606900345 Project Superpowers: Black Terror Volume 2 9781606901304 Project Superpowers: Black Terror Volume 3: Inhuman Remains 9781606902349

In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.

WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.

Imagine being born with the memories of a life you haven’t lived yet, a life of crime fighting and adventuring, only to find out that no one believes you and, honestly, couldn’t care less. This is the story of Black Terror’s trusted sidekick…TIM! (It’s just Tim.)

Far too ignorant of the histories of the rest of the world, being aware of only the accomplishments of Greece, Rome and Europe, Westerners have been made to believe that their societies represent the most superior examples of civilization. However, the Western value system stems from a misconception that, as in nature, human society too is evolving. The idea derives from the hidden influence of secret societies, who followed the belief in spiritual evolution of the Kabbalah, which taught that history would attain its fulfillment when man would become God, and make his own laws. Therefore, the infamous Illuminati gave its name to the Enlightenment of the eighteenth century, which claimed that human progress must abandon "superstition," meaning Christianity, in favor of "reason." Thus the Illuminati succeeded in bringing about the French and American revolutions, which instituted the separation of Church and State, and from that point forward, the Western values of Humanism, seen to include secularism, human rights, democracy and capitalism, have been celebrated as the culmination of centuries of human intellectual evolution. This is the basis of the propaganda which has been used to foster a Clash of Civilizations, where the Islamic world is presented as stubbornly adhering to the anachronistic idea of "theocracy." Where once the spread of Christianity and civilizing the world were used as pretexts for colonization, today a new White Man's Burden makes use of human rights and democracy to justify imperial aggression. However, because, after centuries of decline, the Islamic world is incapable of mobilizing a defense, the Western powers, as part of their age-old strategy of Divide and Conquer, have fostered the rise of Islamic fundamentalism, to both serve as agent-provocateurs and to malign the image of Islam. These sects, known to scholars as Revivalists, opposed the traditions of classical Islamic scholarship in order to create the opportunity to rewrite the laws of the religion to better serve their sponsors. Thus were created the Wahhabi and Salafi sects of Islam, from which were derived the Muslim Brotherhood, which has been in the service of the West ever since. But, the story of the development of these Islamic sects involves the bizarre doctrines and hidden networks of occult secret societies, being based on a Rosicrucian myth of Egyptian Freemasonry, which see the Muslim radicals as inheritors of an ancient mystery tradition of the Middle East which was passed on to the Knights Templar during the Crusades, thus forming the foundation of the legends of the Holy Grail. These beliefs would not only form the cause for the association of Western intelligence agencies with Islamic fundamentalists, but would fundamentally shape much of twentieth century history.

ANALOGUE BLACK TERROR is a book project gathering countless visual archives of Black Metal demo tapes from the 80's until 2000. Harvested worldwide, these documents paint a cold and factual portrait of a youth gone spiritually fanatic.

ANALOGUE BLACK TERROR is a book project gathering countless visual archives of Black Metal demo tapes from the 80's until 2000. Harvested worldwide, these documents paint a cold and factual portrait of a youth gone spiritually fanatic.