A matchless warrior is pitted against a near-God in the second epic installment of the Raven’s Blade series. It has long been our lot in life, brother, to do what others can’t. Vaelin Al Sorna was known across the realm as the greatest of warriors, but he thought battles were behind him. He was wrong. Prophecy and rumor led him across the sea to find a woman he once loved, and drew him into a war waged by the Darkblade, a man who believes himself a god—and one who has gathered a fanatical army that threatens all of the known world. After a costly defeat by the Darkblade, Vaelin’s forces are shattered, while the self-proclaimed immortal and his army continue their terrible march. But during the clash, Vaelin regained some of the dark magic that once gave him unrivaled skill in battle. And though the fight he has been drawn into seems near unwinnable, the song that drives him now desires the blood of his enemy above all else…

"Black Song" is a literary tribute to the power and beauty of the timeless musical tradition of Afro-American spirituals. The author charts the evolution and development of the Black spiritual, and presents hundreds of examples of the more than 6,000 remaining songs. This is the definitive history of a simple musical form in all its complexities -- music, religion, philosophy, poetry, and politics. The book's first part, "The Forge," presents the authentic "story of how the songs were hammered out." In the second part, "The Slave Sings Free," the author examines the creators and their communities, and interprets the meanings and implications of the songs that have passed into, and have become part of, our society. The development of the spiritual as a world phenomenon is traced in the final part, "The Flame." "Black Song" will remain in the literature of our musical, cultural, and social heritage as a fascinating reader and essential reference book. -- From publisher's description.

Houston Baker maintains that black American culture, grounded in a unique historical experience, is distinct from any other, and that it has produced a body of literature that is equally and demonstrably unique in its sources, values, and modes of expression. He argues that black American literature is rooted in black folklore- animal tales, trickster slave tales, religious tales, folk songs, spirituals, and ballads- and that a knowledge of this tradition is essential to the understanding of any individual black author or work. To deomonstrate the continuity of this tradition, Baker examines themes that appear in folklore and persist throughout contemporary black literature. "Freedom and Apocalypse," for example, traces the idea that black Americans are a chosen people who will, by some violent means, overthrow the white man's tyranny. The essays culminate in an examination of the life and work of Richard Wright. Baker's treatment of Wright as a black American artist who recorded the black man's shift from an agrarian to an urban setting places Wright and the tradition of black literature and culture in a fresh perspective.

The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

In this toe-tapping jazz tribute, the traditional "This Old Man" gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound "divine." Easy on the ear and the eye, this playful introduction to nine jazz giants will teach children to count--and will give them every reason to get up and dance! Includes a brief biography of each musician.

VAELIN AL SORNA RETURNS Anthony Ryan's debut novel Blood Song—the first book of the Raven's Shadow series—took the fantasy world by storm. Now, he continues that saga with The Wolf's Call, which begins a thrilling new story of razor-sharp action and epic adventure. Peace never lasts. Vaelin Al Sorna is a living legend, his name known across the Realm. It was his leadership that overthrew empires, his blade that won hard-fought battles - and his sacrifice that defeated an evil more terrifying than anything the world had ever seen. He won titles aplenty, only to cast aside his earned glory for a quiet life in the Realm's northern reaches. Yet whispers have come from across the sea - rumours of an army called the Steel Horde, led by a man who believes himself a god. Vaelin has no wish to fight another war, but when he learns that Sherin, the woman he lost long ago, has fallen into the Horde's grasp, he resolves to confront this powerful new threat. To this end, Vaelin travels to the realms of the Merchant Kings, a land ruled by honor and intrigue. There, as the drums of war thunder across kingdoms riven by conflict, Vaelin learns a terrible truth: that there are some battles that even he may not be strong enough to win.

There are different interpretations of the biblical book, Song of Solomon. This is understandable because interpretations of the book roots are in faith traditions and interpreters experiences of the Holy Spirit. The different interpretations of the book of Song of Solomon give insight that affirms God at work in the interpreters when the message of God is heard anew through each approach. Some interpret Song of Solomon as allegorical biblical text. This interpretation asserts the book of Song of Solomon, as a love story between God and the church, or Christ and the Church. Another allegorical interpretation of the book asserts the book, Song of Solomon, as a love story between Christ and the soul. Others interpret the book, Song of Solomon, as literal biblical text, read in a normal way. One literal interpretation of the book, Song of Solomon, asserts the book a love story between a young woman and a youth, who is a shepherd. In this interpretation the young woman rejects the love of the most powerful man on earth, Solomon, to embrace the love of a young shepherd. She marries the shepherd, and their marriage blooms in nature.

A favorite collection of thirty-five poems for and about black children celebrates the energy and joy of life. "Martins' black-and-white drawings exude action and feeling, and the elements he chose to illustrate are perceptive and sensitive...A fine addition to the poetry shelves." --Booklist

Farming While Black is the first comprehensive "how to" guide for aspiring African-heritage growers to reclaim their dignity as agriculturists and for all farmers to understand the distinct, technical contributions of African-heritage people to sustainable agriculture. At Soul Fire Farm, author Leah Penniman co-created the Black and Latino Farmers Immersion (BLFI) program as a container for new farmers to share growing skills in a culturally relevant and supportive environment led by people of color. Farming While Black organizes and expands upon the curriculum of the BLFI to provide readers with a concise guide to all aspects of small-scale farming, from business planning to preserving the harvest. Throughout the chapters Penniman uplifts the wisdom of the African diasporic farmers and activists whose work informs the techniques described--from whole farm planning, soil fertility, seed selection, and agroecology, to using whole foods in culturally appropriate recipes, sharing stories of ancestors, and tools for healing from the trauma associated with slavery and economic exploitation on the land. Woven throughout the book is the story of Soul Fire Farm, a national leader in the food justice movement.--AMAZON.

(Ukulele). Complete lyrics and chords to 195 Beatles songs, including: Across the Universe * All My Loving * All You Need Is Love * And I Love Her * Back in the U.S.S.R. * The Ballad of John and Yoko * Birthday * Blackbird * A Day in the Life * Day Tripper * Dear Prudence * Drive My Car * Eight Days a Week * Eleanor Rigby * Good Day Sunshine * Got to Get You into My Life * A Hard Day's Night * Help! * Helter Skelter * Here Comes the Sun * Hey Jude * I Saw Her Standing There * I Want to Hold Your Hand * In My Life * Let It Be * The Long and Winding Road * Lucy in the Sky with Diamonds * Penny Lane * Revolution * Something * Ticket to Ride * Twist and Shout * When I'm Sixty-Four * While My Guitar Gently Weeps * Yellow Submarine * Yesterday * and more. 4-1/2 inches x 7-1/2 inches.