Poised between the secular values of socialism and the conservatism of a tenuously balanced government, Istanbul of 1977 was a fractured city haunted by demons of its own making. Along with thousands of other left-wing activists, Oak's interest in politics leads him to join the annual May Day rallies. There he encounters Zuhal, a fearless girl with a gun. As battles rage between nationalists and socialists, Oak witnesses the violent suppression of dissident minorities by his fellow citizens. The bewitching Zuhal begins to shape his ideals, bringing him face to face with disillusionment, and death.

The author demonstrates, through the history of the Black Sea area and the disputed regions of Russia, Turkey, Romania, Greece, and Caucasus, that "the meanings of 'community, ' 'nationhood, ' and 'cultural independence' are both fierce and disturbingly uncertain."

Zombies are real. And we made them. Are you prepared for the zombie apocalypse? The Smith family is, with the help of a few marines. When an airborne _zombieÓ plague is released, bringing civilization to a grinding halt, the Smith family, Steven, Stacey, Sophia and Faith, take to the Atlantic to avoid the chaos. The plan is to find a safe haven from the anarchy of infected humanity. What they discover, instead, is a sea composed of the tears of survivors and a passion for bringing hope. For it is up to the Smiths and a small band of Marines to somehow create the refuge that survivors seek in a world of darkness and terror. Now with every continent a holocaust and every ship an abattoir, life is lived under a graveyard sky. At the publisher's request, this title is sold without DRM (Digital Rights Management). _. . .the thinking readers zombie novel. . .Ringo fleshes out his theme with convincing detailsãthe proceedings become oddly plausible.Ó¾Publishers Weekly_If you think the zombie apocalypse will never happen, if youve never been afraid of zombies, you may change your mind after reading Under a Graveyard Sky. . .Events build slowly in the book at the outset, but you cant stop reading because its like watching a train wreck in slow motion: inexorable and horrible. And the zombie apocalypse in these pages is so fascinating that you cant stop flipping pages to see what happens next.Ó¾Bookhound

Postnuclear America has changed little since the primal leveling of the twenty-first century. Warrior survivalists Ryan Cawdor and his band live by a code that honors the kind of absolute freedom only a raw frontier can provide. Until rumors of a wider, more prosperous world than the Deathlands thriving deep in Mexico, untouched by the nukecaust, lure them into uncharted waters.… Captured by the pirate foot soldiers of the mysterious Lords of Death, Ryan Cawdor and his companions sail into a surreal world where electric lights blaze but blood terror reigns. In Veracruz, Mexico, Ryan is marked for slaughter, his effigy linked to an ancient deity. Helpless, Krysty, Dix and the others await a horrifying fate at the hands of whitecoats manipulating pre-dark plague warfare. As the Lords of Death unleash their demonic vision, hope—for Ryan, the others and nascent civilization—appears irrevocably lost.

Set in 1973 Greece during the military dictatorship there, the novel follows thirty-year-old American Jonas Korda as he stumbles blindly into the islands of the Aegean. Attempting to physically escape from a life—a disillusioned engagement with 1960s politics and an ill-fated sort-of-marriage—that he has long since emotionally fled, Jonas is instead faced with the question of his capacity for true human connections. Unwittingly he becomes involved with two expatriate Greeks who had self-exiled from their homeland six years before, when the military junta took power, but who are now returning to create oppositional energy through the form, as musicians, they know best: traditional Greek poetry set to the music of a composer who’s been banned by the brutal and surreal junta. Through the force of their commitment and sacrifice, Jonas is reacquainted with the relation between the heart and the larger world. Jonas is also confronted, sequentially, by two women who in very different ways bring his emotional struggles into focus. One—a Greek-Canadian searching for her father lost somewhere to the depredations of the dictatorship—who seeks to draw him in. The other—an alienated Belgian painter turning her back on a life of artistic and gender frustrations—who holds him away. The novel’s lyrically evoked Greek islands are counterpoint to political terror captured with both shuddering intensity and mordant black humor. Shades of Resistance is that rare work of fiction that explores the relationship between the personal and the political, the heightened responses of a man trapped in a moment of history.

As the powerful vampire Lilith prepares to quench her thirst for destruction by unleashing her fury in battle, a medieval sorcerer, one of the circle of six charged by the goddess Morrigan, must travel through time to stop her.

This volume, "Oceanography: The Past," is the Proceedings of the Third Inter national Congress on the History of Oceanography, organized under the auspices of the Woods Hole Oceanographic Institution at Woods Hole, Massachusetts, USA, September 22-26, 1980. The Congress is a part of the year-long celebration of the Fiftieth Anniversary of the founding of the Woods Hole Oceanographic Institution. It will be followed by an Assembly, September 29 -October 2, in which invited speakers will address the question, ''Will we use the oceans wisely-the next SO years in oceanogra phy?" The papers from the Assembly will also be published by Springer-Verlag as "Oceanography: The Present and Future," a companion volume to this book. The First International Congress on the History of Oceanography was held at the Musee Ocean~graphique in Monaco, December 12-17, 1966. It coincided with the centennial of the beginning of the distinguished career of Prince Albert I as a student and patron of oceanography, for it was in 1866 that he first went to sea-on the armored frigate Tetuan of the Royal Spanish Navy. The results of this Congress were published as 57 papers in the Bulletin de l'Institut Oceanogra phique (special no. 2, vols. 1-3, pp. XLII + 807, 1968).