In 1914 Britain was home to at least 10,000 black Britons, many of African and West Indian heritage. Most of them were loyal to the 'mother country' when the First World War broke out. Despite being discouraged from serving in the British Army, men managed to join all branches of the forces, while black communities contributed to the war effort on the home front. By 1918 it is estimated that Britain's black population had trebled to 30,000, as many black servicemen who had fought for Britain decided to make it their home. It was far from a happy ending, however, as they and their families often came under attack from white ex-servicemen and civilians increasingly resentful of their presence. With first-hand accounts and original photographs, Black Poppies is the essential guide to the military and civilian wartime experiences of black men and women, from the trenches to the music halls. It is intended as a companion to Stephen Bourne's previous books published by The History Press: Mother Country: Britain's Black Community on the Home Front 1939–45 and The Motherland Calls: Britain's Black Servicemen and Women 1939–45.

Did you know that Black people from around the world helped Britain fight in the First World War? How heroic were the people who fought? Why did Black people have to keep fighting for equality even after the war? In this young readers' edition of Black Poppies , Stephen Bourne takes us on a hero-filled journey. Explore the many and extraordinary ways in which Black people helped Britain fight the First World War, on the battlefield and at home. After meeting Stephen's Aunty Esther, we hear the story of Walter Tull, who led soldiers in some of history's bloodiest battles and died in the fighting just weeks before the conflict would end. Then there is Alhaji Grunshi, an African who fired the first shot of the whole war. Back at home, Black men and women helped by entertaining the people, making materials like bullets and uniforms, and beginning the long fight for equality and the freedom to celebrate being Black and British with pride.

Fiona is a killer, an addict to the thrill it brings. She murders with ritualistic intent, a sacrifice to the archaic Old Gods she still believes in. But when a would-be victim stops her from completing the ritual, the omniscient lurker that thrives off her dedication abandons their post. Despite themselves, they are drawn back to Fiona; to her unmatched expertise. A taboo allure, one that Others do not approve of. Others who believe our lurker has overstepped their mark. That they must return to where they belongs, or face the consequences. Along with their precious Fiona.

“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.

During the Second World War all British citizens were called upon to do their part for their country. Despite facing the discriminatory 'colour bar', many black civilians were determined to contribute to the war effort where they could, volunteering as air-raid wardens, fire-fighters, stretcher-bearers and first-aiders. Meanwhile, black servicemen and women, many of them volunteers from places as far away as Trinidad, Jamaica, Guyana and Nigeria, risked their lives fighting for the Mother Country in the air, at sea and on land. In Under Fire, Stephen Bourne draws on first-hand testimonies to tell the whole story of Britain's black community during the Second World War, shedding light on a wealth of experiences from evacuees to entertainers, government officials, prisoners of war and community leaders. Among those remembered are men and women whose stories have only recently come to light, making Under Fire the definitive account of the bravery and sacrifices of black Britons in wartime.

Here is the inspiring story behind the Veterans Day red poppy, a symbol that honors the service and sacrifices of our veterans. When American soldiers entered World War I, Moina Belle Michael, a schoolteacher from Georgia, knew she had to act. Some of the soldiers were her students and friends. Almost single-handedly, Moina worked to establish the red poppy as the symbol to honor and remember soldiers. And she devoted the rest of her life to making sure the symbol would last forever. Thanks to her hard work, that symbol remains strong today. Author Barbara Elizabeth Walsh and artist Layne Johnson worked with experts, primary documents, and Moina's great-nieces to better understand Moina's determination to honor the war veterans. A portion of the book's proceeds will support the National Military Family Association's Operation Purple®, which benefits children of the US Military.

Thread painting embroidery is one of the most beautiful embroidery techniques. Often mistaken for painted art, it shows off the true skill of an embroiderer. This book demystifies the technique and shows how easy it is to start embroidering your own stitched masterpieces. For the true beginner and the experienced stitcher alike it will be a treasured guide, explaining the techniques and providing the inspiration to master this exquisite form of embroidery. Over 600 colour photographs support twenty step-by-step projects that range from a simply shaded topiary tree to a three-dimensional hydrangea bouquet. Guide to getting started introduces equipment you may need, explains how to transfer designs to fabric and demonstrates the long stitch and short stitch. Advice on blending colours and stitching shades together to achieve depth and vitality. Provides inspiration and encourages experimentation to create your own designs. Illustrates historical examples and explains how to reproduce and learn from these pieces, while also showcasing contemporary techniques and ideas for finished embroidery. Over 600 colour photographs support twenty step-by-step projects that range from a simply shaded topiary tree to a three-dimensional hydrangea bouquet.

New York Times best seller Ever since Gabrielle Stanley Blair became a parent, she’s believed that a thoughtfully designed home is one of the greatest gifts we can give our families, and that the objects and decor we choose to surround ourselves with tell our family’s story. In this, her first book, Blair offers a room-by-room guide to keeping things sane, organized, creative, and stylish. She provides advice on getting the most out of even the smallest spaces; simple fixes that make it easy for little ones to help out around the house; ingenious storage solutions for the never-ending stream of kid stuff; rainy-day DIY projects; and much, much more.

A personal account of an Iraqi childhood Poppies of Iraq is Brigitte Findakly’s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein’s state control, and her family’s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one’s homeland and still feel intimately connected yet ultimately estranged. Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs; the color red is banned after the execution of General Kassim; Baathist militiamen are publicly hanged and school kids are bussed past them to bear witness. As conditions in Mosul worsen over her childhood, Brigitte’s father is always hopeful that life in Iraq will return to being secular and prosperous. The family eventually feels compelled to move to Paris, however, where Brigitte finds herself not quite belonging to either culture. Trondheim brings to life Findakly’s memories to create a poignant family portrait that covers loss, tragedy, love, and the loneliness of exile. Poppies of Iraq has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

The first in an epic trilogy, Amitav Ghosh's Sea of Poppies is "a remarkably rich saga . . . which has plenty of action and adventure à la Dumas, but moments also of Tolstoyan penetration--and a drop or two of Dickensian sentiment" (The Observer [London]). At the heart of this vibrant saga is a vast ship, the Ibis. Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton. With a panorama of characters whose diaspora encapsulates the vexed colonial history of the East itself, Sea of Poppies is "a storm-tossed adventure worthy of Sir Walter Scott" (Vogue).