Exploration of how, in a predominantly black sport, white fans think and talk about black heroes, black scapegoats, and black bodies.

Two college friends reunite to subvert the power, influence and control of White elites for the purpose of preparing the human race for an imminent alien invasion.

Darkness reigns over the Marvel Universe! As Knull makes his long-dreaded arrival, no corner of the world is safe - and all-star talents unite to explore key moments in the saga! Featuring epic clashes between Knull's army and Earth's heroes, the return of fan-favorite characters, surprising revelations regarding the Venom mythology and introductions to exciting new players in the Marvel Universe! Starring Scream, the American Kaiju, Cloak and Dagger, Cortland Kasady - ancestor of Cletus - and more! Plus: Dane Whitman, wielder of the mighty Ebony Blade, rises again to defend the Earth against Knull's unstoppable onslaught with Aero and Sword Master by his side! But what secrets will the brutal battle reveal about the Black Knight's past? Collects KING IN BLACK: PLANET OF THE SYMBIOTES #1-3 and KING IN BLACK: BLACK KNIGHT.

Black and Brown Planets embarks on a timely exploration of the American obsession with color in its look at the sometimes-contrary intersections of politics and race in science fiction. The contributors, including De Witt D. Kilgore, Edward James, Lisa Yaszek, and Marleen S. Barr, among others, explore science fiction worlds of possibility (literature, television, and film), lifting blacks, Latin Americans, and indigenous peoples out from the background of this historically white genre. This collection considers the role of race and ethnicity in our visions of the future. The first section emphasizes the political elements of black identity portrayed in science fiction from black America to the vast reaches of interstellar space framed by racial history. In the next section, analysis of indigenous science fiction addresses the effects of colonization, helps discard the emotional and psychological baggage carried from its impact, and recovers ancestral traditions in order to adapt in a post-Native-apocalyptic world. Likewise, this section explores the affinity between science fiction and subjectivity in Latin American cultures from the role of science and industrialization to the effects of being in and moving between two cultures. By infusing more color in this otherwise monochrome genre, Black and Brown Planets imagines alternate racial galaxies with viable political futures in which people of color determine human destiny.

Already a leader in New York's underground world of homeless children, Buddy Clark takes on the responsibility of protecting the overweight, emotionally disturbed friend with whom he has been playing hooky from eighth grade all semester.

How policing became the major political issue of our time Combining firsthand accounts from activists with the research of scholars and reflections from artists, Policing the Planet traces the global spread of the broken-windows policing strategy, first established in New York City under Police Commissioner William Bratton. It’s a doctrine that has vastly broadened police power the world over—to deadly effect. With contributions from #BlackLivesMatter cofounder Patrisse Cullors, Ferguson activist and Law Professor Justin Hansford, Director of New York–based Communities United for Police Reform Joo-Hyun Kang, poet Martín Espada, and journalist Anjali Kamat, as well as articles from leading scholars Ruth Wilson Gilmore, Robin D. G. Kelley, Naomi Murakawa, Vijay Prashad, and more, Policing the Planet describes ongoing struggles from New York to Baltimore to Los Angeles, London, San Juan, San Salvador, and beyond.

"The rabbit hole gets wrestled here. An old school saying applies: the more you know, the more you don’t know. Dance along this read into the unknown and find out that this book may be the best ever answer to ‘What is soul?'" —Chuck D, rapper and co-founder of Public Enemy *Starred Reviews* from Kirkus and Publishers Weekly! Named a Best Book of 2021 by Library Journal, Kirkus, and symmetry Magazine In this important guide to science and society, a cosmologist argues that physics must embrace the excluded, listen to the unheard, and be unafraid of being wrong. Years ago, cosmologist Stephon Alexander received life-changing advice: to discover real physics, he needed to stop memorizing and start taking risks. In Fear of a Black Universe, Alexander shows that great physics requires us to think outside the mainstream -- to improvise and rely on intuition. His approach leads him to three principles that shape all theories of the universe: the principle of invariance, the quantum principle, and the principle of emergence. Alexander uses them to explore some of physics' greatest mysteries, from what happened before the big bang to how the universe makes consciousness possible. Drawing on his experience as a Black physicist, he makes a powerful case for diversifying our scientific communities. Compelling and empowering, Fear of a Black Universe offers remarkable insight into the art of physics.

Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet Researchers An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how “blackness” gets worked out in various technological domains. As Brock demonstrates, there’s nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.

Doc Horror knows there are sinister forces at work trying to bring the downfall of the human race. They have already ravaged his home planet, and now he has traveled to Earth to try and stop them once and for all. Once here, however, he finds that this world's inhabitants aren't all sweetness and light themselves. Some of them are busy creating freakish mutations out of their fellow man, and others are helping the invaders in their quest for domination. An outcast, Doc Horror is forced to live by the dark of night, and there he finds compatriots who must also shun the light of day. Polychrome, The Gunwitch, Starfish, Firelion, Komodo, and The Raccoon have all their share of knocks from humanity, but they want to save their home world anyway, and they don't care how many monsters stand in their way.

Torbjorn Rodland is to photography what the Pet Shop Boys are to pop: a master of the delicately orchestrated cliche overload, a surcharge of the too obvious, too cute or too inane, played to the point where, drained of all trace of common sense, it suggests a new sense of silence, of mystery. Rodland has a knack for producing images that make you ask what are, in fact, appropriate motives for art photography: Images of single audio or video cassettes? Bleak black-and-white renditions of countryside churches? George W. Bush's favorite ice cream? A black banana? Girls and pets, pets and girls? He creates a complex of readings that inveigles the viewer into spending time with each single image, to reconsider its meaning and relevance. White Planet, Black Heart makes no excuses as it reinvents the romantic impulses of popular culture. This is Rodland's first book.