Black Paradox: The Folly Over Skin Colour By: Marilyn A. Massiah Black Paradox: The Folly Over Skin Colour explores an absurd and deeply harmful notion of white supremacy based wholly on an irrelevant basis held by the Caucasian race that their pale skin is inherently superior to their counterparts with dark skin. Despite the presence of centuries old advancements in learning and scholarship in every area of endeavor by the African race, this paradox persists among those who had little or no schooling on the subject when this folly was at its maximum. As a result, easy racial mixing which is the natural workings of society, they perceive as a strange or insuperable handicap. This is a story of a young American Peace Corps volunteer on assignment in idyllic Guyana in 1969 when he confronted a younger Sydney Parker with questions about how people of different races and ethnicities can coexist in relative harmony. Sydney only understood the question when she moves to the United States herself and uncovered the chilling reality, not personally, the young man spoke of: A nation gripped in a moral crisis of abject hatred and feticism with pigmentation prejudice through documentaries on the Civil Rights Struggle. From her unique Caribbean perspective, the author analyzes, scrutinize and exposes America’s detrimental obsession with race, reproducing negative stereotypes, repeating untruths over and over, is a devilish act and one of the greatest scams in the name of white privilege and structural impediments preventing others from advancing. The Civil Rights Movement, Guyana’s society that bred many productive and well-adjusted expatriates and many examples of Black excellence that undermines the absurdity of white supremacy, Black Paradox serves to remind us that the madness of racism rooted in the folly of skin colour is corrosive to a peaceful society.

Four people intent on killing themselves meet through the suicide website Black Paradox: Maruso, a nurse who despairs about the future; Taburo, a man who is tortured by his doppelganger; Pii-tan, an engineer with his own robot clone; and Baracchi, a woman who agonizes about the birthmark on her face. They wander together in search of the perfect death, fatefully opening a door that leads them to a rather bizarre destiny... -- VIZ Media

Over a half-century since Ralph Ellison wrote the classic book Invisible Man, black men have been trying to become visible. In various ways, black men have sought to get the attention of the world. An intense quest to become seen, heard, and felt has manifested itself in rebellious and counterproductive behavior. Whether it is the baggy pants, the bandana, the braids in the hair, the earring, or the tattoo, black men have desperately striven for visibility. Perpetual gang warfare and an overemphasis on living a glamorous lifestyle have derailed many young black men from achieving success in the U.S. Author Renford Reese examines how young African American males have unwittingly accepted one model of black masculinity. The acceptance of this "tough guy" model is having detrimental consequences on an entire generation of young black men. The book's thesis is supported by a survey the author conducted of 756 African American males from the ages of 13-19 in Los Angeles and Atlanta. This survey attempts to gauge the attitudes, perceptions, and basic knowledge of young African American men regarding black public figures. One component of this survey is a Realness Scale that the author constructed. Along with this survey, interviews were conducted with various young black males to find out why they, or many of their peers, have embraced the gangsta-thug persona. The results of the survey and interviews are fascinating. Although the primary focus of this book is on the young black male's acceptance of the gangsta-thug image and his enthusiastic embrace of society's stereotypes, this book also looks at the unkindness of the system. One would be naive to dismiss the historical impact of discriminatory policies and the systemic perpetuation of stereotypes in U.S. society. Hence, this book examines the internal and external influences on the current black male identity. American Paradox and Reese's vists to prisons in California have already begun to pay off. In the Summer 2004 issue of Cal Poly Pomona & the Community, writer Jennifer Parsons talks about Reese's efforts, mentioning that Reese keeps a note in his briefcase from a 31-year-old prisoner serving time for manslaughter. According to her article, the prisoner writes, "I used to love being looked up to for all the wrong reasons. Now, though, I'm on a whole new script. My goal is to turn my misfortunes into a fortune. I want to help inner city kids avoid situations such as my own." He goes on to say, "I look forward to your visit. There is so much in that book that I would like to speak with you on." "...Reese raises serious questions regarding the state of life among African American youth that cannot be ignored. The book, an excellent source for discussion of issues in the black community and race relations in the US, will surely be controversial. Summing up: Highly recommended." -- CHOICE Magazine, October 2004 "American Paradox: Young Black Men . . . is an eye-opening read that brings to focus some the contemporary social issues that black and white America are reluctant to discuss. I would highly recommend it for courses in sociology, political science, and black studies." -- Journal of Urban Affairs, November 2006

"A shrewdly designed, generously expansive, timely contribution to our understanding of how 'black' expression continues to define and defy the contours of global (post)modernity. The essays argue persuasively for a transnational ethos binding disparate African and diasporic enactments, and together provide a robust conversation about the nature, history, future, and even possibility of 'blackness' as a distinctive mode of cultural practice." --Kimberly Benston, author of Performing Blackness "Black Cultural Traffic is nothing less than our generation's manifesto on black performance and popular culture. With a distinguished roster of contributors and topics ranging across academic disciplines and the arts (including commentary on film, music, literature, theater, television, and visual cultures), this volume is not only required reading for scholars serious about the various dimensions of black performance, it is also a timely and necessary teaching tool. It captures the excitement and intellectual innovation of a field that has come of age. Kudos!" --Dwight A. McBride, author of Why I Hate Abercrombie & Fitch "The explosion of interest in black popular culture studies in the past fifteen years has left a significant need for a reader that reflects this new scholarly energy. Black Cultural Traffic answers that need." --Mark Anthony Neal, author of Songs in the Key of Black Life "A revolutionary anthology that will be widely read and taught. It crisscrosses continents and cultures and examines confluences and influences of black popular culture -- music, dance, theatre, television, fashion and film. It also adds a new dimension to current discussions of racial, ethnic, and national identity." --Horace Porter, author of The Making of a Black Scholar

Public choice is the study of behavior at the intersection of economics and political science. Since the pioneering work of Duncan Black in the 1940s, public choice has developed a rich literature, drawing from such related perspectives as history, philosophy, law, and sociology, to analyze political decision making (by citizen-voters, elected officials, bureaucratic administrators, lobbyists, and other "rational" actors) in social and economic context, with an emphasis on identifying differences between individual goals and collective outcomes. Constitutional political economy provides important insights into the relationship between effective constitutions and the behavior of ordinary political markets. In Readings in Public Choice and Constitutional Political Economy, Charles Rowley and Friedrich Schneider have assembled an international array of leading authors to present a comprehensive and accessible overview of the field and its applications. Covering a wide array of topics, including regulation and antitrust, taxation, trade liberalization, political corruption, interest group behavior, dictatorship, and environmental issues, and featuring biographies of the founding fathers of the field, this volume will be essential reading for scholars and students, policymakers, economists, sociologists, and non-specialist readers interested in the dynamics of political economy.

The Handbook of Fashion Studies identifies an innovative spectrum of thematic approaches, key strands and interdisciplinary concepts that continue to push forward the boundaries of fashion studies. The book is divided into seven sections: Fashion, Identity and Difference; Spaces of Fashion; Fashion and Materiality; Fashion, Agency and Policy; Science, Technology and New fashion; Fashion and Time and, Sustainable Fashion in a Globalised world. Each section consists of approximately four essays authored by established researchers in the field from the UK, USA, Netherlands, Sweden, Canada and Australia. The essays are written by international subject specialists who each engage with their section's theme in the light of their own discipline and provide clear case-studies to further knowledge on fashion. This consistency provides clarity and permits comparative analysis. The handbook will be essential reading for students of fashion as well as professionals in the industry.

Elijah Muhammad's Nation of Islam came to America's attention in the 1960s and 1970s as a radical separatist African American social and political group. But the movement was also a religious one. Edward E. Curtis IV offers the first comprehensive examination of the rituals, ethics, theologies, and religious narratives of the Nation of Islam, showing how the movement combined elements of Afro-Eurasian Islamic traditions with African American traditions to create a new form of Islamic faith. Considering everything from bean pies to religious cartoons, clothing styles to prayer rituals, Curtis explains how the practice of Islam in the movement included the disciplining and purifying of the black body, the reorientation of African American historical consciousness toward the Muslim world, an engagement with both mainstream Islamic texts and the prophecies of Elijah Muhammad, and the development of a holistic approach to political, religious, and social liberation. Curtis's analysis pushes beyond essentialist ideas about what it means to be Muslim and offers a view of the importance of local processes in identity formation and the appropriation of Islamic traditions.

The Knights of the gods, revered and dutiful mortals imbued with awesome power and authority to protect and defend, discover a terrifying murder that leaves a young girl orphaned and traumatized. The deranged killer is one of their own, but his horrible motive springs from their own, sin riddled pasts and is only a harbinger of an iniquitous beguiler’s apocalyptic vengeance to throw open the gates of hell to destroy both heaven and earth! Knight of Chaos is rich with intrigue, action, and suspense with chunks of humor tossed in that will transport the reader beyond the Re-awakening of time to the land of Mortalroam, a wondrous, visually stunning, enveloping world filled with characters that are distinct and detailed, each with their own “voice”, charm, and appeal, enticing, from first chapter to last.

"'Discovering Texas History' is a historiographical reference book that will be invaluable to teachers, students, and researchers of Texas history. Chapter authors are familiar names in Texas history circles--a 'who's who' of high profile historians. Conceived as a follow-up to the award winning (but increasingly dated) 'A Guide the History of Texas' (1988), 'Discovering Texas History' focuses on the major trends in the study of Texas history since 1990. In part one, topical essays address significant historical themes, from race and gender to the arts and urban history. In part two, chronological essays cover the full span of Texas historiography from the Spanish era to the modern day. In each case, the goal is to analyze and summarize the subjects that have captured the attention of professional historians so that 'Discovering Texas History' will take its place as the standard work on the history of Texas history"--

For more than a century, the city of Atlanta has been associated with black achievement in education, business, politics, media, and music, earning it the nickname "the black Mecca." Atlanta's long tradition of black education dates back to Reconstruction, and produced an elite that flourished in spite of Jim Crow, rose to leadership during the civil rights movement, and then took power in the 1970s by building a coalition between white progressives, business interests, and black Atlantans. But as Maurice J. Hobson demonstrates, Atlanta's political leadership--from the election of Maynard Jackson, Atlanta's first black mayor, through the city's hosting of the 1996 Olympic Games--has consistently mishandled the black poor. Drawn from vivid primary sources and unnerving oral histories of working-class city-dwellers and hip-hop artists from Atlanta's underbelly, Hobson argues that Atlanta's political leadership has governed by bargaining with white business interests to the detriment of ordinary black Atlantans. In telling this history through the prism of the black New South and Atlanta politics, policy, and pop culture, Hobson portrays a striking schism between the black political elite and poor city-dwellers, complicating the long-held view of Atlanta as a mecca for black people.