For over 1500 years before the Empire Windrush docked on British shores, people of African descent have played a significant and far-ranging role in the country’s history, from the African soldiers on Hadrian’s Wall to the Black British intellectuals who made London a hub of radical, Pan-African ideas. But while there has been a growing interest in this history, there has been little recognition of the sheer breadth and diversity of the Black British experience, until now. This collection combines the latest work from both established and emerging scholars of Black British history. It spans the centuries from the first Black Britons to the latest African migrants, covering everything from Africans in Tudor England to the movement for reparations, and the never ending struggles against racism in between. An invaluable resource for both future scholarship and those looking for a useful introduction to Black British history, Black British History: New Perspectives has the potential to transform our understanding of Britain, and of its place in the world.

In London Is The Place for Me, Kennetta Hammond Perry explores how Afro-Caribbean migrants navigated the politics of race and citizenship in Britain and reconfigured the boundaries of what it meant to be both Black and British at a critical juncture in the history of Empire and twentieth century transnational race politics.

What are the origins of the hostile environment for immigrants in Britain? Chosen as a BBC History Magazine Book of the Year 2021 and shortlisted for the PEN Hessell-Tiltman Prize 2022 In the wedded stories of migration and the end of empire, Ian Sanjay Patel uncovers a forgotten history of post-war Britain. After the Second World War, what did it mean to be a citizen of the British empire and the post-war Commonwealth of Nations? Post-war migrants coming to Britain were soon renamed immigrants in laws that prevented their entry despite their British nationality. The experiences of migrants and the archival testimony of officials and politicians at home and abroad, retold here, define Britain’s role in the global age of decolonization.

In 1962, amidst the Cuban Revolution, Third World decolonization, and the African American freedom movement, Jamaica and Trinidad and Tobago became the first British West Indian colonies to gain independence. These were not only the first new nations in the western hemisphere in more than fifty years; they also won their independence without the bloodshed that marked so much of the decolonization struggle elsewhere. Jason Parker's international history of the peaceful transition in these islands analyzes the roles of the United States, Britain, the West Indies, and the transnational African diaspora in the process, from its 1930s stirrings to its Cold War culmination. Grounded in exhaustive research conducted in seven countries, Brother's Keeper offers an original rethinking of the relationship between the Cold War and Third World decolonization.

This book analyzes the political transformations in black women's socially engaged community-based political work in England in the late twentieth century. It situates these shifts alongside Britain's political economy and against the discourse and deployment of blackness as a political imaginary in which to engage in struggles for social justice.

The close diplomatic, economic, and military ties that comprising the "special relationship" between the United States and Great Britain have received plenty of attention from historians over the years. Less frequently noted are the countries' shared experiences of empire, white supremacy, racial inequality, and neoliberalism - and the attendant struggles for civil rights and political reform that have marked their recent history. This state-of-the-field collection traces the contours of this other "special relationship," exploring its implications for our understanding of the development of an internationally interconnected civil rights movement. Here, scholars from a range of research fields contribute essays on a wide variety of themes, from solidarity protests to calypso culture to white supremacy.

In Listening to Images Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos—which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders—a quiet intensity and quotidian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination.

Less than three months before he was assassinated, Malcolm X spoke at the Oxford Union—the most prestigious student debating organization in the United Kingdom. The Oxford Union regularly welcomed heads of state and stars of screen and served as the training ground for the politically ambitious offspring of Britain’s "better classes." Malcolm X, by contrast, was the global icon of race militancy. For many, he personified revolution and danger. Marking the fiftieth anniversary of the debate, this book brings to life the dramatic events surrounding the visit, showing why Oxford invited Malcolm X, why he accepted, and the effect of the visit on Malcolm X and British students. Stephen Tuck tells the human story behind the debate and also uses it as a starting point to discuss larger issues of Black Power, the end of empire, British race relations, immigration, and student rights. Coinciding with a student-led campaign against segregated housing, the visit enabled Malcolm X to make connections with radical students from the Caribbean, Africa, and South Asia, giving him a new perspective on the global struggle for racial equality, and in turn, radicalizing a new generation of British activists. Masterfully tracing the reverberations on both sides of the Atlantic, Tuck chronicles how the personal transformation of the dynamic American leader played out on the international stage.