How W.E.B. Du Bois combined photographs and infographics to communicate the everyday realities of Black lives and the inequities of race in America At the 1900 Paris Exposition the pioneering sociologist and activist W.E.B. Du Bois presented an exhibit representing the progress of African Americans since the abolition of slavery. In striking graphic visualisations and photographs (taken by mostly anonymous photographers) he showed the changing status of a newly emancipated people across America and specifically in Georgia, the state with the largest Black population. This beautifully designed book reproduces the photographs alongside the revolutionary graphic works for the first time, and includes a marvelous essay by two celebrated art historians, Jacqueline Francis and Stephen G. Hall. Du Bois' hand-drawn charts, maps and graphs represented the achievements and economic conditions of African Americans in radically inventive forms, long before such data visualization was commonly used in social research. Their clarity and simplicity seems to anticipate the abstract art of the Russian constructivists and other modernist painters to come. The photographs were drawn from African American communities across the United States. Both the photographers and subjects are mostly anonymous. They show people engaged in various occupations or posing formally for group and studio portraits. Elegant and dignified, they refute the degrading stereotypes of Black people then prevalent in white America. Du Bois' exhibit at the Paris Exposition continues to resonate as a powerful affirmation of the equal rights of Black Americans to lives of freedom and fulfilment. Black Lives 1900 captures this singular work. American sociologist, historian, author, editor and activist W.E.B. Du Bois (1868-1963) was the most influential Black civil rights activist of the first half of the 20th century. He was a protagonist in the founding of the National Association for the Advancement of Colored People (NAACP) in 1909, and his 1903 bookThe Souls of Black Folk remains a classic and a landmark of African American literature.

"At the 1900 Paris Exposition the pioneering sociologist and activist W.E.B. Du Bois presented an exhibit representing the progress of African Americans since the abolition of slavery. In striking graphic visualisations and photographs (taken by mostly anonymous photographers) he showed the changing status of a newly emancipated people across America and specifically in Georgia, the state with the largest Black population. This beautifully designed book reproduces the photographs alongside the revolutionary graphic works for the first time, and includes a marvelous essay by two celebrated art historians, Jacqueline Francis and Stephen G. Hall."--

The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."

“An important snapshot of life for black Americans at the beginning of the twentieth century” from the editor of The Illustrated Souls of Black Folk (Booklist). “The problem of the Twentieth Century is the problem of the color-line.” This quote is among the most prophetic in American history. It was written by W. E. B. DuBois for the Exhibition of American Negroes displayed at the 1900 Paris Exposition. They are words whose force echoed throughout the Twentieth Century. W. E. B. DuBois put together a groundbreaking exhibit about African Americans for the 1900 World’s Fair in Paris. For the first time, this book takes readers through the exhibit. With more than 200 black-and-white images throughout, this book explores the diverse lives of African Americans at the turn of the century, from challenges to accomplishments. DuBois confronted stereotypes in many ways in the exhibit, and he provided irrefutable evidence of how African Americans had been systematically discriminated against. Though it was only on display for a few brief months, the award-winning Exhibit of American Negroes represents the great lost archive of African American culture from the beginning of the twentieth century. “Those concerned with African American history will benefit from this work and may wish to also consult Provenzo’s The Illustrated Souls of Black Folk (2004) for a companion read. Summing Up: Recommended.” —Choice Reviews “Ten years before he founded the NAACP, W. E. B. DuBois used his role in the Exhibition to begin the long, fruitful process of achieving equality.” —Benjamin Todd Jealous, president and CEO of the NAACP

DIVAn exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900./div

An incredible treasure trove of more than 150 illustrations detailing a small nation of African Americans prepared to make their mark on America

'Marable's biography of Du Bois is the best so far available.' Dr. Herbert Aptheker, Editor, The Correspondence of W.E.B. Du Bois 'Marable's excellent study focuses on the social thought of a major black American thinker who exhibited a 'basic coherence and unity' throughout a multifaceted career stressing cultural pluralism, opposition to social inequality, and black pride.' Library Journal Distinguished historian and social activist Manning Marable's book, W. E. B. Du Bois: Black Radical Democrat, brings out the interconnections, unity, and consistency of W. E. B. Du Bois's life and writings. Marable covers Du Bois's disputes with Booker T. Washington, his founding of the NAACP, his work as a social scientist, his life as a popular figure, and his involvement in politics, placing them into the context of Du Bois's views on black pride, equality, and cultural diversity. Marable stresses that, as a radical democrat, Du Bois viewed the problems of racism as intimately connected with capitalism. The publication of this updated edition follows more than one hundred celebrations recently marking the 100th anniversary of Du Bois's The Souls of Black Folk. Marable broadens earlier biographies with a new introduction highlighting Du Bois's less-known advocacy of women's suffrage, socialism, and peace and he traces his legacy to today in an era of changing racial and social conditions.

The call of the void is words that are spoken truly from the heart. It is simply about anything and everything. How we, as people, are a disgrace to our own duties. It is also studies, love, sin, afterlife and peace. This book is for those who need it. So, please handle it gently and with an open mind.

The jolly and exciting tale of the little boy who lost his red coat and his blue trousers and his purple shoes but who was saved from the tigers to eat 169 pancakes for his supper, has been universally loved by generations of children. First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play.