From bestselling and Booker-nominated author Colm Tóibín comes a beautiful collection of essays ranging from personal memoir to brilliantly acute writing on religion, literature and politics. From the melancholy and amusement within the work of the writer John McGahern to an extraordinary essay on his own cancer diagnosis, Tóibín delineates the bleakness and strangeness of life and also its richness and its complexity. As he reveals the shades of light and dark in a Venice without tourists and the streets of Buenos Aires riddled with disappearances, we find ourselves considering law and religion in Ireland as well as the intricacies of Marilynne Robinson's fiction.The imprint of the written word on the private self, as Tóibín himself remarks, is extraordinarily powerful. In this collection, that power is gloriously alive, illuminating history and literature, politics and power, family and the self.

This book argues that modern Irish history encompasses a deep-seated fear of betrayal, and that this fear has been especially prevalent since the revolutionary period at the outset of the twentieth century. The author goes on to argue that the novel is the literary form most apt for the exploration of betrayal in its social, political and psychological dimensions. The significance of this thesis comes into focus in terms of a number of recent developments – most notably, the economic downturn (and the political and civic betrayals implicated therein) and revelations of the Catholic Church’s failure in its pastoral mission. As many observers note, such developments have brought the language of betrayal to the forefront of contemporary Irish life. This book offers a powerful analysis of modern Irish history as regarded from the perspective of some its most incisive minds, including James Joyce, Liam O’Flaherty, Elizabeth Bowen, Francis Stuart, Eugene McCabe and Anne Enright.

Each volume of the Irish Writers series is devoted to one Irish writer of the 19th or 20th century, giving a full account of their literary careers and major works, and considering the relationship of their Irish backgrounds to their writings as a whole.

Seán Lemass enjoys unrivalled acclaim as the 'Architect of Modern Ireland'. Yet there remain great gaps in our knowledge of this mythic figure and his golden age. Up to now Lemass, a colossus of twentieth-century Irish history, was airbrushed to fit a narrative of national progress. Today, this narrative is undergoing an agonising reappraisal. This groundbreaking study reveals the man behind the myth and asks questions previously skirted around. What emerges is an authoritarian, cunning, workaholic patriot; a shrewd political tactician whose impatience lay not just with the old Ireland, but with democracy itself. This is the untold story of a great man and his lasting impact on a nation's imagination.

One of Ireland's most abidingly controversial political figures, Seán MacBride (1904-88) was a youthful participant in the Irish Revolution and an active member of the Irish Republican Army, rising through the ranks to occupy a leadership position for fifteen years. Seán MacBride is the first book to focus exclusively on MacBride's republican activities, on which his controversial reputation in Irish and British political circles rests. With extensive use of recently released archival material, including Department of Justice records and Bureau of Military History witness statements, this book combines a biographical focus with wider assessments of the important themes, including the persistence of republican opposition to the state after the Civil War and Ireland's ambiguous experience of World War II.

Phyllis Ursula James. Nora O’Mara. Róisín Ní Mheara. Like her name, the life of Rosaleen James changed many times as she followed a convoluted path from abandoned child, to foster daughter of an aristocratic British family, to traitor during World War II, to her emergence as a full Irish woman afterward. In Masquerade, authors Mark M. Hull and Vera Moynes tell James’s story as it unfolds against the backdrop of the most important events of the twentieth century. James’s life—both real and imagined—makes for an incredible but true story. By altering her identity to suit the situation, James manipulated almost everyone she encountered: the German intelligence service, the Nazi propaganda broadcasting service, British intelligence, and various Irish cultural groups. She was in a liaison with Irish writer Francis Stuart and, with him, provided a voice for Nazi radio programs aimed at neutral Ireland, served as the pseudo-Irish expert for German espionage missions, and participated in the failed, almost comical effort to recruit Irish prisoners of war to join the Nazis against Great Britain—quite a series of performances, considering her only contact with Ireland had been a weeklong visit in 1937. Immediately after the war, James was wanted by British intelligence as a “renegade” (traitor), but her case was quickly squelched by the British government. Drawing on an assumed wartime persona, she became fluent in Irish Gaelic and organized a number of conferences for which she won grants from the Irish government. James garnered wider attention in 1992 with her autobiography, published in Gaelic, in which she claimed that the Holocaust was a myth—a belief she maintained until her death in 2013. In documenting James’s life of deception, Hull and Moynes masterfully analyze how an intellectually gifted child turned traitor to her country and convincingly rebranded herself as an Irish patriot and intellectual, while denying historical reality. The story of Rosaleen James reminds us that reality may be much less—or more—than what meets the eye and ear.

In this seminal work, publisher and author Tony Farmar places the development of Irish publishing in its social and economic context, exploring how the mechanics of the industry, alongside the changing structure of Irish bookselling, have underpinned developments in the trade.

The author of the acclaimed Gay Fiction Speaks brings us new interviews with twelve prominent gay writers who have emerged in the last decade. Hear Us Out demonstrates how in recent decades the canon of gay fiction has developed, diversified, and expanded its audience into the mainstream. Readers will recognize names like Michael Cunningham, whose Pulitzer Prize–winning novel The Hours inspired the hit movie; and others like Christopher Bram, Bernard Cooper, Stephen McCauley, and Matthew Stadler. These accounts explore the vicissitudes of writing on gay male themes in fiction over the last thirty years—prejudices of the literary marketplace; social and political questions; the impact of AIDS; commonalities between gay male and lesbian fiction... and even some delectable bits of gossip.

The letters provide us with an intimate, multilayered understanding of this extraordinary poet’s life and mind. Every now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two. In this astute selection from Seamus Heaney’s vast correspondence, we are given direct access to the life and poetic development of a literary titan, from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of the Nobel Prize in Literature and the years of international eminence that kept him heroically busy until his death. Christopher Reid draws from both public and private archives to reveal this remarkable story in the poet’s own words. Generous, funny, exuberant, confiding, irreverent, empathetic, and deeply thoughtful, The Letters of Seamus Heaney encompasses decades-long relationships with friends and colleagues, as well as an unstinted responsiveness to passing acquaintances. Heaney’s mastery of language is as evident here as it is in any of his writings; listening to his voice we find ourselves in the same room as a man whose presence enriched the world and whose legacy deepens our sense of what truly matters.