A transvestite assassin with a fur-fetish, on the run from both police and the mob, buys a run-down travelling carnival and goes into hiding with a small-town hooker while his twin personalities -- Glen and Glenda -- continually vie for psychological supremacy. With a supporting cast of hoodlums, predatory queens, rapist farmers, sideshow freaks and corrupt rapist cops, Ed Wood's first published novel, BLACK LACE DRAG -- also known as Killer In Drag -- moves from scenario to sleazy scenario with all the deranged logic and fetishistic detail of his finest movies.

Meet Ed Wood's alter ego Glen/Glenda, whose ravishing beauty and musical voice bewitch every male in sight. Impeccably attired in either gender, hired assassin Glen becomes Glenda when it's time to work. But big trouble starts when Glenda decides to give up the murder racket, take up with a sugar daddy, and finance a sex change operation.

When life's a drag, you've gotta drag it up. JT feels like his life's hit a dead end. It looks like he'll always be stuck in Florida. His parents are anti-supportive. And his boyfriend, Seth, seems to be moving toward a bright future a long way from home.Scholarship money is nonexistent. After-school work will only get JT so far. There's only one shot for him -- to become the next Miss Drag Teen in New York City.The problem with that? Well, the only other time JT tried drag (at a school talent show), he was booed off the stage. And it's not exactly an easy drive from Florida to New York. But JT isn't going to give up. He, Seth, and their friend Heather are going to drag race up north so JT can capture the crown, no matter how many feisty foes he has to face. Because when your future is on the line, you have to be in it to win it, one fraught and fabulous step at a time.

For over a decade, Magnus Hastings has been photographing the world's greatest drag superstars and asking each of them a simple question: Why drag? The result is this mesmerizing volume in which the queens strut their stuff and reflect on their shared passion through a mixture of quips and philosophizing. Subjects include icons of reality TV and underground drag royalty, and photographs range from the divine to the trashy. Featuring the likes of Bianca Del Rio and Courtney Act, this collection is a beautiful celebration of drag as an art form and an exhilarating exploration of what drag means to its greatest artists.

A concise history of the drag tradition—from 13th century to today Men have been dressing as women on stage for hundreds of years, dating back to the thirteenth century when the Church forbade the appearance of female actors but condoned that of men and boys disguised as the opposite sex. Forms of transvestism can be traced back to the dawn of theatre and are found in all corners of the world, notably in China and Japan. In recent years, of course, drag has witnessed a dramatic and widespread revival. Newsday recently observed, People are talking about all those fabulous heterosexual film idols who now can't seem to wait to get tarted up in drag and do their screen bits as fishnet queens. Drawing on a cinematic tradition popularized by Tony Curtis and Jack Lemmon in Some Like it Hot, Dustin Hoffman (Tootsie) and Robin Williams (Mrs. Doubtfire) have each delighted mainstream audiences with their portrayals of women. Even former drag queens have experience newfound fame; witness the recent popularity of the late Divine, renowned for her oddly compelling appearances in underground John Waters films. Music, too, has been profoundly influenced by drag sensibility, from David Bowie's Ziggy Stardust and the Rocky Horror Picture Show to Boy George and RuPaul (the self-proclaimed Supermodel of the World). Tracing drag tradition from the Golden Age of stage transvestism during the reigns of Elizabeth I and James I in England to the current quasi-drag inclinations of American grunge bands, Drag is an entertaining overview of this popular and complex medium.

There’s more to life than being fabulous... but it’s a start Roz and Jamie have moved to leafy Suffolk from London in search of a quiet life, so it’s a shock to find the village embarking on its riotous annual drag competition. Fuelled by large quantities of alcohol and boisterous community spirit, they are soon caught up in a battle for the identity of the village itself against those who’d prefer to stay stuck in the past. Meanwhile in San Francisco, Drew is facing his own challenge to save his drag club and the livelihoods of his closest friends. When he finds out about a small English village putting on a drag competition, inspiration strikes – and worlds collide. Appearances are not everything and sometimes human connections can surprise us, but will these realisations be too late to save the village and Drew’s club? A gorgeously fun, heartwarming and tender story of unexpected friendships and acceptance. 'This is like an edgy Jilly Cooper – lots of eccentric characters and a lot of fun!' Katie Fforde 'Truly terrific...I love this book' Judy Astley 'High jinks and high heels... Imagine The Archers in drag, with a huge heart and lots of laughs' Veronica Henry

Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

Mario Bava’s Blood and Black Lace (1964) is commonly considered the archetypal giallo. This book examines its main narrative and stylistic aspects, including the groundbreaking prominence of violence and sadism and its use of color and lighting, as well as Bava’s irreverent approach to genre and handling of the audience’s expectations.

Work through your fears by getting fierce! Fiercely You is a creative, playful approach to the serious problems that women face regarding confidence and risk taking. At a particularly low point in her life, bestselling author Jackie Huba serendipitously stumbled upon the wonderful world of drag queens and was inspired. They were supremely self-assured, utterly fearless, strong, powerful, and unabashedly and completely themselves. Jackie even became a drag queen herself: Lady Trinity. Drawing on her own experiences and interviews with the world's top drag queens, Huba and coauthor Shelly Kronbergs offers five Keys to Fierce that will help readers find the courage to ignore criticism and live the life they truly want to live every day—no wigs or stilettos required.