“An eye for an eye is never enough.” Kallie Rivière, a Cajun hoodoo apprentice with a bent for trouble, learned the meaning of those ominous words when hoodoo bogeyman Doctor Heron targeted her family for revenge. Now, while searching for her still-missing bayou pirate cousin, Kallie finds out the hard way that someone is undoing powerful gris gris, which means that working magic has become as unpredictable as rolling a handful of dice. The wards woven to protect the Gulf coast are unraveling, leaving New Orleans and the surrounding bayous vulnerable just as an unnatural storm—the deadliest in a century—is born. As the hurricane powers toward the heart of all she loves, Kallie desperately searches for the cause of the disturbing randomness, only to learn a deeply unsettling truth: the culprit may be herself. To protect her family and friends, including the sexy nomad Layne Vallin, Kallie steps into the jaws of danger . . . and finds a loup garou designed to steal her heart—literally.

FIRST IN A NEW SERIES! “There will be times, girl, when all your magic ain’t going to be enough, times when it will seem to dry up like mud under the noonday sun, or even make matters worse. . . .” Kallie Rivière, a fiery Cajun hoodoo apprentice with a talent for trouble, finds herself smack-dab in the middle of one of those times her mentor warned her about when she visits New Orleans to attend the Hecatean Alliance’s annual carnival: her hard-bodied conjurer hookup ends up dead in her blood-drenched bed. And he was killed by something that Kallie would never dream of touching—the darkest of dark juju, soul-eating juju—a black dust hex that may have been meant to kill her. Now Kallie has to use every bit of hoodoo knowledge and bayou-bred mojo she possesses to clear her own name and find the killer—even as that dark sorcerer hunts Kallie and her friends. But Kallie’s search for the truth soon leads her in a direction she never anticipated—back home to Bayou Cyprés Noir, and to Gabrielle LaRue, Kallie’s aunt, protector, and hoodoo mentor . . . who is looking more and more like she just might be the one who wants Kallie dead.

HIS NAME IS DANTE. Dark. Talented. Beautiful. Star of the rock band Inferno. Rumored owner of the hot New Orleans nightspot Club Hell. Born of the Blood, then broken by an evil beyond imagination. HIS PAST IS A MYSTERY. F.B.I. Special Agent Heather Wallace has been tracking a sadistic serial murderer known as the Cross Country Killer, and the trail has led her to New Orleans, Club Hell, and Dante. But the dangerously attractive musician not only resists her investigation, he claims to be "nightkind": in other words, a vampire. Digging into his past for answers reveals little. A juvenile record a mile long. No social security number. No known birth date. In and out of foster homes for most of his life before being taken in by a man named Lucien DeNoir, who appears to guard mysteries of his own. HIS FUTURE IS CHAOS. What Heather does know about Dante is that something links him to the killer -- and she's pretty sure that link makes him the CCK's next target. Heather must unravel the truth about this sensual, complicated, vulnerable young man -- who, she begins to believe, may indeed be a vampire -- in order to finally bring a killer to justice. But Dante's past holds a shocking, dangerous secret, and once it is revealed not even Heather will be able to protect him from his destiny....

The Freak Observer is rich in family drama, theoretical physics, and an unusual, tough young woman—Loa Lindgren. For eight years, Loa Sollilja's world ran like one of those mechanical models of the solar system, with her baby sister, Asta, as the sun. Asta suffered from a genetic disorder that left her a permanent infant, and caring for her was Loa's life. Everything spun neatly and regularly as the whole family orbited around Asta. But now Asta's dead, and 16-year-old Loa's clockwork galaxy has collapsed. As Loa spins off on her own, her mind ambushes her with vivid nightmares and sadistic flashbacks―a textbook case of PTSD. But there are no textbook fixes for Loa's short-circuiting brain. She must find her own way to pry her world from the clutches of death. The Freak Observer is a startling debut about death, life, astrophysics, and finding beauty in chaos.

The fifth book in the “outstanding” (Romantic Times) Elemental Assassin fantasy series featuring Gin Blaco, who by day is a waitress at a Tennessee BBQ joint, and by night is a tough female assassin. Old habits die hard for assassins. And I plan on murdering someone before the night is through. Killing used to be my regular gig, after all. Gin Blanco, aka the Spider, assassin-for-hire. And I was very, very good at it. Now, I’m ready to make the one hit that truly matters: Mab Monroe, the dangerous Fire elemental who murdered my family when I was thirteen. Oh, I don’t think the mission will be easy, but turns out it’s a bit more problematic than expected. The bitch knows I’m coming for her. So now I’m up against the army of lethal bounty hunters Mab hired to track me down. She also put a price on my baby sister’s head. Keeping Bria safe is my first priority. Taking Mab out is a close second. Good thing I’ve got my powerful Ice and Stone magic—and my irresistible lover, Owen Grayson—to watch my back. This battle has been years in the making, and there’s a good chance I won’t survive. But if I’m going down, then Mab’s coming with me . . . no matter what I have to do to make that happen.

From the New York Times bestselling author of A Rush of Wings and The Maker’s Song series, a humorous, action-packed urban fantasy about a werewolf pack and an animal control officer in way over his head! Someone is picking off fortune tellers and hippies in Oregon, snatching them out of their Birkenstocks mid-stride. And when the legend himself, Hal Rupert, Animal Control Officer, gets a whiff of the mystery, he knows he’s the man to solve it. In between proudly wrangling out-of-control cats and dogs, he’s noticed a peculiar uptick in another sort of animal…werewolves. Hal infiltrates the country fair to investigate the disappearance of the flower children. But his real priority is protecting the love of his life, Desdemona Cohen, whose long purple tresses and black-glossed lips captured his heart the moment he first saw her standing behind the register at Hot Topic. Desdemona may have nicknamed Hal “Creep,” but he’s determined to win her heart. And, you know, save everyone else, too.

The fifth thrilling urban fantasy in the “engrossingly fun” (Entertainment Weekly) Maker's Song series following the adventures of FBI agent Heather Wallace and the mysterious, seductive vampire Dante. TORN BETWEEN THREE WORLDS—A DANGER TO THEM ALL. Even as Dante Baptiste’s identity as both True Blood and Fallen ripples throughout New Orleans, his powers are expanding in surprising, devastating directions. Kidnapped, drugged, and lost to his brutal past, the vampire wavers between sanity and breakdown at the hands of his torturers. Forsaking the FBI she once loved, Heather Wallace has likewise fallen into malevolent hands. As she struggles to reunite with Dante, men of hate and government evil will try to keep them apart. Even as their teammates frantically search for the pair, dark forces continue to gather against the young vampire—and the fates of mortals, nightkind, and the Fallen rest on him regaining control of his shattered psyche before he becomes the terrible, omnipotent Great Destroyer.

The sixth book in the "USA Today"-bestselling Elemental Assassin urban fantasy series featuring Gin Blanco, who by day owns a Tennessee BBQ joint, and by night is a tough female assassin known as the Spider. Original.

1812: With her guardian planning to remarry, 20-year-old Phoebe Dymond finds she is no longer welcome in his Falmouth home and is soon hustled aboard the packet ship Providence bound for Jamaica and an arranged marriage. A skilled herbalist and midwife, Phoebe clashes with ship's surgeon, Jowan Crossley. But their professional antagonism evolves into mutual respect and a deepening attraction neither dare acknowledge. Following a skirmish with a French privateer, Providence is robbed of crew by a Royal Navy frigate and arrives to find the island facing a slave revolt and Kingston flooded with French refugees. Escorted by Jowan to the plantation of which she will be mistress, terrifying events force Phoebe to relinquish all hope of the happiness she has glimpsed. But her journey is not yet over...

In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.