Weapons of mass destruction come in all sizes, but none as beautiful as the broken angel who burns like hellfire and rebirths like the phoenix; only to burn again. She was named Shurooq Bano, the Princess of Sunrise, for the frail and innocent light of her fire, but owned and used by a warlord for conquering a land already exploited by the Gods of Olympus. But Moeraes thread has a different weave. Shurooqs fate is shaped by her will for freedom, the machinations of Olympians who seek to control their world and fallen angels who seek to cease her death cycle. This time, when the Phoenix emerges from the ashes, her life will be permanently altered by destiny and the Angel of Death who invokes memories and passions the firebird is not equipped to deal with.

It is the Black Dawn, a time of environmental apocalypse, the earth wracked and dying. It is the Bright Day, a time long generations hence, when a peace has descended across the world. In each era, a child shall be chosen. Their task is to find a dark messiah known only as the Crowman. But is he our saviour – or the final incarnation of evil? File Under: Fantasy [ The Crowman | Joined Through Time | The Last Keeper | The Journey Begins ]

It is the Black Dawn, a time of environmental apocalypse, the earth wracked and dying. It is the Bright Day, a time long generations hence, when a peace has descended across the world. In each era, a child shall be chosen. Their task is to find a dark messiah known only as the Crowman. But is he our saviour – or the final incarnation of evil? File Under: Fantasy [ The Crowman | Joined Through Time | The Last Keeper | The Journey Begins ]

"Follow the evolution of Black Feathers from a stock 1961 Cal 20 sailboat into an effective pocket racer. Go with her and her skipper as they sail solo from San Francisco to beautiful Hanalei Bay, Kauai in the 2008 Singlehanded TransPac. Imagine sailing 2200 miles across the Pacific Ocean in a 20-foot sailboat -- ALONE with NO ENGINE! YOU can be there."--P [4] of cover

Birds are usually loved for their beauty and their song. They symbolize freedom, eternal life, the soul. But there’s a dark side to the avian. Birds of prey sometimes kill other birds (the shrike), destroy other birds’ eggs (blue jays), and even have been known to kill small animals (the kea sometimes eats live lambs). And who isn’t disgusted by birds that eat the dead—vultures awaiting their next meal as the life blood flows from the dying. Is it any wonder that with so many interpretations of the avian, that the contributors herein are eager to be transformed or influenced by them? Included in Black Feathers are those obsessed by birds of one type or another: A grieving widow takes comfort in her majestic winged neighbors, who enable her to cope with a predatory relative. An isolated society of women relies on a bird to tell their fortunes. A chatty parrot makes illegal deals with the dying. A troubled man lives in isolation with only one friend for company—a jackdaw.In each of these fictions, you will encounter the dark resonance between the human and avian. You will see in yourself the savagery of a predator, the shrewd stalking of a hunter, and will wade into this feathered nightmare, braving the horror of death for that which we all seek—the promise of flight.

A dazzling anthology of avian-themed fiction guaranteed to frighten and delight, edited by one of the most acclaimed horror anthologists in the genre. Birds are usually loved for their beauty and their song. They symbolize freedom, eternal life, the soul. But there’s a dark side to the avian. Birds of prey sometimes kill other birds (the shrike), destroy other birds’ eggs (blue jays), and even have been known to kill small animals (the kea sometimes eats live lambs). And who isn’t disgusted by birds that eat the dead—vultures awaiting their next meal as the life blood flows from the dying. Is it any wonder that with so many interpretations of the avian, that the contributors herein are eager to be transformed or influenced by them? Included in Black Feathers are those obsessed by birds of one type or another: A grieving widow takes comfort in her majestic winged neighbors, who enable her to cope with a predatory relative. An isolated society of women relies on a bird to tell their fortunes. A chatty parrot makes illegal deals with the dying. A troubled man lives in isolation with only one friend for company—a jackdaw. In each of these fictions, you will encounter the dark resonance between the human and avian. You will see in yourself the savagery of a predator, the shrewd stalking of a hunter, and will wade into this feathered nightmare, braving the horror of death for that which we all seek—the promise of flight.

When a new, white student nicknamed "The Jesus Boy" joins her sixth grade class in the winter of 1971, Frannie's growing friendship with him makes her start to see some things in a new light.

TransPac's Smallest Finisher Robert Crawford...raced the 2008 Singlehanded TransPacific Yacht Race aboard "Black Feathers," his 1961 Cal 20, finishing in 19 days 21 hours...making "Black Feathers" the smallest boat to have finished the race...Crawford followed the 1990's mantra of the Singlehanded Sailing Society, of which he is a member: "Do the race in the boat you have." Talk about a small-boat adventure! "Sail Magazine" Follow the evolution of "Black Feathers" from a stock 1961 Cal 20 sailboat into an effective pocket racer. Go with her and her skipper as they sail solo from San Francisco to beautiful Hanalei Bay, Kauai in the 2008 Singlehanded TransPac. Imagine sailing 2200 miles across the Pacific Ocean in a 20-foot sailboat-ALONE with NO ENGINE! YOU can be there. Bonus Features A Do-It-Yourself Prep Manual: "From daysailer to pocket racer-small boat preparation for offshore racing" Over 60 photographs and diagrams A Concise History of the Singlehanded TransPac A Wife's Perspective "Black FeathersInspires Us to Keep Our Dreams Alive. Experience One Man's Efforts for the Common Sailor"

Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.

As heard on NPR's This American Life “Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air “One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief. On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.