Armistead retired from the coal mines in 1987, and died in 1998. Here he recounts his experiences and those of his father, who was also a coal miner, so that this engaging memoir also stands as a rich historical document portraying the evolution of the industry. Armistead told his story to S.L. Gardner, a former teacher and librarian who has written about coal camps for the Times West Virginian. Annotation copyrighted by Book News, Inc., Portland, OR

In the years immediately following his Academy Award nomination for Philadelphia, screenwriter Ron Nyswaner fell through the rabbit hole. This gripping, intimate, and darkly comic memoir chronicles this period in his life, a -period where a raging drug addiction collided with an obsessive and almost fatal love affair. A wrong turn down a one-way street in the shadow of the Sunset Strip's Chateau Marmont leads Academy Award-nominated screenwriter Ron Nyswaner (Philadelphia, Soldier's Girl) on a journey that will nearly drown him in the intoxicating, impulsive, maddening, tragic, and transformative nature of love. Despite the success of his latest film, Ron has been fighting depression and contemplating self-destruction. "I don't want a mediocre, empty life," he tells his psychiatrist-acupuncturist-herbalist after halfheartedly attempting to hang himself with a belt. Then, on a trip from his home in upstate New York to Los Angeles, Ron meets and falls for world-weary Johann, a Latin-quoting, leather-clad hustler with a vague, European accent. In the next year Johann will teach him many things: how to make a crack pipe out of a soda can, how to come down from a crystal meth binge, how to walk down a city street as if he owns it, how to beg for "more" in Hungarian, and how to lose oneself utterly in reckless passion. If he can survive it, loving Johann might be Ron's salvation. This new edition of the memoir offers an introduction by acclaimed filmmaker Jonathan Demme and added epilogue by the author.

The Third World War might be over, but its effects are about to be felt in a way no one could have ever imagined. The new generation has been altered by the same bio-weapons that wiped out a vast number of their predecessors, making puberty come with much more than just acne and awkwardness. Alexei Murta is one of the first to experience these changes, and it very quickly turns into a constant struggle to not only survive, but do so while keeping a hold of his humanity as things fall apart both around and within him. The Third World War might be over, but it has left something even more hazardous in its wake: the Shifted Generation.

An Iraq War veteran’s firsthand account of surviving a deadly insurgent ambush against the 1st Cavalry Division—and battling through the aftermath. It was known as Black Sunday—April 4, 2004, when units of America’s 1st Cavalry Division saw their routine deployment turn into a harrowing and costly fight. Enraged, motivated, and well-armed insurgents crammed the alleys, streets, and buildings of Sadr City. In that fight, a surging mob of militants ambushed one small unit of the Black Knight battalion. The heroic rescue attempt proved fatal for many of the determined soldiers who braved the gauntlet. Cav veteran Matt Fisk—who fought through Black Sunday and survived—gives a gut-level, over-the-rifle-sights view of a short, violent period when one of the safest places in the war zone suddenly turned into a cauldron of death and destruction, leaving eight US troops dead and dozens wounded—only the beginning of a lengthy siege aimed at defeating the Mahdi Army. Fisk’s rugged deployment with colorful and courageous fellow soldiers would result in some serious problems when he returned home, testing his coping skills. He turned to the VA for help—and wound up with the same frustration that plagues so many of today’s returning combat veterans. It’s all here in Black Knights, Dark Days—and it’s all brutally honest. “A gripping, astonishing insider’s account of the April 4, 2004, ambush of a First Cavalry Platoon in Sadr City that changed the course of the Iraq War. With great candor and skill, Matt Fisk interweaves the chaos and adrenaline of modern combat with the continuing battles with PTSD at home. An intense, vivid, deeply personal portrait of men at war that is up there with the very best books of the genre.” —Mikko Alanne, screenwriter and producer, The Long Road Home, The 33

Offers a narrative chronicle of race in the United States and the successes, failures, and stalemates of African American leaders in the past fifty years.

One of the most popular animal stories of all time, Anna Sewell's Black Beauty was first published in 1877. Drawn from the original text and intended for even the youngest of horse lovers, Black Beauty's Early Days in the Meadow depicts the first few months of the horse's life as a foal frolicking in the meadow. Artist Jane Monroe Donovan renders the classic story in lush oil paintings that convey a pastoral world of green fields and shady trees, while tenderly capturing the special love between mare and foal. The perfect harmony of words and pictures proves once again that the simplest messages are often the strongest. Readers will relish the sweetness of life in the meadow and the companionship of family and friends.

Reflections of a “revolutionary whore” and champion of sexual freedom and prostitutes' rights. They have to come back to us, because we know every detail of their orgasms, their little caprices, their little weaknesses and strengths. We know all of them. I mean, where do you expect them to go? They'll be disappointed anywhere else. Except for with us, because we know them like the back of our hand. As soon as they get in the door, it's like we'd made them ourselves. We know all the right things to say, all the gestures, there're no surprises. —from The Little Black Book of Grisélidis Réal The Little Black Book of Grisélidis Réal is the portrait of a true humanist who made a career out of compassion. Hailed as a virtuoso writer and a “revolutionary whore,” Grisélidis Réal (1929–2005) chanced into prostitution at thirty-one after an upper-class upbringing in Switzerland. Serving clients from all walks of life, Réal applied the anarcho-Marxist dictum “from each according to his abilities, to each according to his needs” to her profession, charging sliding-scale fees determined by her client's incomes and complexity of their sexual tastes. Réal went on to become a militant champion of sexual freedom and prostitutes' rights. She has described prostitution as “an art, and a humanist science,” noting that “the only authentic prostitution is that mastered by great technical artists...who practice this form of native craft with intelligence, respect, imagination, heart...” This volume includes lengthy dialogues from 1979–1981 with Réal conducted by journalist and author Jean-Luc Henning, in which she eloquently discusses the theoretical implications of sex-positive whoring and relates her experiences both inside and outside the profession: from her lengthy love affair with the “Berber” to such “psychological” and “special” clients as the “moldy rhinoceros.” The “Little Black Book” that rounds out this book is drawn from the logs in which Réal kept track of her many clients, from “Pedro, hilarious fat Spaniard, devoted, simple, honest, fat peasant face, 70F” to “Pierre 8 (from Basel), blue eyes, fifties, slightly balding, cultivated, sweet-violent...licks my finger after I remove it from his anus...100–400F.” It is a journal that not only chronicles Réal's working life, but offers a clinically direct, investigative sociological analysis of the sexual subcultures of her time.

Hatchet meets The Babysitters Club in this epic and thrilling survival story about pushing oneself to the limit in the face of a crisis. We were all alone, in a shaken and shattered house, in the dark. And I was in charge. Hannah Steele loves living on Pelling, a tiny island near Seattle. She's always felt totally safe there. So when she's asked to babysit after school one day, it's no big deal. Zoe and Oscar are her next-door neighbors, and Hannah just took a babysitting class, which she's pretty sure makes her an expert. She isn't even worried that she left her inhaler at home. Then the shaking begins. The terrifying earthquake only lasts four minutes, but it changes everything—damaging the house, knocking out the power, and making cell service nonexistent. Even worse, the ferry and the bridge connecting the kids to help—and their parents—are both blocked, which means they're stranded alone. And Hannah's in charge as things go from bad to worse. Praise for The Disaster Days: "A realistic, engrossing survival story that's perfect for aspiring babysitters and fans of John Macfarlane's Stormstruck!, Sherry Shahan's Ice Island, or Wesley King's A World Below."—School Library Journal "The strength of this steadily paced novel that stretches over four days of a scary disaster scenario is that Hannah doesn't figure everything out; she stumbles, doubts, and struggles throughout it all."—The Bulletin of the Center for Children's Books "Fans of survival thrillers in the vein of Gary Paulsen's Hatchet will enjoy this tense, honest tale of bravery...an excellent (and refreshingly not didactic) teaching tool on natural-disaster preparedness."—Booklist "The relentless progression of a variety of disaster scenarios will keep readers turning pages...equally suspenseful and informative."—School Library Connection "Behrens uses immersive details and situations effectively viewed from Hannah's perspective to create a suspenseful, vivid story filled with lessons about responsibility and overcoming adversity."—Publishers Weekly The Disaster Days is a perfect... gift for preteen survival story fans earthquake fiction chapter book for tween girls ages 11-14 survivalist fiction book for middle grade girls summer reading book for preteens preteen gift for girls