Heartbreaking and hysterically funny, Josh Alan Friedman delivers a fearless account of adventures in the forgotten poor Black shantytowns of Long Island, exploring the singular ugliness of racism, the intrigue of janitorial whodunits, the tragic limits of friendship, and the inexplicable seductive powers of croco-print footwear.

A History Book Club Alternate Selection. "A controversial and provocative study of the fundamental differences that shaped the South ... fun to read", -- History Book Club Review

This explosive new book challenges many of the long-prevailing assumptions about blacks, about Jews, about Germans, about slavery, and about education. Plainly written, powerfully reasoned, and backed with a startling array of documented facts, Black Rednecks and White Liberals takes on not only the trendy intellectuals of our times but also suc...

A queer genealogy of the famous performance space and the nuyorican aesthetic One could easily overlook the Nuyorican Poets Cafe, a small, unassuming performance venue on New York City’s Lower East Side. Yet the space once hosted the likes of Victor Hernández Cruz, Allen Ginsberg, and Amiri Baraka and is widely credited as the homespace for the emergent nuyorican literary and aesthetic movement of the 1990s. Founded by a group of counterculturalist Puerto Rican immigrants and artists in the 1970s, the space slowly transformed the Puerto Rican ethnic and cultural associations of the epithet “Nuyorican,” as the Cafe developed into a central hub for an artistic movement encompassing queer, trans, and diasporic performance. The Queer Nuyorican is the first queer genealogy and critical study of the historical, political, and cultural conditions under which the term “Nuyorican” shifted from a raced/ethnic identity marker to “nuyorican,” an aesthetic practice. The nuyorican aesthetic recognizes and includes queer poets and performers of color whose writing and performance build upon the politics inherent in the Cafe’s founding. Initially situated within the Cafe’s physical space and countercultural discursive history, the nuyorican aesthetic extends beyond these gendered and ethnic boundaries, broadening the ethnic marker Nuyorican to include queer, trans, and diasporic performance modalities. Hip-hop studies, alongside critical race, queer, literary, and performance theories, are used to document the interventions made by queer and trans artists of color—Miguel Piñero, Regie Cabico, Glam Slam participants, and Ellison Glenn/Black Cracker—whose works demonstrate how the Nuyorican Poets Cafe has operated as a queer space since its founding. In focusing on artists who began their careers as spoken word artists and slam poets at the Cafe, The Queer Nuyorican examines queer modes of circulation that are tethered to the increasing visibility, commodification, and normalization of spoken word, slam poetry, and hip-hop theater in the United States and abroad.

The success of the civil rights movement demanded extraordinary courage of ordinary people. During her short life, Ruby Doris Smith Robinson became one of the most important leaders in the black struggle for equality. By age 24, Robinson's intelligence, brashness, and bravery had elevated her to a top leadership role in the Student Non-Violent Coordinating Committee (SNCC). Cynthia Griggs Fleming's beautifully written biography of this incredible woman demonstrates that Robinson's activism wasn't limited to racial equality—she was an equally eloquent and powerful voice for women's rights. Fleming provides new insights into the success, failures, peculiar contradictions, and unique stresses of Robinson's life. This book will appeal to all readers interested in African American and women's history.

Now in its third edition, this text examines how African Americans personally and culturally define themselves and how that definition informs their communication habits, practices, and norms. This edition includes new chapters that highlight discussions of gender and sexuality, intersectional differences, contemporary social movements, and digital and mediated communication. The book is ideally suited for advanced students and scholars in intercultural communication, interpersonal communication, communication theory, African American/Black studies, gender studies, and family studies.

Two mothers, on their deathbeds, one in Mississippi and one in the Bronx, New York, send their children to friends, asking their help to lift their children from the depths of grinding poverty. Three young children are introduced to a new world, where they succeed beyond their mothers’ dreams. Joshua and Ruthie Baxter escape from an isolated cabin in the Mississippi woods to enter a world centered in the Ole Miss community, as they fight to free themselves from the label of “poor white trash.” James Bright is taken from his mother’s cold water flat in the South Bronx to the dorms of Saint Mary’s in Berkeley, California, where he finds himself as the only black boy in an all-white grammar and high school. It is not an easy road for any of them, as they struggle with problems no one could have anticipated. Their paths cross in the turbulent streets of San Francisco during the height of the Summer of Love. This is a story of love and hope, of shock, fear and fulfillment.

This book examines Memphis's symbolic meaning and value as a Negro leagues baseball city during Jim Crow. It locates the main intersections between black professional baseball and the South in the four decades that spanned the modern Negro leagues era and analyzes the racial dynamics in the city through the lens of the Memphis Red Sox, a black-owned and operated organization that stood as a pillar of success. Baseball also provides a way to examine the racial inequalities and issues that pervaded the city in those years. A black-owned stadium served as a forum for political assertion and an arena for real political struggle for blacks in Memphis.

This volume provides an extensive overview of current research on the complex relationships between gender and communication. Featuring a broad variety of chapters written by leading and upcoming scholars, this edited collection uses diverse theoretical frameworks to provide insight into recent concerns regarding changing gender roles, representations, and resources in communication studies. Established research and new perspectives address vital themes in this comprehensive text, including the shifting politics of gender, ethical and technological trends in gendered media, and gender in daily life. Comprising 39 chapters by a team of international contributors, the Handbook is divided into six thematic sections: • Gendered lives and identities • Visualizing gender • The politics of gender • Gendered contexts and strategies • Gendered violence and communication • Gender advocacy in action These sections examine central issues, debates, and problems, including the ethics and politics of gender as identity, impacts of media and technology, legal and legislative battlegrounds for gender inequality and LGBTQ+ human rights, changing institutional contexts, and recent research on gender violence and communication. The final section links academic research on gender and communication to activism and advocacy beyond the academy. The Routledge Handbook of Gender and Communication will be an invaluable reference work for students and researchers working at the intersections of gender studies and communication studies. Its international perspectives and the range of themes it covers make it an essential and pragmatic pedagogical resource.