White lies takes place in a fortune-teller's parlor at a rundown seaside resort on the south coast of England. Black comedy takes place at a young sculptor's flat in South Kensington, London.

'If I'm going to tell the story of a life, my life, then I need to tell it warts and all. If the tale is too saccharine sweet then what can the reader take away from it? What do they learn about you? I've written everything down. The shit, the death, fun, naughtiness, addiction, laughter, laughter, laughter, some tears and lots of love and happiness. That to me is a better reflection of a human's life.' Nick's family life was difficult, blighted by alcoholism, illness and sudden misfortune meaning they lost everything overnight. He left school early and drifted from job to job dogged by his own personal demons. It's something of a miracle that Nick survived and even more that he would achieve such success with his writing, acting and comedy. In Truths, Half Truths and Little White Lies Nick paints a brilliantly funny, moving and brutally candid portrait of childhood, adolescence and eventual success.

Black comedy: Young sculptor's apartment is site of wild evening of misadventures and romantic woes when electricity fails.

Harper lands a dream summer internship at a trendy teen magazine in New York City, working as their resident dating blogger, but there is only one problem--she has absolutely zero dating experience.

In a unique study of Anglo-Jewish writers in the post-war period, Dr. Sicher traces through their works the story of the rise of the Jewish community from slum poverty to suburban affluence. This period is one of crucial social change in Britain. At the same time, Dr. Sicher raises serious questions about the modern writer's cultural and ethnic identity. In this process, Dr. Sicher advances the thesis that, under the impetus of the Holocaust, the more traditional conflict between Jewish roots and assimilation has been succeeded by a reassessment of identity and morality. Dr. Sicher's perspective on this particular period of literature is a highly original one and it should provoke creative reconsideration of other contexts and times as well.

Fans of Pretty Little Liars will be ensnared in this tale of deceit. Christian's hiding terrible secrets from his girlfriend Lou. But Lou's told lies as well. What if their accidental meeting wasn't an accident? "Tall, dark, and handsome": the first time Lou meets mysterious Christian, she knows he is The One. But Christian is hiding a terrible secret. Why does he clam up every time Lou asks about his past? Why doesn't he have any family photos and why does he dye his blond hair black? When Christian's house goes up in flames, his tires are slashed, and he flees for his life, Lou insists on going with him. But as Christian's secret is unveiled in front of the whole world, it seems everything he's ever told Lou is a lie. Can what the media are saying about him really be true? Should Lou trust him? Or is she in terrible danger? But Christian isn't the only one keeping secrets. For what if their accidental meeting was no accident at all?

This comprehensive history of black humor sets it in the context of American popular culture. Blackface minstrelsy, Stepin Fetchit, and the Amos 'n' Andy show presented a distorted picture of African Americans; this book contrasts this image with the authentic underground humor of African Americans found in folktales, race records, and all-black shows and films. After generations of stereotypes, the underground humor finally emerged before the American public with Richard Pryor in the 1970s. But Pryor was not the first popular comic to present authentically black humor. Watkins offers surprising reassessments of such seminal figures as Fetchit, Bert Williams, Moms Mabley, and Redd Foxx, looking at how they paved the way for contemporary comics such as Whoopi Goldberg, Eddie Murphy, and Bill Cosby.