Chronicles the development of noted private and public black collectors and collections, and investigates the state of contemporary collecting. Also discusses black-related memorabilia as collectibles and material culture, and offers suggestions for establishing and preserving private collections. Annotation copyrighted by Book News, Inc., Portland, OR

A biography of the pioneering collector whose work laid the foundation for the study of black history and culture.

Showcasing the treasures of Howard University's Moorland Springarn Research Center.

A Gentle Madness continues to astound and delight readers about the passion and expense a collector is willing to make in pursuit of the book. The book captures that last moment in time when collectors pursued their passions in dusty bookshops and street stalls, high stakes auctions, and the subterfuge worthy of a true bibliomaniac. An adventure among the afflicted, A Gentle Madness is vividly anecdotal and thoroughly researched. Nicholas Basbanes brings an investigative reporter's heart to illuminate collectors past and present in their pursuit of bibliomania. A New York Times Notable Book of the Year.

"For every book lover who fantasized about getting locked in the library overnight,The Story Collectoris a dream come true!"—New York Times-bestselling author Alan Gratz In the tradition of E. L. Konisburg, this middle-grade mystery adventure is inspired by the real life of Viviani Joffre Fedeler, born and raised in the New York Public Library. The Story Collector by Kristin O'Donnell Tubb is a middle-grade historical fiction inspired by the real life of Viviani Fedeler. Eleven-year-old Viviani Fedeler has spent her whole life in the New York Public Library. She knows every room by heart, except the ones her father keeps locked. When Viviani becomes convinced that the library is haunted, new girl Merit Mubarak makes fun of her. So Viviani decides to play a harmless little prank, roping her older brothers and best friend Eva to help out. But what begins as a joke quickly gets out of hand, and soon Viviani and her friends have to solve two big mysteries: Is the Library truly haunted? And what happened to the expensive new stamp collection? It's up to Viviani, Eva, and Merit (reluctantly) to find out.

Finally, here is the definitive glossary of the book, offering readers all the terms they will need for thorough understanding of how books are made, the materials they are made of, and how they are described in the bookselling, book collecting, and library worlds. Every key term --- over 1,300 different words --- that could be used in booksellers’ catalogs, library records, and collectors’ descriptions of their holdings is represented in this dictionary. This authoritative source covers all areas of book knowledge: the book as physical object, typeface terminology, paper, printing, book collecting, book design, bibliography, calligraphy, t he language of manuscripts, writing implements, librarianship, legal issues, the parts of a book, and much more. The definitions are supplemented by more than 100 illustrations showing the book as a physical object: parts of books, kinds of illustrations, kinds of printing techniques, tools that librarians, booksellers, and collectors refer to that are used in the making of books, kinds of binding structures and decoration, kinds of paper decoration, and other things.

As any, even vaguely addicted book collector will have swiftly learned, most booksellers' catalogues are written in a parallel language that can fool anyone but the 'cognoscenti' and which makes the mysteries of the Rosetta stone, or Linear B, look like something out of Enid Blython. Without a smattering of inside information, the baffled but hopelessly-bitten book buyer is drifting unarmed and unprepared into a minefield whose perilous complexities will usually only be made plain when an eagerly awaited parcel of dream volumes arrives and mangled contents are revealed in all their deceptive glory.... But all is not lost. Help is at hand! After a lifetime of avidly scanning the frequently poisonously-tinted pages of innumerable book catalogues, Ronald Searle has become expert in the art of decoding those esoteric, poetic and usually approximate, descriptions of literary come-ons. Now, licking his wounds, he publishes his hard-earned findings in this fully illustrated pioneer guide, designed to foil the devious machinations of scheming and wicked booksellers for ever more. No longer will the innocent book collector need to puzzle over the finer meaning of 'old half road', 'good working copy', blind tooled', or 'tail-edged shaved'. The unvarnished truth is here exposed at last, both in the shocking explicit drawings and in the devastatingly frank glossary whose revelations will startle even the most battle-scarred of bibliophiles. The result is one of the funniest, most entertaining books to have emerged from the brilliantly perceptive pen of the master. No book collector, and certainly no bookseller, can afford to be without it - even the wicked ones.

When Dorothy Burnett joined the library staff at Howard University in 1928, she was given a mandate to administer a library of Negro life and history. The school purchased the Arthur B. Spingarn Collection in 1946, along with other collections, and Burnett, who would later become Dorothy Porter Wesley, helped create a world-class archive known as the Moorland-Spingarn Research Center and cemented her place as an immensely important figure in the preservation of African American history. Wesley's zeal for unearthing materials related to African American history earned her the name of Shopping Bag Lady." Join author, historian and former Howard University librarian Janet Sims-Wood as she charts the award-winning and distinguished career of an iconic archivist."

This book explores the history of scrapbook-making, its origins, uses, changing forms and purposes as well as the human agents behind the books themselves. Scrapbooks bring pleasure in both the making and consuming - and are one of the most enduring yet simultaneously changing cultural forms of the last two centuries. Despite the popularity of scrapbooks, no one has placed them within historical traditions until now. This volume considers the makers, their artefacts, And The viewers within the context of American culture. The volume's contributors do not show the reader how to make scrapbooks or improve techniques but instead explore the curious history of what others have done in the past and why these splendid examples of material and visual culture have such a significant place in many households.