Scottish aristocrat Elma Napier turned her back on London high society in 1932, to move to Dominica, where she became the first woman to sit in a West Indian parliament. This is her memoir of life there.

From “one of our most original writers” (Kathryn Schulz, New York magazine) comes an expansive and exacting book—firmly grounded but elegant, often hilarious, and always inquisitive—about travel, unexpected awareness, and the questions we ask when we step outside ourselves. Geoff Dyer’s restless search—for what? is unclear, even to him—continues in this series of fascinating adventures and pilgrimages: with a tour guide who may not be a tour guide in the Forbidden City in Beijing; with friends in New Mexico, where D. H. Lawrence famously claimed to have had his “greatest experience from the outside world”; with a hitchhiker picked up on the way from White Sands; with Don Cherry (or a photo of him, at any rate) at the Watts Towers in Los Angeles. Weaving stories about places to which he has recently traveled with images and memories that have persisted since childhood, Dyer tries “to work out what a certain place—a certain way of marking the landscape—means; what it’s trying to tell us; what we go to it for.” With 4 pages of full-color illustrations.

On the planet of Taldain, the legendary Sand Masters harness arcane powers to manipulate sand in spectacular ways. But when they are slaughtered in a sinister conspiracy, the weakest of their number, Kenton, believes himself to be the only survivor. With enemies closing in on all sides, Kenton forges an unlikely partnership with Khriss--a mysterious Darksider who hides secrets of her own.

Living with the Gordons in their quite desert town in New Mexico in 1946, Dewey is learning a lot from her science-obsessed adoptive family, but just as she begins to settle in and get comfortable, Dewey's long-lost mother reemerges to take her away from the only stability she has ever really known in her young life. 20,000 first printing.

In 1945, the United States Army established a testing center for rockets and guided missiles in south-central New Mexico. Named White Sands Proving Ground, this center was the locale for many of Americas first steps towards space. Rockets and Missiles of White Sands Proving Ground chronicles major activities at the base from 1945-1958. During this period, the Army, Navy, and Air Force all tested missiles at the desert installation. This book details the development and testing for such missiles as Hermes, Corporal, Nike Ajax, Sergeant, Honest John, and Viking. These missiles formed the backbone of much of Americas arsenal during the Cold War and represented major technological advancements. In 1958, the White Sands Proving Ground became the White Sands Missile Range, as it is known today.

Thirteen new stories by the celebrated writer, including two which he considers his greatest achievements to date, artfully blend elements from many literary geares.

The original White Sands portfolio, produced in 1949, contained twelve photographs and was printed in an edition of fifty. In 1975 Weston printed a second edition of the portfolio in an edition of seventeen. It included eight of the original ten photographs made in the 1940s (negatives from two of the photographs in the original portfolio were damaged and unprintable), two others from the 1940s that had not been included in the first portfolio and two from 1975, for a total of twelve prints. This book contains the original ten photographs plus the four new pictures from Weston's 1975 edition. The original 1949 title page and the introduction by Nancy Newhall are reproduced in facsimile. Included is an Afterword by art historian Roger Aikin. As a bonus, the book includes an additional photograph along with a facsimile reproduction of Brett's letter describing the picture as "Edward's favorite". Although it was not included in either of the original portfolios, Brett included it as a gift with the portfolio from which this book has been reproduced.

Born with cerebral palsy in Moscow, Ruben Gallego was hidden away in Soviet state institutions by his maternal grandfather, the secretary general of the Spanish Communist Party in the 1960s. His was a boyhood spent in orphanages, hospitals, and old-age homes, a life of emotional deprivation and loss of human dignity. Gallego's story is one of neglect and mistreatment but also of shared small pleasures, of courage, of the power of the human will, and of a child's growing fascination with books and the worlds he finds in them.

This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.