Justin Kena never knew his own strength. He was an average guy stuck working at a mediocre nonprofit in Washington, DC, unsure exactly where his next professional steps would take him. He was awkward, bored, lonely, and bordering on depression. With nothing to lose, he accepts a proposition from his friendly neighborhood corner boy that forever transforms his life. A guru and a hustler all at once, Dante earns Justin's trust and ushers him into a new and terrifying world just under the surface of the one he's always known. In this world, men and women are nothing more than food for daywalking vampires and housing for sinister demons. This lifestyle consumes Justin until he's not even sure he could turn back-or if he even wants to. Over the span of centuries and thousands of miles, from slave coffles in West Africa to the antebellum South; from the black sand beaches of Dominica to the back alleys of the nation's capital, Justin and Dante will live by the precepts of justice and redemption while satisfying their most carnal urges: A lust for blood...and a thirst for life. This is the Birth of a Dark Nation.

This politically-incorrect book not only reveals the most critical problems facing Black America, if offers real solutions, and a blueprint for total economic and psychological transformation.(NON-FICTION/CURRENT EVENTS/BLACK HISTORY)

The Birth of God’s United Black “Nation” in White America: The “Last Chapter” By: Charles J. Cook The Birth of God's United Black "Nation" in White America: The "Last Chapter" is about God’s United Black Nation in white America financially establishing Independence and securing themselves as a "Free United Black Nation" in America and in the world. Uniquely closing the book of the individual black experience in white America, this “Last Chapter” symbolizes freedom and the opening of a new book for future chapters to be written about a United Black Nation.

“Amanda Marcotte drains the swamp and reveals a Republican Party hijacked by grifters and frauds.” ?David Daley The election of Donald Trump in 2016, like most of his campaign, came as a shock to many Americans. How could a man so lacking in capacity, so void of any intellectual heft, become the president of the United States? How did Trump, a man with no detectable personal qualities outside of resentment and the will to dominate, appeal to millions of Americans and win the highest office in the land? The American right has spent decades turning away from reasoned discourse toward a rhetoric of pure resentment—it’s this shift that laid the groundwork for Trump’s ascendency. In Troll Nation, journalist Amanda Marcotte outlines how Trump was the inevitable result of American conservatism’s degradation into an ideology of blind resentment. For years now, the purpose of right wing media, particularly Fox News, has not been to argue for traditional conservative ideals, such as small government or even family values, so much as to stoke bitterness and paranoia in its audience. Traditionalist white people have lost control over the culture, and they know it, and the only option they feel they have left is to rage at a broad swath of supposed enemies ? journalists, activists, feminists, city dwellers, college professors ? that they blame for stealing “their” country from them. Conservative pundits, politicians, and activists have abandoned any hope of winning the argument through reasoned discourse, and instead have adopted a series of bad faith claims, conspiracy theories, and culture war hysterics. Decades of these antics created a conservative voting base that was ready to elect a mindless bully like Donald Trump.

A politically thrilling tale of action and suspense identifying two factions that engage in endless warfare and mayhem.

Co-edited and introduced by Toni Morrison, winner of the Nobel Prize in Literature, Birth of a Nation'hood elucidates as never before the grim miasma of the O.J. Simpson case, which has elicited gargantuan fascination. As they pertain to the scandal, the issues of race, sex, violence, money, and the media are refracted through twelve powerful essays that have been written especially for this book by distinguished intellectuals--black and white, male and female. Together these keen analyses of a defining American moment cast a chilling gaze on the script and spectacle of the insidious tensions that rend our society, even as they ponder the proper historical, cultural, political, legal, psychological, and linguistic ramifications of the affair. With contributions by: Toni Morrison, George Lipsitz, A. Leon Higginbotham, Jr., with Aderson Bellegarde Francois and Linda Y. Yueh, Nikol G. Alexander and Drucilla Cornell, Kimberlé Williams Crenshaw, Ishmael Reed, Leola Johnson and David Roediger, Andrew Ross, Patricia J. Williams, Ann duCille, Armond White, Claudia Brodsky Lacour

In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture.

This Violent Empire traces the origins of American violence, racism, and paranoia to the founding moments of the new nation and the initial instability of Americans' national sense of self. Fusing cultural and political analyses to create a new form of political history, Carroll Smith-Rosenberg explores the ways the founding generation, lacking a common history, governmental infrastructures, and shared culture, solidified their national sense of self by imagining a series of "Others" (African Americans, Native Americans, women, the propertyless) whose differences from European American male founders overshadowed the differences that divided those founders. These "Others," dangerous and polluting, had to be excluded from the European American body politic. Feared, but also desired, they refused to be marginalized, incurring increasingly enraged enactments of their political and social exclusion that shaped our long history of racism, xenophobia, and sexism. Close readings of political rhetoric during the Constitutional debates reveal the genesis of this long history.

A fresh new look at the Enlightenment intellectual who became the most controversial of America's founding fathers Despite his being a founder of both the United States and the French Republic, the creator of the phrase "United States of America," and the author of Common Sense, Thomas Paine is the least well known of America's founding fathers. This edifying biography by Craig Nelson traces Paine's path from his years as a London mechanic, through his emergence as the voice of revolutionary fervor on two continents, to his final days in the throes of dementia. By acquainting us as never before with this complex and combative genius, Nelson rescues a giant from obscurity-and gives us a fascinating work of history.

What makes somebody a Loser, a person doomed to unfulfilled dreams and humiliation? Nobody is born to lose, and yet failure embodies our worst fears. The Loser is our national bogeyman, and his history over the past two hundred years reveals the dark side of success, how economic striving reshaped the self and soul of America. From colonial days to the Columbine tragedy, Scott Sandage explores how failure evolved from a business loss into a personality deficit, from a career setback to a gauge of our self-worth. From hundreds of private diaries, family letters, business records, and even early credit reports, Sandage reconstructs the dramas of real-life Willy Lomans. He unearths their confessions and denials, foolish hopes and lost faith, sticking places and changing times. Dreamers, suckers, and nobodies come to life in the major scenes of American history, like the Civil War and the approach of big business, showing how the national quest for success remade the individual ordeal of failure. Born Losers is a pioneering work of American cultural history, which connects everyday attitudes and anxieties about failure to lofty ideals of individualism and salesmanship of self. Sandage's storytelling will resonate with all of us as it brings to life forgotten men and women who wrestled with The Loser--the label and the experience--in the days when American capitalism was building a nation of winners.