Following the success of Death and the Irish: a Miscellany (2016), and Marriage and the Irish: a Miscellany (2019), this third volume in the series Birth, Marriage and Death among the Irish explores the experiences of birth in Ireland, and among the Irish abroad, from the seventh century to the present day.In almost seventy short articles, scholars and practitioners from a range of academic disciplines and professions including anthropology, Celtic studies, folklore, history, linguistics, literature, medicine, obstetrics, pastoral care, and theology, reflect on pregnancy, birthing, and the early period after birth over almost 1,500 years.Topics covered include shameful birth in early Irish religious communities; pregnant behind bars in medieval Ireland; preventing and coping with unwanted pregnancies in nineteenth-century Ireland; mother and baby homes, foreign adoption in Ireland; LGBTQ surrogacy; and birth customers among the Traveling Community.This anthology will serve as an indispensable resource for anyone interested in the social, cultural, religious, and legal history of pregnancy and birth in Ireland and among the Irish from the earliest times to the present day.

This collection of essays ranges over the centuries, from the concept of marriage in early Irish law to its place in today's society, and provides evidence of the changes that took place in attitudes and practices as marriage evolved to match different social expectations. This is a treasure trove to be explored not only by historians, anthropologists, sociologists and folklorists but also by anyone curious to discover how marriage has evolved in Ireland.

The story—both romantic and terrifying—of how a handful of men, armed with nothing more than handguns and guts, forced the greatest nation in the world from their shores. On Easter Monday, April 24, 1916, the first great revolution of the twentieth century began as working-class men and women occupied buildings throughout Dublin, Ireland, including the general post office on O’Connell Street. Among the commoners in the GPO was a young staff captain of the Irish Volunteers named Michael Collins. He was joined a day later by a fourteen-year-old messenger boy, Eoin Kavanagh. Four days later they would all surrender, but they had struck the match that would burn Great Britain out of Ireland for the first time in seven hundred years. The 13th Apostle is the reimagined story of how Michael Collins, along with his young acolyte Eoin, transformed Ireland from a colony into a nation. Collins’s secret weapon was his intelligence system and his assassination squad, nicknamed “The Twelve Apostles.” On November 21, 1920, the squad—with its thirteenth member, young Eoin—assassinated the entire British Secret Service in Dublin. Twelve months and sixteen days later, Collins signed the Treaty at 10 Downing Street, which brought into being what is, today, the Republic of Ireland. An epic novel in the tradition of Thomas Flanagan’s The Year of the French and Leon Uris’s Trinity, The 13th Apostle is a story that will capture the imagination and hearts of freedom-loving readers everywhere. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

An exploration of the relationship Irish people have with death from the earliest times to the present day, with over seventy articles from historians, sociologists, dramatists, liturgists, undertakers, and many more.

Editorial Gavan Jennings In Passing: Edmund Burke and the War on the Origins of Secularism Part Two: The delusion of ‘secularism triumphant’ Michael Kirke Heroes and villains in the eternal city Luke Power The shape of an Irish Christmas David Gibney Marriage clearly vindicated by statistics James Bradshaw A tale of a well-nurtured sense of victimhood Margaret Hickey If it’s a Symbol, to Hell with it Patrick Gorevan A Treatise on Prayer for all Time Pat Hanratty Film Review: The Old Oak Pablo de Santiago

Celebrated storyteller Gaelen Foley brings her craft to new heights with Devil Takes a Bride, the seductive tale of a man bent on revenge and the beauty who teaches him to love again. . . . In the quiet English countryside, far from the intrigues of London, Lizzie Carlisle slowly mends her broken heart, devoting herself to her new position as lady’s companion to the Dowager Viscountess Strathmore— until her peaceful life is turned upside down by a visit from “Devil” Strathmore, the old woman’s untamed nephew—a dangerously handsome man whose wicked reputation hides a tortured soul. Devlin Kimball, Lord Strathmore, has spent years adventuring on the high seas, struggling to make his peace with the tragedy that claimed the lives of his family. But now he has uncovered the dark truth behind the so-called accident and swears retribution. He has no intention of taking a bride—until his eccentric aunt’s will forces he and Lizzie together, and Devlin finds his path to vengeance blocked by the stubborn but oh-so-tempting Miss Carlisle. Her passionate nature rivals his own. But disillusioned once by love, Lizzie will accept nothing less than his true devotion. . . .

"Collection of published and unpublished gems: a memoir about learning to write, an imaginary interview between Westlake's various identities, essays on writing, introductions, and letters to writers like Stephen King and Brian Garfield. A true miscellany, this includes a piece by Abigail Westlake, a recipe for "May's Famous Tuna Casserole" and a 'Midnight snack'."--From the publisher.

A “searingly honest and riveting” (Colm Tóibín) memoir interweaving the author’s descent into depression with a medical and cultural history of the illness. At the age of twenty-seven, Mary Cregan gives birth to her first child, a daughter she names Anna. But it’s apparent that something is terribly wrong, and two days later, Anna dies—plunging Cregan into suicidal despair. Decades later, sustained by her work, a second marriage, and a son, Cregan reflects on this pivotal experience and attempts to make sense of it. She weaves together literature and research with details from her own ordeal—and the still-visible scar of her suicide attempt—while also considering her life as part of the larger history of our understanding of depression.