Birmingham's First Black in Blue should be required reading for all Americans. This first-person memoir traces the often-difficult path that Leroy Stover had to take to make it from a farm in rural Alabama to his position as the pioneering first black police officer on the City of Birmingham's force. Yes, that Birmingham, of Bull Connor fame. You remember the news clips of German Shepherd dogs biting peaceful marchers and fire hoses flattening innocent bystanders. You will shake your head in disbelief as you read about the treatment Stover received during his first days and weeks on the force. You also will learn about what a huge difference a police officer can make in a community as you trace the arc of Stover's career. The Civil Rights Era in America needs to be continually studied and discussed as we make progress towards becoming a truly equitable society. Birmingham's First Black in Blue makes a vital contribution to this discussion as an authentic and fascinating first-person history.

Birmingham's First Black in Blue should be required reading for all Americans. This first-person memoir traces the often-difficult path that Leroy Stover had to take to make it from a farm in rural Alabama to his position as the pioneering first black police officer on the City of Birmingham's force. Yes, that Birmingham, of Bull Connor fame. You remember the news clips of German Shepherd dogs biting peaceful marchers and fire hoses flattening innocent bystanders. You will shake your head in di

On a sultry September morning in 1955, a young African American man, the son of share corppers, boarded a Greyhound bus in Birmingham, Alabama, to leave his home state for the first time in his life. He was headed for the University of Detroit on a teaching scholarship from Miles College. Richard Arrington could not have guessed then that his future as a teacher would be postponed for decades by big-city politics--and that he would serve a record-setting five terms as chief executive of Alabama’s largest city. Under Arrington’s leadership, Birmingham rebuilt itself from a foundering, steel-driven industrial center to one of the most diversified metropolitan areas in the Southeast, with an economy fueled by health care, biomedical research, engineering, telecommunications, and banking. As mayor, Arrington’s economic legacy is impressive. When he left office, Birmingham boasted a record number of jobs and the lowest unemployment rate in its history. Additionally, Birmingham had built the strongest tax base in Alabama, expanded its city limits by 60 square miles, reduced crime to its lowest level in 25 years, and funded a $260 million school construction program. Today Birmingham is financially sound and is the only city in the Southeast with a $100 million endowment fund.

Birmingham served as the stage for some of the most dramatic and important moments in the history of the civil rights struggle. In this vivid narrative account, Glenn Eskew traces the evolution of nonviolent protest in the city, focusing particularly on the sometimes problematic intersection of the local and national movements. Eskew describes the changing face of Birmingham's civil rights campaign, from the politics of accommodation practiced by the city's black bourgeoisie in the 1950s to local pastor Fred L. Shuttlesworth's groundbreaking use of nonviolent direct action to challenge segregation during the late 1950s and early 1960s. In 1963, the national movement, in the person of Martin Luther King Jr., turned to Birmingham. The national uproar that followed on Police Commissioner Bull Connor's use of dogs and fire hoses against the demonstrators provided the impetus behind passage of the watershed Civil Rights Act of 1964. Paradoxically, though, the larger victory won in the streets of Birmingham did little for many of the city's black citizens, argues Eskew. The cancellation of protest marches before any clear-cut gains had been made left Shuttlesworth feeling betrayed even as King claimed a personal victory. While African Americans were admitted to the leadership of the city, the way power was exercised--and for whom--remained fundamentally unchanged.

Few cities have undergone such a radical transformation over the last few decades as Birmingham. Culturally and architecturally, it has been in a state of perpetual flux and regeneration, with new communities moving in, then out, and iconic post-war landmarks making way for brighter-coloured, 21st century flourishes. Much like the city itself, the characters in the stories gathered here are often living through moments of profound change, closing in on a personal or societal turning point, that carries as much threat as it does promise. Set against key moments of history – from Malcolm X’s visit to Smethwick in 1965, to the Handsworth riots two decades later, from the demise of the city’s manufacturing in the 70s and 80s, to the on-going tensions between communities in recent years – these stories celebrate the cultural dynamism that makes this complex, often divided ‘second city’ far more than just the sum of its parts.

Autobiography of jazz elder statesman Frank “Doc” Adams, highlighting his role in Birmingham, Alabama’s, historic jazz scene and tracing his personal adventure that parallels, in many ways, the story and spirit of jazz itself. Doc tells the story of an accomplished jazz master, from his musical apprenticeship under John T. “Fess” Whatley and his time touring with Sun Ra and Duke Ellington to his own inspiring work as an educator and bandleader. Central to this narrative is the often-overlooked story of Birmingham’s unique jazz tradition and community. From the very beginnings of jazz, Birmingham was home to an active network of jazz practitioners and a remarkable system of jazz apprenticeship rooted in the city’s segregated schools. Birmingham musicians spread across the country to populate the sidelines of the nation’s bestknown bands. Local musicians, like Erskine Hawkins and members of his celebrated orchestra, returned home heroes. Frank “Doc” Adams explores, through first-hand experience, the history of this community, introducing readers to a large and colorful cast of characters—including “Fess” Whatley, the legendary “maker of musicians” who trained legions of Birmingham players and made a significant mark on the larger history of jazz. Adams’s interactions with the young Sun Ra, meanwhile, reveal life-changing lessons from one of American music’s most innovative personalities. Along the way, Adams reflects on his notable family, including his father, Oscar, editor of the Birmingham Reporter and an outspoken civic leader in the African American community, and Adams’s brother, Oscar Jr., who would become Alabama’s first black supreme court justice. Adams’s story offers a valuable window into the world of Birmingham’s black middle class in the days before the civil rights movement and integration. Throughout, Adams demonstrates the ways in which jazz professionalism became a source of pride within this community, and he offers his thoughts on the continued relevance of jazz education in the twenty-first century.

The story of Willie Mays's rookie year with the Negro American League's Birmingham Black Barons, the Last Negro World Series, and the making of a baseball legend Baseball Hall of Famer Willie Mays is one of baseball's endearing greats, a tremendously talented and charismatic center fielder who hit 660 career homeruns, collected 3,283 hits, knocked in 1,903 runs, won 12 Gold Glove Awards and appeared in 24 All-Star games. But before Mays was the "Say Hey Kid", he was just a boy. Willie's Boys is the story of his remarkable 1948 rookie season with the Negro American League's Birmingham Black Barons, who took a risk on a raw but gifted 16-year-old and gave him the experience, confidence, and connections to escape Birmingham's segregation, navigate baseball's institutional racism, and sign with the New York Giants. Willie's Boys offers a character-rich narrative of the apprenticeship Mays had at the hands of a diverse group of savvy veterans who taught him the ways of the game and the world. Sheds new light on the virtually unknown beginnings of a baseball great, not available in other books Captures the first incredible steps of a baseball superstar in his first season with the Negro League's Birmingham Black Barons Introduces the veteran group of Negro League players, including Piper Davis, who gave Mays an incredible apprenticeship season Illuminates the Negro League's last days, drawing on in-depth research and interviews with remaining players Explores the heated rivalry between Mays's Black Barons and Buck O'Neil's Kansas City Monarchs , culminating in the last Negro League World Series Breaks new historical ground on what led the New York Giants to acquire Mays, and why he didn't sign with the Brooklyn Dodgers, New York Yankees, or Boston Red Sox Packed with stories and insights, Willie's Boys takes you inside an important part of baseball history and the development of one of the all-time greats ever to play the game.

Sonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez’s plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don’t Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I’m Black When I’m Singing, I’m Blue When I Ain’t (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood’s introduction illuminates Sanchez’s stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.

As feverishly romantic as a piece of fan mail.--Dennis Cooper.

This is the story of Condoleezza Rice that has never been told, not that of an ultra-accomplished world leader, but of a little girl--and a young woman--trying to find her place in a sometimes hostile world, of two exceptional parents, and an extended family and community that made all the difference. Condoleezza Rice has excelled as a diplomat, political scientist, and concert pianist. Her achievements run the gamut from helping to oversee the collapse of communism in Europe and the decline of the Soviet Union, to working to protect the country in the aftermath of 9-11, to becoming only the second woman--and the first black woman ever--to serve as Secretary of State. But until she was 25 she never learned to swim, because when she was a little girl in Birmingham, Alabama, Commissioner of Public Safety Bull Connor decided he'd rather shut down the city's pools than give black citizens access. Throughout the 1950's, Birmingham's black middle class largely succeeded in insulating their children from the most corrosive effects of racism, providing multiple support systems to ensure the next generation would live better than the last. But by 1963, Birmingham had become an environment where blacks were expected to keep their head down and do what they were told--or face violent consequences. That spring two bombs exploded in Rice’s neighborhood amid a series of chilling Klu Klux Klan attacks. Months later, four young girls lost their lives in a particularly vicious bombing. So how was Rice able to achieve what she ultimately did? Her father, John, a minister and educator, instilled a love of sports and politics. Her mother, a teacher, developed Condoleezza’s passion for piano and exposed her to the fine arts. From both, Rice learned the value of faith in the face of hardship and the importance of giving back to the community. Her parents’ fierce unwillingness to set limits propelled her to the venerable halls of Stanford University, where she quickly rose through the ranks to become the university’s second-in-command. An expert in Soviet and Eastern European Affairs, she played a leading role in U.S. policy as the Iron Curtain fell and the Soviet Union disintegrated. Less than a decade later, at the apex of the hotly contested 2000 presidential election, she received the exciting news--just shortly before her father’s death--that she would go on to the White House as the first female National Security Advisor. As comfortable describing lighthearted family moments as she is recalling the poignancy of her mother’s cancer battle and the heady challenge of going toe-to-toe with Soviet leaders, Rice holds nothing back in this remarkably candid telling.