Psychoanalysis and Dreams explores some of the cornerstones of Antonino Ferro’s theoretical model but also attempts to extend the dreamlike boundaries of the model. Based on Bion’s theory of alpha function and the analytic field, Ferro has developed his own original theorization of transformations in dreams and of work in the analytic session as a waking dream. Clearly highlighted in the book is Ferro’s theory that transformation in dreams is the activity which is constantly carried out in the mind of the analyst, who nullifies the reality-status of the patient’s communication and considers the patient’s narrative as a dream which must be constructed in real time in the encounter between the two minds at work. At the centre of Ferro's theoretical proposal stands the transition from a psychoanalysis of contents to a psychoanalysis which develops the apparatus for thinking, based on the conception of an unconscious in a perennial state of construction and transformation, which must be dreamed, and which continuously expands as it is dreamed. Psychoanalysis and Dreams is written for practicing and training psychoanalysts, psychotherapists and psychiatrists and will be helpful in everyday psychoanalytic and psychotherapeutic work.

Through a richly detailed close reading of Wilfred R. Bion’s work on dreaming, as scattered across multifarious and largely unworked texts, this book argues that Bion’s thinking can form a unified theory of dreams which extends and has further implications as a visionary model of the mind. The central quality of Bion's visionary model of the mind is the belief that all that is interesting in the human mind pulsates with an unreadably complex dynamic beyond the unknown, the unknowable and the unthinkable. However, rather than interpreting this negatively, the author understands the inevitable unknowability of the human mind as a call to perplexity and wonder which actively encourages the intuition of fundamental insights into who and what determines our internal lives. A major implication of this belief is that psychoanalysis is itself essentially about the unknown, and Monteiro generates informed observations about how this may influence psychoanalytic work. Providing renewed insight into psychoanalytical understandings of dreams, this book is essential reading for any psychoanalyst wishing to broaden their knowledge of the importance of Wilfred R. Bion’s dream work.

Dreams told in the group are conjoint individual and group creations. They are both influenced by the group atmosphere and may in turn influence it and the individual, promoting change and development. Dreams have a deepening effect on therapeutic work and, due to their unconscious content, they may represent the most authentic exchange between individual and group. This state-of-the-art book provides help for therapists encountering a dream told in their group. It covers the major theoretical perspectives for their understanding, as well as representing different psychological schools and their approaches to the technical issues of group dream therapy. Despite the variety of sources, the clinical approaches described complement each other, and the book details many case studies, including a first dream in the group, an unconscious meeting between women and men, and other polarities within the individual and the group.

Winner of the 2010 Haskell Norman Prize for Outstanding Achievement in Psychoanalysis! This Art of Psychoanalysis offers a unique perspective on psychoanalysis that features a new way of conceptualizing the role of dreaming in human psychology.

This book explains the use of dreams as a tool in psychotherapy to provide meaning, establish and maintain a therapeutic relationship, and thus enhance and progress treatment. Maintaining a focus on the synergy between dreams and relationship, it includes interviews with four eminent dream researchers and scholars: John S. Antrobus, G. William Domhoff, Mark J. Blechner, and J. Allan Hobson. This book explores the synergistic qualities between dreams and relationships, and how that synergy generates biographically, professionally, and psychotherapeutically formative experiences. The book delineates the ways in which dreams provide a foundation for relating, provides a container (Bion, 1967/1993) for the unthought known (Bollas, 1987), creates meaning through relationships, and ultimately fosters dispersion of relational dynamics originating from the culture of the times and more. From a relational psychoanalytic perspective, this book describes the role of dreams in shaping our relational living. This book provides a unique perspective that illustrates using yourself as a tool in relational establishment, preservation, and knowing. It is ideal for students working toward an understanding of the influence of intersubjective space in clinical interactions and clinicians looking for additional and alternate ways to connect with patients.

"Dreams are my landscape", said Meltzer. In this book he re-establishes psychoanalysis as the art of reading dreams, and dream-life as the core of mental processes. Dreams are not just puzzles to be decoded, the effluence of past trauma or future wish-fulfilment; they are the psyche's attempt - with a varying level of aesthetic achievement - to symbolise its present emotional conflicts in order to re-orient itself toward "the real world - meaning external and internal reality".

This book looks at dreams from a twenty-first century perspective. It takes its inspiration from Freud's insights, but pursues psychoanalytic interest into both neuroscience and the modern psychoanalytic consulting room. The book looks at laboratory research on dreaming alongside the modern clinical use of dreams and links together clinical and empirical research, integrating classical ideas with the plurality of psychoanalytic theoretical constructs available to modern researchers. Psychoanalysts writing about dreams have traditionally represented the cutting edge of clinical and theoretical development, and this book is no exception. Many of the contributions, as well as the epistemological position taken by the writers, represent a kind of radical openness to new ways of thinking about the clinical situation and about theory. In line with the ambition of the editors, this volume represents an integration of theories and disciplines, and a scientific context for modern psychoanalysis. The link between clinical research and extraclinical research via the royal road of dreaming is a theme that runs through all the contributions.

This book contains state of the art studies in Bion scholarship that are directly applicable to clinical and theoretical thinking.

Wilfred Bion was one of the most original and influential thinkers in recent psychoanalysis. His ideas, which can be traced in direct line in the development of psychoanalytic theory from Freud to Melanie Klein, are difficult to grasp because his writing style was often enigmatic and ambiguous. This is the first full biography and the first comprehensive explication of his significant contribution to psychoanalytic theory and practice. Dr. Bleandonu takes us through Bion's personal and intellectual explorations and gives clear accounts of his key concepts, including work groups and basic assumption groups, psychotic processes, catastrophic change, abandonment of memory and desire, the mystic, and ultimate truth. In addition, the grid is carefully laid out and explicated; the emergence of the idea of links, and attacks on them, as a core theme for the rest of Bion's working life is given proper attention; and Bion's attempt to creat an extensive psychoanalytic epistemology is discusses. Finally Bleandonu guides the reader through the fantasy writings in Memoir of the Future, the masterpiece that is Bion's autobiography, and his final writings, including the posthumous Cogitations. Significant reading for anyone with an interest in psychoanalysis, psychotherapy, and the development of psychoanalytic thought, this volume will be valued by professionals and students alike.

With his concept of "O," Wilfred Bion provided a new psychoanalytic space in which to explore the mind. Dr Annie Reiner's new book, Bion and Being: Passion and the Creative Mind, examines the similarities between this psychoanalytic space and the artist's creative sensibility, as well as mystical and religious states. This most mysterious and revolutionary of Bion's analytic ideas reflects what is essentially a state of being, an experience of mental integrity and union between emotional and rational functions of the mind which is the basis of thinking and creativity. In an effort to provide emotional understanding to Bion's theoretical ideas, Dr Reiner uses examples of artists, poets, writers, theologians, and philosophers, including Rilke, Cummings, Shakespeare, Beckett, and Nietzsche, to illustrate these psychoanalytic concepts. She also presents detailed clinical examples of patient's dreams to explore the obstacles to these states of being, as well as how to work clinically to develop access to these creative states.