"A lively, lucid, compelling account of complex and confusing events about which scholars are still puzzling".--WASHINGTON TIMES. This story of greed, violence, and death has entered American folklore through the mythologizing of the career of Billy the Kid and also through a tendency to see the Lincoln County War as emblematic of frontier lawlessness. Illustrations.

The legend of the Lincoln County War and its most romantic figure, Billy the Kid, holds a special place in the history of the American West. Fueled by greed, propelled by religious and racial prejudice, inflamed by liquor and firearms, the war was a struggle to the death for the economic domination of a region where both sides saw enormous opportunity for acquiring wealth. In the end, neither side won and both suffered tremendous losses, human and financial. In this documentary history, for the first time, the participants and eyewitnesses tell the story of those bloody events in their own words. Frederick Nolan has drawn from many and diverse sources, some never before published, to present a detailed and comprehensive account of the whirlwind of violence that swept over Lincoln County, New Mexico, more than a century ago. John Tunstall, the McSweens, Jimmy Dolan, Billy the Kid, the Hispanic townspeople of Lincoln, the outsiders who tried to understand what was happening and restore law and order to the strife-torn territory--all speak out in The Lincoln County War. Nolan weaves their stories and opinions together with his own insightful commentary to produce a seamless, immensely readable account. As the adherents and sympathizers of the Murphy-Dolan and Tunstall-McSween factions tell their versions of events, the story develops a gripping power. Enlivened with eighty-three photographs of both people and places and three maps, the book also includes a detailed chronology of events and biographies of many of the participants.

In the annals of western history, the Lincoln County War stands out as a complex and tragic event in which lives were lost, fortunes destroyed, and peaceful citizens transformed into lonely, exiled outlaws. A classic reference work on the era of Billy the Kid, this fast-moving account brings new meaning to the war and to those individuals who became its victims.

The events of July 19, 1878, marked the beginning of what became known as the Lincoln County War and catapulted Susan McSween and a young cowboy named Henry McCarty, alias Billy the Kid, into the history books. The so-called war, a fight for control of the mercantile economy of southeastern New Mexico, is one of the most documented conflicts in the history of the American West, but it is an event that up to now has been interpreted through the eyes of men. As a woman in a man’s story, Susan McSween has been all but ignored. This is the first book to place her in a larger context. Clearly, the Lincoln County War was not her finest hour, just her best known. For decades afterward, she ran a successful cattle ranch. She watched New Mexico modernize and become a state. And she lived to tell the tales of the anarchistic territorial period many times.

As Luke and his sister Jenny resume their summer vacation their mother plans a stop at the historic town of Lincoln, New Mexico. But when a thunderstorm begins to brew, Luke and Jenny realize things aren't what they seem. Suddenly they are swept back in time and find themselves face-to-face with the notorious Billy the Kid. The ghost of Paul, a young buffalo soldier who lived over a century ago, guides them on their journey as they experience the life and times of this mysterious young outlaw. Will Billy the Kid live up to his legend?

Miguel Antonio Otero served as the first Hispanic governor of the U.S. Territory of New Mexico, from 1897 to 1906. He was appointed to the office by President William McKinley. Long after his retirement from politics, Governor Otero wrote and published his memoirs in three volumes, a major contribution to New Mexico history. But he also published a biography in 1936 titled “The Real Billy the Kid.” His aim in that book, he proclaimed, was to write the Kid’s story “without embellishment, based entirely on actual fact.” Otero had known the outlaw briefly and also had known the man who killed Billy in 1881, Sheriff Pat Garrett. The author recalled Garrett saying he regretted having to slay Billy. Or, as he bluntly put it, “it was simply the case of who got in the first shot. I happened to be the lucky one.” By all accounts, Billy the Kid was much adored by New Mexico’s Hispanic population. Otero asserts that the Kid was considerate of the old, the young and the poor. And he was loyal to his friends. Further, Martin Cháves of Santa Fe stated: “Billy was a perfect gentleman with a noble heart. He never killed a native citizen of New Mexico in all his career, and he had plenty of courage.” Otero was especially admiring of Billy because as a boy in Silver City, “he had loved his mother devotedly.” Such praise must be viewed in the context of the times. Other people, of course, saw Billy as an arch-villain. MIGUEL ANTONIO OTERO rightly distinguished himself as a political leader in New Mexico where he raised a family and lived out his life as a champion of the people, but he is also highly recognized for his career as an author. He published his legendary “My Life on the Frontier, 1864-1882” in 1935, followed by “The Real Billy the Kid: With New Light on the Lincoln County War” in 1936, “My Life on the Frontier, 1882-1897” in 1939, and “My Nine Years as Governor of New Mexico Territory, 1897-1906” in 1940.

Originally published in 1926, this biography tells the rousing tale of Billy the Kid, once of the most well known outlaws in the Old West. The Saga of Billy the Kid focuses on a period of time where two dangerous gangs tore a bloody path across Lincoln, New Mexico. After being shot to death in 1881 by the intrepid Lincoln County sheriff Pat Garret, Billy the Kid became a romanticized symbol of the wildness that laced the American west. Interest in the outlaw’s wild life grew after Burn’s initial publication, setting Billy the Kid up as one of the finest examples of the loss of the Wild West. As the US grew more industrialized, the stories of saloons, train robberies, and lone cowboys became even more important, and still remain important today. In a rousing tale that is partly truth, partly fiction, read the story that started its own wild frontier in the most influential version out there.

On March 9, 1878, three men were murdered in isolated Blackwater Canyon in New Mexico. The suspects were Billy the Kid and a number of his Regulators. This action, almost assuredly taken in retaliation for the death of the Kid’s friend, John Henry Tunstall, became the real catalyst in the Lincoln County War. In 2006, the author and a team of investigators searched for the remains of the men and related artifacts in the obscure canyon—the first to do so since the murders. The murders were reconstructed with the discovery of over thirty bullet cartridges. As part of the reconstruction of the crime, the author widens the scope of his investigation by examining the lives and paths of all three victims: William S. “Buck” Morton, a Virginian fleeing from his past; Frank Baker, a mystery man who hid his real name and shady career; and William McCloskey, an elderly cowboy who unsuccessfully attempted to play the peacemaker. The myths and accounts of the three men and their murders are analytically separated. Connective events where the paths of the participants intersected, such as the death of John Tunstall, are likewise examined. Legend and fact are separated in the case and its participants—both victims and suspects. Billy the Kid is justly portrayed as a human being wrought by conflicts. The Regulators and their opposition reveal character both good and bad. An investigative approach to this portion of the Billy the Kid saga corrects the record on some old assumptions and creates new avenues of insight and possibility.