Previously unpublished, uncollected, and unexpurgated poems by the Pulitzer Prize-winning poet portray a variety of duplicitous characters, illustrate the folly of war, and ruminate on the dream of love.

Unexpurgated and uncollected poems, many of which remained unpublished because their language was too raw, their attitude and politics too daring. Edited and with an Introduction by George and Willene Hendrick; photographs.

The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.

"What Sandburg knew and said was what America knew from the beginning and said from the beginning and has not yet, no matter what is believed of her, forgotten how to say," wrote Archibald MacLeish about Carl Sandburg - that most American of poets - and his connection to the American psyche.

"Robert F. Martin demonstrates nicely that, beneath all of Billy Sunday's flamboyance, the orphan-turned-baseball player-turned-evangelist embodied the tensions of his age. Martin's prodigious research has yielded a wealth of anecdotal material that adds flavor and spice to his keen analysis." -- Randall Balmer, author of Mine Eyes Have Seen the Glory: A Journey into the Evangelical Subculture in America William Ashley "Billy" Sunday was the most popular and influential evangelist of his time. Between 1896 and 1935, the colorful Iowa-born evangelist toured first his native Midwest and then the nation, preaching in tent and tabernacle, espousing a simplistic but, for many, deeply satisfying interpretation of Christianity. Embodying the traditional values and attitudes of the heartland and at home in an increasingly diverse, urban, industrial America, Sunday won the hearts -- and the pocketbooks -- of millions of Americans. Hero of the Heartland is an interpretive biography that focuses on the ways in which the man and his career resonated with the hopes and fears of his contemporaries as they coped with the economic, social, and cultural changes around the start of the 20th century. Robert F. Martin shows how Sunday and his revivalism helped his followers bridge the gap between the traditional past and the progressive future, and made more comfortable the transition from the old order to the new.

From 1896 to 1935, the flamboyant and controversial Billy Sunday preached his version of the gospel to millions of people across the nation. In this nontraditional biography of the man regarded by his enthralled fans as God's unconventional messenger to a sinful world, the curator of the Billy Sunday Historic Site Museum recreates Sunday's life through a material culture lens. W. A. Firstenberger views the photographic record and the print record as well as the landscape, structure, and contents of the Sunday home in Winona Lake, Indiana, to give us an intimate view of Sunday and his family. Through an organizational scheme that incorporates memorabilia from childhood (samplers, Civil War badges), baseball (Billy's 1891 Philadelphia contract, scorecards), evangelism (cartoons, books such as Monkeys and Missing Links), social issues (KKK ads endorsing Sunday, his Women's Christian Temperance life membership certificate), life style (Arts and Crafts decorative pieces, extensive photos of the family's Mount Hood bungalow), and family relations (his personal possessions and those of his wife, Nell, and their children), In Rare Form brings together the inconsistencies between Sunday's material world and his spiritual world. Since Sunday might have objected to a materialistic analysis of his life, Firstenberger has allowed him a say: each section of the book begins with an apt quote from Sunday's sermons and writings. Firstenberger also includes appendixes providing detailed information on Sunday's revivals and speaking appearances, his 870,075 documented converts, the members of his evangelistic team, the overall structure of his family, and an extensive bibliography. Acknowledging Sunday's faults and contradictions alongside his heroic accomplishments, the author presents a wryly insightful and innovative perspective on this larger-than-life figure.

This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.