Bill Doolin was perhaps the last great American outlaw of the nineteenth century. Once part of the Doolin-Dalton gang, he rode and robbed in the wild Indian Territory that would become Oklahoma. The Daltons were eventually shot to ribbons in their failed attempt to rob two banks at once in Coffeyville, Kansas. But Doolin went on to form a new gang that included notables such as Bitter Creek Newcomb, Black Face Charlie Pierce, a remaining Dalton brother, and the Rose of the Cimarron, Rose Dunn, sister of the notorious Dunn Brothers. Pursuing the gang was a tenacious group of U.S. marshals led by the famed Bill Tilghman. Doolin was considered something of a Robin Hood to the locals—everybody but those he robbed and killed. The marshals were determined to end his reign of terror no matter how long it took. The country, after all, was heading into a new century, and outlaws like Doolin no longer had a place in the West.

This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."

Based on the lives of two adolescent girls in the late 19th century who became infatuated with the Western outlaw heroes they had read about in Ned Buntline's stories and left their homes to join them. The outlaws the girls find are the demoralised remnants of the Doolin-Dalton gang, led by the aging Bill Doolin. Annie shames, and inspires the men, to become what she had imagined them to be. The younger sister Jenny finds a father figure in Doolin, who calls her Little Britches. Doolin's efforts to live up to the girls' vision of him lead him to be carted off in a cage to an Oklahoma jail where he waits to be hanged.

"Leader of the last of the great outlaw bands -- the Olklahombres, Bill Doolin outfoxed the law while trying to walk the line between being a good man and bad. He was a family man and a bank and train and stagecoach robber. By the end of his reign, almost every one of his gang had been gunned down, and now the law was out to finish him as well. But it would not be easy, not even for the likes of the famed U.S. Marshals led by Heck Thomas. A fictional account based on factual evidence about the last of the badmen"--Amazon.com.

Gangs of outlaws were overrunning Oklahoma Territory when E. D. Nix was appointed U.S. marshal in 1893. His memoir evokes a time and place that brought criminals and merchants and cowpunchers and settlers together, often explosively. Oklahombres, originally published in 1929, is an authentic history of human wildness. In these pages the Dalton brothers are shown in full career, as well as the Doolin gang, Bitter Creek Newcomb, Henry Starr, Cattle Annie, Rolla Kapp, Dick Yeager, the Jennings boys, and a large cast of cattle thieves, counterfeiters, and whiskey peddlers. Lawmen are no less memorable than the lawless: Bill Tilghman, Chris Madsen, and Heck Thomas are among the deputies who help Nix in his cleaning-up campaign. Adding to the richness of this account of early days in Oklahoma Territory are such personages as Judge Isaac Parker, Rose of Cimarron, and Chief Bacon Rind of the Osage Indians. Nix himself emerges as a public official of great integrity. Because of his adherence to a code of honor, he could later say that during his administration "not a single man was killed who was not a notorious lawbreaker." Perhaps his proudest moment came when he fired the gun that sent homesteaders rushing into the Cherokee Strip on September 16, 1893. That scene, described with cinematic vividness, is one of many high points in Oklahombres.

Dora Hand was in a deep sleep. Her bare legs were exposed despite her thick blankets, and a mass of long, auburn hair stretched over her pillow and flowed off the side of her flimsy mattress. A framed, charcoal portrait of an elderly couple hung above her bed on the faded wallpaper and kept company with her slumber. The air outside the window next to the picture was still and cold. The distant sound of voices, back-slapping laughter, profanity, and a piano's tinny, repetitious melody wafted down the main thoroughfare in Dodge City, Kansas, and into the small room. Dodge was an all-night town, "the wickedest little city in America." The streets and saloons were always busy. Residents learned to sleep through the giggling, growling, and gunplay of the cowboys and their paramours for hire. Dora’s dreams were seldom disturbed by the commotion, but the smack of a pair of bullets cutting through the walls of the tiny room cut through the routine nightly noises. The first bullet stuck in the dense plaster partition. The second struck Dora on the right side, just under her arm. There was no time for her to object to the injury; no moment for her to cry out or recoil in pain. In the near distance, a horse squealed and its galloping hooves echoed off the street and faded away. Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron’s son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.

Covers 177 of the most infamous assassins, serial killers, frauds, gangsters, murderers, terrorists, thieves, and traitors of American history.

Evoking Krakauer's Into the Wild, Dan Schultz tells the extraordinary true story of desperado survivalists, a brutal murder, and vigilante justice set against the harsh backdrop of the Colorado wilderness On a sunny May morning in 1998 in Cortez, Colorado, three desperados in a stolen truck opened fire on the town cop, shooting him twenty times; then they blasted their way past dozens of police cars and disappeared into 10,000 square miles of the harshest wilderness terrain on the North American continent. Self-trained survivalists, the outlaws eluded the most sophisticated law enforcement technology on the planet and a pursuit force that represented more than seventy-five local, state, and federal police agencies with dozens of swat teams, U.S. Army Special Forces, and more than five hundred officers from across the country. Dead Run is the first in-depth account of this sensational case, replete with overbearing local sheriffs, Native American trackers, posses on horseback, suspicion of vigilante justice and police cover-ups, and the blunders of the nation's most exalted crime-fighters pursuing outlaws into territory in which only they could survive.

Bill Pickett Biography, outstanding black cowboy bulldogger.