The official prequel series to the new film! The evil metal band Vile Empire unleashes a horde of chaotic trolls to destroy Bill and Ted, while back in San Dimas, the Stations and robots form a plan to try to save their friends. But can help arrive in time to save our most harried heroes, not to mention our totally excellent universe?

The official prequel series to the upcoming film! Bill and Ted are making ridiculous plans for a world tour that will somehow solve all their problems. They also hope to write the one song while on tour, energized and influenced by the people of the excellent planet Earth. Their confidence returning, they help the overburdened princesses with arranging the bookings. Things take a turn though when Wyld Stallyns is accidentally booked for a deadly-serious Scandinavian death metal festival (because of Death being in their band).

In the months and weeks before the fateful November 22nd, 1963, Dallas was brewing with political passions, a city crammed with larger-than-life characters dead-set against the Kennedy presidency. These included rabid warriors like defrocked military general Edwin A. Walker; the world's richest oil baron, H. L. Hunt; the leader of the largest Baptist congregation in the world, W.A. Criswell; and the media mogul Ted Dealey, who raucously confronted JFK and whose family name adorns the plaza where the president was murdered. On the same stage was a compelling cast of marauding gangsters, swashbuckling politicos, unsung civil rights heroes, and a stylish millionaire anxious to save his doomed city. Bill Minutaglio and Steven L. Davis ingeniously explore the swirling forces that led many people to warn President Kennedy to avoid Dallas on his fateful trip to Texas. Breathtakingly paced, Dallas 1963 presents a clear, cinematic, and revelatory look at the shocking tragedy that transformed America. Countless authors have attempted to explain the assassination, but no one has ever bothered to explain Dallas-until now. With spellbinding storytelling, Minutaglio and Davis lead us through intimate glimpses of the Kennedy family and the machinations of the Kennedy White House, to the obsessed men in Dallas who concocted the climate of hatred that led many to blame the city for the president's death. Here at long last is an accurate understanding of what happened in the weeks and months leading to John F. Kennedy's assassination. Dallas 1963 is not only a fresh look at a momentous national tragedy but a sobering reminder of how radical, polarizing ideologies can poison a city-and a nation. Winner of the PEN Center USA Literary Award for Research Nonfiction Named one of the Top 3 JFK Books by Parade Magazine. Named 1 of The 5 Essential Kennedy assassination books ever written by The Daily Beast. Named one of the Top Nonfiction Books of 2013 by Kirkus Reviews.

This new series is a direct sequel to Bogus Journey and prequel to Face the Music and part of the Bill and Ted canon bringing in screenwriter and creator Ed Solomon to the table along with bringing back legendary Bill and Ted comics writer Evan Dorkin and acclaimed artist Roger Langridge! After defeating the evil dictator De Nomolos in Bogus Journey in 1995, things aren't looking as excellent as they should for either Bill and Ted or Wyld Stallyns. There's tension in the band and worry at home. Bill and Ted's obsessiveness with writing the one song to bring peace to the world is affecting their playing and their relationships with their families. The band is losing favor with fans and the future isn't shaping up as they were all led to believe it would from past (and future) events. The princesses are overwhelmed, Death threatens to quit the band as his growing ego has opened a rift, and the Stations live in their garage with their clunky creations Robot Bill and Ted who are creating lots of chaos. Desperate for a solution Bill and Ted burst in to announce their great idea to revive the band's fortunes: A world tour to spread the love - and the rock, and the love of the rock - to the world. Collects Bill & Ted Are Doomed issues 1-4.

Spend some time with your old friends Bill and Ted in this totally resplendent, triumphant, stellar, non-heinous and most classically excellent comic collection. The most non-non-non-NON-heinous Eisner Award-nominated series, Bill & Ted's Excellent Comic Book, has returned. Station! This archive edition contains Evan Dorkin's (Milk & Cheese, Beasts of Burden) entire 11-issue series run on Bill &Ted's Excellent Comic Book and the Bill & Ted's Bogus Journey adaptation completely remastered and collected in a prestigious, full-color hardcover for the first time. Experience the comic like never before with all-new bonus features, including original artwork, art commissions, alternate versions of previously published artwork, and behind-the-scenes process pieces from Evan Dorkin. Remastered and collected in beautiful hardcover format, Bill & Ted's Excellent Comic Book is better than ever. Originally published in 1991, this Eisner-nominated classic of modern comics sees our good friends Bill S. Preston and Theodore Logan party in celebration of their nuptials, deal with jealous rivals, and even chase down Death himself. The collection includes Evan Dorkin's full 11 issue run on the series, the comic adaptation of Bill & Ted's Bogus Journey, a gallery of cover art, and fan letters from the original comic run, for a total of 368 non-heinous full color pages. Most excellent.

From the multi-Eisner award-winning creator of Milk and Cheese and Beasts of Burden comes this collection of his cult, humor comic anthology. Comprising years of black humor stories about a living voodoo doll, a serial killer sitcom, truly real live sex, a disco skinhead, an urbane devil puppet, classic works of literature acted out by Fisher-Price toys, and more absurdity--this is a must have for Dorkin fans! Featuring most of the Dork comic run as well as the 2012 full-color House of Fun special, along with rarities, extras, a cover gallery, and a newly drawn introduction.

An unflinching account—in words and pictures—of America's longest war by our most outspoken graphic journalist Ted Rall traveled deep into Afghanistan—without embedding himself with U.S. soldiers, without insulating himself with flak jackets and armored SUVs—where no one else would go (except, of course, Afghans). He made two long trips: the first in the wake of 9/11, and the next ten years later to see what a decade of U.S. occupation had wrought. On the first trip, he shouted his dispatches into a satellite phone provided by a Los Angeles radio station, attempting to explain that the booming in the background—and sometimes the foreground—were the sounds of an all-out war that no one at home would entirely own up to. Ten years later, the alternative newspapers and radio station that had financed his first trip could no longer afford to send him into harm's way, so he turned to Kickstarter to fund a groundbreaking effort to publish online a real-time blog of graphic journalism (essentially, a nonfiction comic) documenting what was really happening on the ground, filed daily by satellite. The result of this intrepid reporting is After We Kill You, We Will Welcome You Back as Honored Guests—a singular account of one determined journalist's effort to bring the realities of life in twenty-first-century Afghanistan to the world in the best way he knows how: a mix of travelogue, photography, and award-winning comics.

"A startling new philosophy and practical guide to getting the most out of your money-and out of life-for those who value memorable experiences as much as their earnings"--

Alan Axelrod's Lost Destiny is a rare exploration of the origin of today's controversial military drones as well as a searing and unforgettable story of heroism, WWII, and the Kennedy dynasty that might have been. On August 12, 1944, Lieutenant Joseph P. Kennedy, Jr., heir to one of America's most glamorous fortunes, son of the disgraced former ambassador to Great Britain, and big brother to freshly minted PT-109 hero JFK, hoisted himself up into a highly modified B-24 Liberator bomber. The munitions he was carrying that day were fifty percent more powerful than TNT. Kennedy's mission was part of Operation Aphrodite/Project Anvil, a desperate American effort to rescue London from a rain of German V-1 and V-2 missiles. The decision to use these bold but crude precursors to modern-day drones against German V-weapon launch sites came from Air Corps high command. Lieutenant General Jimmy Doolittle, daring leader of the spectacular 1942 Tokyo Raid, and others concocted a plan to install radio control equipment in "war-weary" bombers, pack them with a dozen tons of high explosives, and fly them by remote control directly into the concrete German launch sites—targets too hard to be destroyed by conventional bombs. The catch was that live pilots were needed to get these flying bombs off the ground and headed toward their targets. Joe Jr. was the first naval aviator to fly such a mission. And—in the biggest manmade explosion before Hiroshima—it killed him.

To his fellow conservatives, John Derbyshire makes a plea: Don't be seduced by this nonsense about "the politics of hope." Skepticism, pessimism, and suspicion of happy talk are the true characteristics of an authentically conservative temperament. And from Hobbes and Burke through Lord Salisbury and Calvin Coolidge, up to Pat Buchanan and Mark Steyn in our own time, these beliefs have kept the human race from blindly chasing its utopian dreams right off a cliff. Recently, though, various comforting yet fundamentally idiotic notions of political correctness and wishful thinking have taken root beyond the "Kumbaya"-singing, we're-all-one crowd. These ideas have now infected conservatives, the very people who really should know better. The Republican Party has been derailed by legions of fools and poseurs wearing smiley-face masks. Think rescuing the economy by condemning our descendents to lives of spirit-crushing debt. Think nation-building abroad while we slowly disintegrate at home. Think education and No Child Left Behind. . . . But don't think about it too much, because if you do, you'll quickly come to the logical conclusion: We are doomed. Need more convincing? Dwell on the cheerful promises of the diversity cult and the undeniable reality of the oncoming demographic disaster. Contemplate the feminization of everything, or take a good look at what passes for art these days. Witness the rise of culturism and the death of religion. Bow down before your new master, the federal apparatchik. Finally, ask yourself: How certain am I that the United States of America will survive, in any recognizable form, until, say, 2022? A scathing, mordantly funny romp through today's dismal and dismaler political and cultural scene, We Are Doomed provides a long-overdue dose of reality, revealing just how the GOP has been led astray in recent years–and showing that had conservatives held on to their fittingly pessimistic outlook, America's future would be far brighter. Ladies and gentlemen, it's time to embrace the Audacity of Hopelessness.