A cop from the past has been revived in the future and he doesn't have a clue as to what his mission is.

Longtime readers have come to understand that Outside’s true gift is in chronicling misadventure. That’s the common thread among the stories found in Out There—those memorable tales that begin with the promise that, even if no one’s life is necessarily hanging in the balance, something may go horribly awry at any moment, and that documenting this misfortune will inevitably yield rich comedic material or a surprisingly poignant moment. Or sometimes both. Out There chronicles fringe athletes, fitness freaks, and others obsessed by ill-advised dreams. It takes us to far-flung places no sane person would want to go. What ties this collection together are the incredible voices of legendary Outside contributors such as David Quammen, Tim Cahill, Susan Orlean, Wells Tower, Christopher Solomon, Patrick Symmes, Taffy Brodesser-Akner, Nick Paumgarten, and many others, who turn their subjects into literary gold and have helped to keep Outside in business for more than forty years.

From the horrific to the heroic, cinematic werewolves are metaphors for our savage nature, symbolizing the secret, bestial side of humanity that hides beneath our civilized veneer. Examining acknowledged classics like The Wolf Man (1941) and The Howling (1981), as well as overlooked gems like Dog Soldiers (2011), this comprehensive filmography covers the highs and lows of the genre. Information is provided on production, cast and filmmakers, along with critical discussion of the tropes and underlying themes that make the werewolf a terrifying but fascinating figure.

This encyclopedia is the most up-to-date, concise, clear and affordable guide to all aspects of science fiction, from its background to generic themes and devices, from authors (established and new) to films. Science fiction has evolved into one of the most popular, cutting-edge and exciting fiction geners, with a proliferation of modern and classic authors, themes and ideas, movies, TV series and awards. Arranged in an A-Z format, and featuring a comprehensive index and cross-referencing system, The Mammoth Encyclopedia of Science Fiction is also the most accessible and easy to use encyclopedia of its kind currently available.

Welcome to the world of Hillside High. High school is a word that conjures up all sorts of different images: fun, excitement, over-active hormones, nerds, jocks, bullies, sporting events, peer-pressure, relationships, exams, stress, failures, successes, dysfunctional families, too much homework, unbelievably embarrassing moments, and so much more. Enter the world of Hillside High where you will find yourself wrapped up in the intricacies and adventures of these students.

It was in 1946 that the world first came to hear of a coral atoll in the Marshall Islands called Bikini. The following year, French couturier Louis Réard borrowed the name and applied it to a bathing costume for women. Breaking from decades of conformity, Réard dared to ‘undress’ women’s bodies in order to better emphasize what remained clothed - albeit in tiny wisps of material. By taking up the bikini as popular beachwear, women also found themselves thinking differently about their bodies. An ideal of perfection was reinforced by the appearance on the cinema screen of stars such as Marilyn Monroe, Brigitte Bardot and Ursula Andress, all of whom were featured in bikinis that accentuated their own curvaceous contours. More than a bathing costume, the bikini made its own contribution during the 1970s to the sexual revolution and to the changing relationship between men and women in general. This book investigates the history of the bikini and its effect on the evolution in the perception of women in society, as women regained responsibility for the way they look and laid claim once more to full sexual equality. A collection of images throughout this book illustrates this progression step-by-step over a period of more than 50 years.

Writer Helen Bailey's world fell apart in early 2011 when she and her workaholic husband took off on a well-earned break to Barbados and days after arriving Helen watched helplessly from the beach as he was dragged out to sea in a rip-current and drowned. Alone and more than three thousand miles from home, she was a wife at breakfast and a widow by lunchtime. With her life as she knew it shattered, Helen began to chronicle living after such devastating and shocking loss in a blog - Planet Grief - and gained a worldwide following from many who had experienced huge loss, whether through death or divorce. And now her blog has become a book. Anecdotal, witty, heartbreaking and utterly grounded, When Bad Things Happen to Good Bikinis covers all the obvious struggles in the aftermath of a loss, as well as many not-so-obvious but just as poignant everyday obstacles. Helen has emerged from her nightmare, and her story will bring wry humour, comfort and hope to a huge number of people, whatever their circumstances.

Whether you judge by box office receipts, industry awards, or critical accolades, science fiction films are the most popular movies now being produced and distributed around the world. Nor is this phenomenon new. Sci-fi filmmakers and audiences have been exploring fantastic planets, forbidden zones, and lost continents ever since George Méliès’ 1902 film A Trip to the Moon. In this highly entertaining and knowledgeable book, film historian and pop culture expert Douglas Brode picks the one hundred greatest sci-fi films of all time. Brode’s list ranges from today’s blockbusters to forgotten gems, with surprises for even the most informed fans and scholars. He presents the movies in chronological order, which effectively makes this book a concise history of the sci-fi film genre. A striking (and in many cases rare) photograph accompanies each entry, for which Brode provides a numerical rating, key credits and cast members, brief plot summary, background on the film’s creation, elements of the moviemaking process, analysis of the major theme(s), and trivia. He also includes fun outtakes, including his top ten lists of Fifties sci-fi movies, cult sci-fi, least necessary movie remakes, and “so bad they’re great” classics—as well as the ten worst sci-fi movies (“those highly ambitious films that promised much and delivered nil”). So climb aboard spaceship Brode and journey to strange new worlds from Metropolis (1927) to Guardians of the Galaxy (2014).

This full-color guide to the islands of Hawaii includes vibrant photos and helpful planning maps. Longtime O'ahu resident Kevin Whitton shares the best ways to experience these beautiful islands, including O'ahu, Maui, Kaua'i, and the Big Island of Hawai'i, as well as side trips to Moloka'i and Lana'i. Hike the Diamond Head Summit Trail, catch a wave in Lahaina, watch the sun set over Ni'ihau from a beach on the West Side, and sample local delicacies at Hilo's popular farmer's market. Whitton includes unique trip ideas like One-Week Island Pairings and The Two-Week All-Island Trip, as well as information on dining, transportation, and accommodations for a wide range of travel budgets. Complete with details on everything from the best beaches and restaurants to when to go for whale watching, Moon Hawaiian Islands gives travelers the tools they need to create a more personal and memorable experience.

This edited book represents the first cohesive attempt to describe the literary genres of late-twentieth-century fiction in terms of lexico-grammatical patterns. Drawing on the PhraseoRom international project on the phraseology of contemporary novels, the contributed chapters combine literary studies with corpus linguistics to analyse fantasy, romance, crime, historical and science fiction in French and English. The authors offer new insights into long-standing debates on genre distinction and the hybridization of genres by deploying a new, interdisciplinary methodology. Sitting at the intersection of literature and linguistics, with a firm grounding in the digital humanities, this book will be of particular relevance to literary scholars, corpus stylists, contrastivists and lexicologists, as well as general readers with an interest in twentieth-century genre fiction.