Zane Grey (January 31, 1872 - October 23, 1939) was an American author best known for his popular adventure novels and stories that presented an idealized image of the American frontier, including the novel Riders of the Purple Sage, his bes selling book. This is one of his stories.

Illuminating the conditions for global governance to have precipitated the devastating decline of one of the ocean’s most majestic creatures The International Commission for the Conservation of Atlantic Tunas (ICCAT) is the world’s foremost organization for managing and conserving tunas, seabirds, turtles, and sharks traversing international waters. Founded by treaty in 1969, ICCAT stewards what has become under its tenure one of the planet’s most prominent endangered fish: the Atlantic bluefin tuna. Called “red gold” by industry insiders for the exorbitant price her ruby-colored flesh commands in the sushi economy, the giant bluefin tuna has crashed in size and number under ICCAT’s custodianship. With regulations to conserve these sea creatures in place for half a century, why have so many big bluefin tuna vanished from the Atlantic? In Red Gold, Jennifer E. Telesca offers unparalleled access to ICCAT to show that the institution has faithfully executed the task assigned it by international law: to fish as hard as possible to grow national economies. ICCAT manages the bluefin not to protect them but to secure export markets for commodity empires—and, as a result, has become complicit in their extermination. The decades of regulating fish as commodities have had disastrous consequences. Amid the mass extinction of all kinds of life today, Red Gold reacquaints the reader with the splendors of the giant bluefin tuna through vignettes that defy technoscientific and market rationales. Ultimately, this book shows, changing the way people value marine life must come not only from reforming ICCAT but from transforming the dominant culture that consents to this slaughter.

Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.

THE STORY: Maggie is a newly single, junk-food-binging shoplifter looking to change her life and her self-hating ways. Paul is her passionately convicted, formerly four-hundred-pound compulsive-overeating sponsor in a twelve-step program for recove

"Longtime Coonts fans who share his political leanings will best appreciate this outing."—Publishers Weekly "The story moves along at a brisk pace, with plenty of intrigue, which will please thriller fans."—Booklist "Since switching publishers a few years back, Coonts has consistently delivered high-powered, conspiracy-laden political thrillers that are perfect for fans of Vince Flynn and Brad Thor."—Real Book Spy It Starts with a Murder . . . Will It End with a Coup? Stephen Coonts, master of suspense, has captivated readers around the world by writing thrillers ripped from the nation’s headlines. His newest, The Russia Account, pits CIA officer Tommy Carmellini against a murderous international financial conspiracy that leaves a trail of death and corruption, extending from a small bank in Estonia to the highest reaches of the Kremlin and the halls of Congress—perhaps even to the CIA itself, putting Admiral Jake Grafton, the head of the CIA, in the crosshairs of an assassin. Burglar-turned-CIA-warrior Tommy Carmellini has starred in eight previous Coonts thrillers. With the help of his mentor, Admiral Grafton, Carmellini has always managed to foil his enemies. Discovering and defeating the powerful forces behind this massive bloodstained financial conspiracy that threatens the very foundations of the United States government, and maybe the life of the president of the United States, will be his most difficult challenge yet—and perhaps, he suspects, an impossible one. By turns thrilling, shocking, and even prophetic, The Russia Account is Coonts in top form. It is a reading experience not to be missed.

“Brings [Baron’s] award-winning superhero to life in ways we haven’t seen before. Witty, profound, and deeply moving, this novel is serious science fiction.” —Kevin J. Anderson, New York Times–bestselling author Nexus is the greatest avenger the galaxy has ever known. He has faced mass murderers and alien monsters. But his power comes from an alien race with its own agenda. Is the mighty Nexus hero or pawn? Deliverer or destroyer? Gourmando, the devourer of worlds, now has an appetite for Ylum, the home of Nexus. How can one man, no matter how powerful, stop an entity that consumes whole planets? Based on the bestselling comic book created by Mike Baron and Steve Rude, this is Nexus’s greatest adventure (for now, at least!). “May be one of the finest examples of galaxy-spanning worldbuilding in science fiction. Add to that a compelling cast of characters, a flawless ear for dialogue, and a genuinely thrilling story, and the result is a truly brilliant book, full stop.” —James A. Owen, author of Secrets of the Dragon Riders

This is the first book-length study of one of the most talented and exciting American playwrights working today. Stephen Adly Guirgis has said that "God is the starting point and the finish line" of his work, and this book identifies him as a playwright with a distinctly Christian sensibility who uses the technique of "inculturation" to translate the gospel for a secular audience. Critics have noted that his plays are peopled with poor, suffering minority figures, but few have also noted that these figures bear a remarkable similarity to the dispossessed with whom Jesus identifies in Matthew 25. Beginning with his early play Den of Thieves and proceeding through each of his dramas, this work examines Guirgis's plays within a biblical context. While noting that Guirgis is a writer of the "post-Christian age" who staunchly resists identification as a "Christian playwright," the book situates him within the tradition of the "drama of ideas" as a powerful writer employing a dialectical method to inculcate the New Testament ethos and transform the theater space into a place of sacrament.

In a lively account of the American tuna industry's fortunes and misfortunes over the past century, a celebrated food writer relates how tuna went from being sold primarily as a fertiliser to becoming the most commonly consumed fish in the US. Tuna is both the subject and the backdrop for other facets of American history.