Indigenous People, Crime and Punishment examines criminal sentencing courts’ changing characterisations of Indigenous peoples’ identity, culture and postcolonial status. Focusing largely on Australian Indigenous peoples, but drawing also on the Canadian experiences, Thalia Anthony critically analyses how the judiciary have interpreted Indigenous difference. Through an analysis of Indigenous sentencing remarks over a fifty year period in a number of jurisdictions, the book demonstrates how judicial discretion is moulded to dominant white assumptions about Indigeneity. More specifically, Indigenous People, Crime and Punishment shows how the increasing demonisation of Indigenous criminality and culture in sentencing has turned earlier ‘gains’ in the legal recognition of Indigenous peoples on their head. The recognition of Indigenous difference is thereby revealed as a pliable concept that is just as likely to remove concessions as it is to grant them. Indigenous People, Crime and Punishment suggests that Indigenous justice requires a two-way recognition process where Indigenous people and legal systems are afforded greater control in sentencing, dispute resolution and Indigenous healing.

This book brings together feminist academics and lawyers to present an impressive collection of alternative judgments in a series of Australian legal cases. By re-imagining original legal decisions through a feminist lens, the collection explores the possibilities, limits and implications of feminist approaches to legal decision-making. Each case is accompanied by a brief commentary that places it in legal and historical context and explains what the feminist rewriting does differently to the original case. The cases not only cover topics of long-standing interest to feminist scholars – such as family law, sexual offences and discrimination law – but also areas which have had less attention, including Indigenous sovereignty, constitutional law, immigration, taxation and environmental law. The collection contributes a distinctly Australian perspective to the growing international literature investigating the role of feminist legal theory in judicial decision-making.

In a break from the contemporary focus on the law's response to inter-racial crime, the authors examine the law's approach to the victimization of one Indigenous person by another. Drawing on a wealth of archival material relating to homicides in Australia, they conclude that settlers and Indigenous peoples still live in the shadow of empire.

Featuring contributions from leading lawyers, historians and social scientists, this path-breaking volume explores encounters of laws, people, and places in Australia since 1788. Its chapters address three major themes: the development of Australian settler law in the shadow of the British Empire; the interaction between settler law and First Nations people; and the possibility of meaningful encounter between First laws and settler legal regimes in Australia. Several chapters explore the limited space provided by Australian settler law for respectful encounters, particularly in light of the High Court's particular concerns about the fragility of Australian sovereignty. Tracing the development of a uniquely Australian law and the various contexts that shaped it, this volume is concerned with the complexity, plurality, and ambiguity of Australia's legal history.

Volume 19 of the Australian Dictionary of Biography (ADB) contains concise biographies of individuals who died between 1991 and 1995. The first of two volumes for the 1990s, it presents a colourful montage of late twentieth-century Australian life, containing the biographies of significant and representative Australians. The volume is still in the shadow of World War II with servicemen and women who enlisted young appearing, but these influences are dimming and there are now increasing numbers of non-white, non-male, non-privileged and non-straight subjects. The 680 individuals recorded in volume 19 of the ADB include Wiradjuri midwife and Ngunnawal Elder Violet Bulger; Aboriginal rights activist, poet, playwright and artist Kevin Gilbert; and Torres Strait Islander community leader and land rights campaigner Eddie Mabo. HIV/AIDS child activists Tony Lovegrove and Eve Van Grafhorst have entries, as does conductor Stuart Challender, ‘the first Australian celebrity to go public’ about his HIV/AIDS condition in 1991. The arts are, as always, well-represented, including writers Frank Hardy, Mary Durack and Nene Gare, actors Frank Thring and Leonard Teale and arts patron Ian Potter. We are beginning to see the effects of the steep rise in postwar immigration flow through to the ADB. Artist Joseph Stanislaw Ostoja-Kotkowski was born in Poland. Pilar Moreno de Otaegui, co-founded the Spanish Club of Sydney. Chinese restaurateur and community leader Ming Poon (Dick) Low migrated to Victoria in 1953. Often we have a dearth of information about the domestic lives of our subjects; politician Olive Zakharov, however, bravely disclosed at the Victorian launch of the federal government’s campaign to Stop Violence Against Women in 1993 that she was a survivor of domestic violence in her second marriage. Take a dip into the many fascinating lives of the Australian Dictionary of Biography.

This is a history of the Supreme Court of the Northern Territory commencing from 1873 when it was first envisaged, through to its creation in 1911, and until modern times, seen in the light of the Territory's economic, social, religious, anthropological, political and constitutional development. The lives and work of its various judges, and their relationships with government; and the Acts and policies of both the Commonwealth and Territory governments form much of the background to its triumphs and failures which are quintessentially Territorian.Throughout the 20th century, the Court survived a judicial sacking, being left without a Judge in office, riots, two royal commissions, division into two courts, reconstitution and reconstruction of three occasions, the bombing of Darwin, Cyclone Tracy, and poor facilities to become eventually a modern institution with a new and grand courthouse in Darwin.Other themes which are explored include trial by jury, sentencing powers, judicial independence, relations with the media, interpreters, mandatory sentencing, euthanasia, assimilation, Aboriginal land rights, the peculiar problems relating to the trial and sentencing of Aborigines as well as a detailed examination of some of the important causes celebre of the times- the trials of Tuckiar, the Chamberlains and Bradley John Murdock amongst many others.All aspects of the Court's history are considered - libraries, court buildings. circuit courts, administration, court staff, appeal courts, rules of court, judicial appointments, chief justices, judges, masters, registrars and sheriffs, as well as the legal issues of the day, seen in the context of the Territory's socio-political evolution.

Synopsis Song of Silver Lake, vol. 2, book 2 Fiddle Girl Demonstrating a giftedness in violin, Grace discussed with her Harvard educated friend, blind Derry London, the feasibility of attending an elite institution like Julliard School of Music in New York. Derry promised to make a few phone calls, which put her in contact with Mr. Carlton Astor, founder of Astor Plastics in Seattle, also a member of the Julliard board of regents. To Derry's surprise, Mr. Astor seemed more interested in the blind woman's 7 year old niece, Ruth, than he was in Grace, the prospective Julliard student. He even insisted on flying to Silver Lake in his private aircraft to take Derry and Ruth to dinner. What could possibly be Carlton Astor's interest in little Ruth? While Derry researched Julliard School of Music, Grace was invited to tour with the McCoy family, a local amateur bluegrass group. The Real McCoy's annually closed up their Silver Lake mechanics shop to make a month long circuit to county fairs across several states. Grace, first chair in her high school orchestra, but a novice to the Bluegrass fiddle, was shocked when Pop McCoy entered her in the Lexington, Kentucky Bluegrass competition. Loyalties between the fiddle girl and The Real McCoy's were tested as bizarre events unfolded during this month long trip.

Synopsis Song of Silver Lake, vol. 2, book 2 Fiddle Girl Demonstrating a giftedness in violin, Grace discussed with her Harvard educated friend, blind Derry London, the feasibility of attending an elite institution like Julliard School of Music in New York. Derry promised to make a few phone calls, which put her in contact with Mr. Carlton Astor, founder of Astor Plastics in Seattle, also a member of the Julliard board of regents. To Derry’s surprise, Mr. Astor seemed more interested in the blind woman’s 7 year old niece, Ruth, than he was in Grace, the prospective Julliard student. He even insisted on flying to Silver Lake in his private aircraft to take Derry and Ruth to dinner. What could possibly be Carlton Astor’s interest in little Ruth? While Derry researched Julliard School of Music, Grace was invited to tour with the McCoy family, a local amateur bluegrass group. The Real McCoy’s annually closed up their Silver Lake mechanics shop to make a month long circuit to county fairs across several states. Grace, first chair in her high school orchestra, but a novice to the Bluegrass fiddle, was shocked when Pop McCoy entered her in the Lexington, Kentucky Bluegrass competition. Loyalties between the fiddle girl and The Real McCoy’s were tested as bizarre events unfolded during this month long trip.

For the first time the Justice thrillogy is published as one volume. STREET JUSTICE Veteran Garda Detective Brown finds himself caught in the middle of a deadly game of cat and mouse between gun-wielding vigilantes and Dublins drug gangs. Someone is dealing out deadly justice to drug dealers, and Brown must stop them before another corpse turns up. Can he trust Macker, his petty criminal tout? Is he telling Brown all he knows? Have antidrug activists, Billy and Mary ONeill, really turned their backs on violence? When a criminal kingpin comes out of hiding, things really heat up. Just when Brown plans to draw the net over drug dealers and vigilantes alike, the tables are turned with deadly consequences. NEVER ENDING JUSTICE Sergeant Brown stirs up a hornets nest when he makes public information that shows the unsavory connections between drug dealing, business, and politics. The Garda is getting too hot for him, so he contemplates retirement. He and his wife go to Spain to check out an apartment. Macker is already there. On the face of it settled down with a legitimate job and girlfriend, he is making a name for himself as a ruthless assassin for the ex-pat Irish and Russian mobs. He hates Brown and knows hes in town. Whos next for rough justice? FINAL JUSTICE Retired Garda Brown and his wife have a new life in Spain. Hes a consultant with an Irish company building holiday homes. Little does he know that its the front for Terry, an Irish criminal. A web of intrigue is being woven around Brown by the Irish and Russian gangs, and not-so-naive Rene, Mackers girlfriend, is pulling the strings. Will Brown cop on before it is too late? Things come to a head in an explosive finale that will leave you rocking.