December 2001: Vince McMahon steps out of a snowy night into a diner in upstate New York for a meeting with old friend Phil Thomson, now a highly placed government official. Thomson has a strange proposition: creating a new covert black-ops group using the Superstars of World Wrestling Entertainment. The WWE's talented men and women are perfect. Highly skilled athletes with the ideal cover, they travel all across the country and the globe; no one would find it unusual to find them in a town one day and gone the next. The government would train and support the wrestlers in every way possible except one: no one must know the truth. March 2006: The Superstars have been handed their latest assignment -- take down a commercial-grade methyl-amphetamine plant that is bankrolling terrorist activities in Europe. Their mission seems simple and straightforward, until a member of their team is taken prisoner. Now all that they've worked so hard for is in jeopardy, and one of their own might be killed...

Farah Nayeri addresses the difficult questions plaguing the art world, from the bad habits of Old Masters, to the current grappling with identity politics. For centuries, art censorship has been a top-down phenomenon--kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking and answering questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown provides the necessary tools to navigate the art world.

In the aftermath of a Fourth of July terrorist bombing that has destroyed all of the bridges and tunnels leading out of Manhattan, an elite cadre of Middle Eastern soldiers searches for a man who holds a powerful secret of key importance.

While chasing after powerful mobster Salvatore "Uncle Sunny" Sunucchi, who is on the lam, New Jersey bounty hunter Stephanie Plum must help security specialist Ranger catch the killer of his top client's mother as a giraffe named Kevin runs wild in the streets of Trenton.

The dramatic true story of the capture of the world's most wanted cyberthief by brilliant computer expert Tsutomu Shimomura, describes Kevin Mitnick's long computer crime spree, which involved millions of dollars in credit card numbers and corporate trade secrets. Reprint. NYT.

The mafia are closer than you think... For most of us in Britain, the Mafia seems as distant as the characters in "Goodfellas," "Gomorrah," or "The Godfather" trilogy. However, the truth is far more sinister. Drawing from his groundbreaking Sky series, renowned journalist and fearless investigator Ross Kemp delves into the depths of the Mafia's influence within the UK - unveiling the Mafia bosses, capos, and hitmen who work next door, from caravan parks to shoe shops, cafés to newsagents. Travelling from London to New York, Philadelphia, Miami, Colombia, Spain, and Italy before returning to Britain again, Ross embarks on an epic odyssey to trace the story of the Mafia over the last 100 years - revealing a globalized web of connections that have enabled the Mob to quietly, yet effectively, infiltrate the heart of Britain's underworld, and shape our society from within.

Twenty years ago, Marcus "Crush" Casey was the leader of the Vicetown Kings, the most powerful crime syndicate in New York City. Then he was betrayed by his second-in-command and sent to prison. Now he's back on the streets and he has a lot more on his mind than just getting even. He needs to take back everything he lost: Find the friend who betrayed him and killed his only son, keep the cops at bay, and resist the one woman he knows he can't have. His time on the inside gave him a conscience and he also wants to help clean up the crime-infested neighborhoods that used to be his home. Crush will take back the Vicetown Kings and guide them to protect the city and its citizens...or die trying. Ice-T's experience with crime and gangs in Los Angeles and his years on Law & Order: SVU make him the perfect person to tell this thrilling story of revenge and redemption. Kings of Vice marks a new entry into the type of urban fiction immortalized by writers like K'wan, Elmore Leonard, and Donald Goines. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“A galvanizing exposé” of America’s trash problem from plastic in the ocean to “wasteful packaging, bogus recycling, and flawed landfills and incinerators” (Booklist, starred review). Eat a take-out meal, buy a pair of shoes, or read a newspaper, and you’re soon faced with a bewildering amount of garbage. The United States is the planet’s number-one producer of trash. Each American throws out 4.5 pounds daily. But garbage is also a global problem. Today, the Pacific Ocean contains six times more plastic waste than zooplankton. How did we end up with this much rubbish, and where does it all go? Journalist and filmmaker Heather Rogers answers these questions by taking readers on a grisly and fascinating tour through the underworld of garbage. Gone Tomorrow excavates the history of rubbish handling from the nineteenth century to the present, pinpointing the roots of today’s waste-addicted society. With a “lively authorial voice,” Rogers draws connections between modern industrial production, consumer culture, and our throwaway lifestyle (New York Press). She also investigates the politics of recycling and the export of trash to poor countries, while offering a potent argument for change. “A clear-thinking and peppery writer, Rogers presents a galvanizing exposé of how we became the planet’s trash monsters. . . . [Gone Tomorrow] details everything that is wrong with today’s wasteful packaging, bogus recycling, and flawed landfills and incinerators. . . . Rogers exhibits black-belt precision.” —Booklist, starred review