This Text Is An Attempt To Reconstruct The Bhakti Movement From The 8Th Century Tamil Nadu To The 16Th Century Punjab, In Its Totality, As A Connected Organic Phenomenon And As Perhaps The Earliest Indian Voice Of Deconstructive Modern Thought.

A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.

India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the “bhakti movement.” Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India’s southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built. Challenging this canonical narrative, John Stratton Hawley clarifies the historical and political contingencies that gave birth to the concept of the bhakti movement. Starting with the Mughals and their Kachvaha allies, North Indian groups looked to the Hindu South as a resource that would give religious and linguistic depth to their own collective history. Only in the early twentieth century did the idea of a bhakti “movement” crystallize—in the intellectual circle surrounding Rabindranath Tagore in Bengal. Interactions between Hindus and Muslims, between the sexes, between proud regional cultures, and between upper castes and Dalits are crucially embedded in the narrative, making it a powerful political resource. A Storm of Songs ponders the destiny of the idea of the bhakti movement in a globalizing India. If bhakti is the beating heart of India, this is the story of how it was implanted there—and whether it can survive.

Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.

In this book, Patton E. Burchett offers a path-breaking genealogical study of devotional (bhakti) Hinduism that traces its understudied historical relationships with tantra, yoga, and Sufism. Beginning in India’s early medieval “Tantric Age” and reaching to the present day, Burchett focuses his analysis on the crucial shifts of the early modern period, when the rise of bhakti communities in North India transformed the religious landscape in ways that would profoundly affect the shape of modern-day Hinduism. A Genealogy of Devotion illuminates the complex historical factors at play in the growth of bhakti in Sultanate and Mughal India through its pivotal interactions with Indic and Persianate traditions of asceticism, monasticism, politics, and literature. Shedding new light on the importance of Persian culture and popular Sufism in the history of devotional Hinduism, Burchett’s work explores the cultural encounters that reshaped early modern North Indian communities. Focusing on the Rāmānandī bhakti community and the tantric Nāth yogīs, Burchett describes the emergence of a new and Sufi-inflected devotional sensibility—an ethical, emotional, and aesthetic disposition—that was often critical of tantric and yogic religiosity. Early modern North Indian devotional critiques of tantric religiosity, he shows, prefigured colonial-era Orientalist depictions of bhakti as “religion” and tantra as “magic.” Providing a broad historical view of bhakti, tantra, and yoga while simultaneously challenging dominant scholarly conceptions of them, A Genealogy of Devotion offers a bold new narrative of the history of religion in India.

This Volume Has Two Parts, Surveys Of All The Languages And Selections From Three Languages Assamese, Bengali And Dogri.

This fabulous volume, containing compositions of mystic poets across India, from Kabir, Annamacharya and Chandidas to Tukaram, Meera, Akkamahadevi and many more, reminds us of the rich palette of Bhakti. Featuring classic translations as well as new, unpublished ones by acclaimed poets, it will delight seekers and poetry lovers alike.

Description: Although some aspects of the medieval bhakti movements are known or have been viewed by the historians from their own angles of vision, much remains to be known, understood and interpreted. The present volume, issued on the occasion of the Quincentenary of Mahaprabhu Sri Caitanya, is an attempt to understand a little more of the medieval bhakti movements of India. The contributors to the volume who have enthusiastically agreed to participate in this project are all specialists in their own fields and their valuable papers are expected to throw new light on many hitherto unknown or known features of the great historical movement, the far-reaching consequences of which are very much lively in the heart of the Indian masses even today. The contributors to this volume are Bimanbehari Majumdar, Niharranjan Ray, G.S. Chhabra, Manorama Kohli, G.V. Saroja, J.C. Jain, M.S. Ahluwalia, H.A. Qureshi, Manjula Bhattacharyya, Uma S. Deshpande, P.S. Mukharya, B.D. Gupta, Hafiz Md. Tahir Ali, N. Jagadesan, R. Champakalakshmi, S.K. Pathak, N. Subrahmanian, R. Meena, K.K. Kusuman, N.H. Kulkarnee, Prabhat Mukherjee, S.N. Sharma, Sarat Chandra Goswami, S. Dutta, N.N. Acharya, Bhaskar Chatterjee, Neal Delmonico, Sachin Majumdar, David Kopf and Pranabananda Jash. A detailed bibliography containing list of books and articles used by the contributors in preparing their papers and also other works pertaining to the bhakti concept has also been supplied. This handy volume has been edited by N.N. Bhattacharyya with an informative introduction.

Bhakti, a term ubiquitous in the religious life of South Asia, has meanings that shift dramatically according to context and sentiment. Sometimes translated as "personal devotion," bhakti nonetheless implies and fosters public interaction. It is often associated with the marginalized voices of women and lower castes, yet it has also played a role in perpetuating injustice. Barriers have been torn down in the name of bhakti, while others have been built simultaneously. Bhakti and Power provides an accessible entry into key debates around issues such as these, presenting voices and vignettes from the sixth century to the present and from many parts of India's cultural landscape. Written by a wide range of engaged scholars, this volume showcases one of the most influential concepts in Indian history--still a major force in the present day.