Beyond the Supersquare: Art and Architecture in Latin America after Modernism, which developed from a symposium presented by the Bronx Museum of the Arts in 2011, showcases original essays by distinguished Latin American architects, historians, and curators whose research examines architecture and urban design practices in the region during a significant period of the twentieth century. Drawing from the exuberant architectural projects of the 1940s to the 1960s, as well as from critically engaged artistic practices of the present day, the essays in this collection reveal how the heroic visions and utopian ideals popular in architectural discourse during the modernist era bore complicated legacies for Latin America—the consequences of which are evident in the vastly uneven economic conditions and socially disparate societies found throughout the region today. The innovative contributions in this volume address how the modernist movement came into being in Latin America and compellingly explore how it continues to resonate in today’s cultural discourse. Beyond the Supersquare takes themes traditionally examined within the strict field of urbanism and architecture and explores them against a broader range of disciplines, including the global economy, political science, gender, visual arts, philosophy, and urban planning. Containing a breadth of scholarship, this book offers a compelling and distinctive view of contemporary life in Latin America. Among the topics explored are the circulation of national cultural identities through architectural media, the intersection of contemporary art and urban social politics, and the recovery of canonically overlooked figures in art and architectural histories, such as Lina Bo Bardi and Joao Filgueiras Lima (“Lele”) from Brazil, Juan Legarreta of Mexico, and Henry Klumb in Puerto Rico.

How technology and the politics of attention changed the way we look at art The ways we encounter contemporary art and performance has changed. How are we expectedto engage with today's diverse practice? Is the old model of close-looking still the ideal, or has itgiven way to browsing, skimming, and sampling? Across four provocative and insightful essays, art historian and critic Claire Bishop identifies trends in contemporary practice. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology. She explores how researched-based exhibitions have proliferated turning the artist into an investigator or archivist with mixed results. Spatial performance can now involve the artist, dancers, or even the audience as participants, often framed with Instagram in mind. The political event is not longer activated without an understanding of the media that will record and distribute it. The proliferation of works that use modernist architecture is noticeable; but has this become a shorthand for something else? Disordered Attention is a vital survey of 21st century art, from one of the leading art thinkers ofour times.

This project came about as a result of disillusionment with the ephemeral or redundant nature of much autobiographical writing, which can be alarmingly quick to date, and consequently instead of one timescale for composition there are four different timescales, viz. 1983,'85, '93, and '96, corresponding to the divisions of the book into four headed parts, each of which was written quite independently of the others both in timescale and even, to a limited degree, in style. Thus the result is certainly 'beyond the pale' of both retrospectively inclusive and introspectively exclusive autobiographical writings and remains, to this day, open-ended.

"Beginning with the oil blowout in 1922 that is considered the moment that marked Venezuela's entry into a 'modern' era, Refined Material explores the integral relationship between Venezuelan oil industry and artistic production. In this groundbreaking study, Sean Nesselrode Moncada examines Venezuela's mid-century art and architecture in an argument that reinforces the inextricability of the rise of a capitalist and centralized state from life, activism, and art. Oil provided the crucible for national reinvention, ushering in a period of dizzying optimism and bitter disillusion as artists, architects, graphic designers, activists, and critics sought to define the terms of modernity. Looking at five different but interrelated case studies--a print magazine, a planned housing community, a luxury hotel, a kinetic museum installation, and a documentary film--this book brings forth a novel reading to the renowned Venezuelan modernist canon and reveals how the logic of refinement conditioned the terms of development and redefined our relationship to nature, matter, and one another"--

Earth, Wind & Fire has sold some ninety million records and won eight Grammy awards. But while its charismatic founder, Maurice White, and Philip Bailey, one of popular music’s greatest voices, are remarkable musical talents, their relentless work ethic exhausted and emotionally gutted the group. Now, Bailey shares the inside story of his professional and spiritual journey, from his origins to the band’s meteoric rise to stardom, and from its breakup to its triumphant reinvention. Shining Star will mesmerize the supergroup’s millions of fans and anyone who loves an inspiring story about what happens when real life exceeds your dreams.

Presents riddles, jokes, and short stories about topics including money, school, animals, marriage, and sleep.

Beginning with the State Fair as a window on Indiana as a whole, Martin interprets the Hoosier state and its history, from the Civil War and its impact on the state to the period during and just after World War II. As he says, "It is a conception of Indiana as a pleasant, rather rural place inhabited by people who are confident, prosperous, neighborly, easygoing, tolerant, shrewd."