Crowd behavior is one of the most colorful but least understood forms of human social behavior. This volume is a major contribution to the field of collective behavior, with implications for social movement analysis. McPhail's critical assessment of the major theories of crowd behavior establishes that, whatever their particular limitations and strengths, all share a general and serious flaw: their explanations were developed without prior examination of the behaviors to be explained. Drawing on a wide range of empirical studies that include his own careful field work, the author offers a new characterization of temporary gatherings. He presents a life cycle of gatherings and a taxonomy of forms of collective behavior within gatherings, as well as combinations of these forms and gatherings into larger events, campaigns and waves. McPhail also develops a new explanation for various ways in which purposive actors construct collective actions.

Maurice Merleau-Ponty is widely known for his emphasis on embodied perceptual experience. This emphasis initially relied heavily on the positive results of Gestalt psychology in addressing issues in philosophical psychology and philosophy of mind from a phenomenological standpoint. Eventually he transformed this account in light of his investigations in linguistics, aesthetics, and the philosophy of history and institutions. Far less work has been done in addressing his evolving conception of philosophy and how this account influenced more general philosophical issues in epistemology, accounts of rationality, or its status as theoretical discourse. Merleau-Ponty's own contributions to these issues and, in particular, the theoretical status of the phenomenological account that resulted, have provoked varying responses. On the one hand, some commentators have understood his work to be a regional application of Husserl's foundational account of phenomenology. On the other hand, some commentators have questioned whether, in the final analysis, Merleau-Ponty was a phenomenologist at all. In In the Shadow of Phenomenology, Stephen H. Watson offers an in depth analysis of these responses and the complications and development of Merleau-Ponty's position.

A quarterly review of philosophy.

From the renowned, award-winning author Zen Cho comes a delightfully funny romance about family, class, and love in modern London. Download a FREE sneak peek today! From the outside, Renee Goh’s life looks perfect. She’s thirty and beautiful, runs a glamorous—and profitable—women’s clothing company in London, and is dating a hot Taiwanese pop star. But Renee is lonely. Estranged from her family in Singapore, she practically lives at the office, and now she’s just been dumped by her supposed boyfriend. Who she never saw anyway, so why is she ruining her Instagram-ready makeup by crying? Before she can curl up on the couch with a pint of Ben & Jerry’s, Renee’s father calls. He’s retiring, and, thanks to the screw-ups of her wastrel brothers, he is considering her as the next CEO of the family business: Chahaya Group, one of the largest conglomerates in Southeast Asia. That stamp of her father’s approval would mean everything to Renee, but can she cooperate with the brothers who drove her out of Singapore? But fate isn’t done with her. That same night, Renee bumps into her first love, Yap Ket Siong, who broke her heart during university. They spend a wonderful night together, but Ket Siong is pursuing a dangerous vengeance for his family. In the light of day is there any hope for the two of them? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

NEW ENGLAND BEYOND CRITICISM “Elisa New’s book is a remarkable achievement. It is very rare that a critic manages to ask what seem exactly the right questions, then to answer them in a lively, brilliant, evocative, and supremely intelligent prose.” Charles F. Altieri, University of California “Elisa New is a refreshing voice among critics and historians of literature. She has a keen sense of the nature of New England and its deep spiritual resources, reaching back to the Puritans, moving through the great nineteenth-century expressions of interior landscapes and visions. This is a book I welcome and celebrate.” Jay Parini, Middlebury College Literary criticism of the past thirty years has undercut what the canonizers of the nineteenth and early twentieth centuries saw as the fundamental role of early New England in the development of American literary culture. And yet, a determination in literary circles to topple perceived Ivy League elitism and Protestant cultural creationism overlooks the continuing value, beauty, and even practical utility of a canon still cherished by lay readers around the world. This Manifesto raises questions about how academic specialization and the academic study of New England have affected enthusiasm for reading. Using a range of interpretive practices, including those most often deployed by contemporary academic critics, Elisa New cuts across firmly established subfields, mixing literary exegesis with autobiographical reflection, close reading with cultural history, archival and antiquarian inquiry with experiments in style, and lays bare editorial orthodoxies, raising to question the whole hierarchy of values now governing the study of American and other literatures. Taking New England as a test case for a wider, more accessible set of critical practices, New England Beyond Criticism demands that the domain of literary study be opened further to the tastes of the general reader.

This book challenges the mainstream conception of social capital as an individual resource. In its place it offers an understanding of social capital as a social phenomenon, residing in human relationships.

Spanish Romantic discourse that highlights ways in which the mythic story of Western modernity was shaped by transnational European power-politics.

"The Jesuit review of faith and culture," Nov. 13, 2017-