Drawing on the writings of Nietzsche, Heidegger, and Merleau-Ponty in her criticisms of dualism, Mullen (philosophy and religious studies, Christopher Newport U., Newport News, VA) aims to develop a non-ontotheological notion of truth and value rooted in the body. Metamorphosis serves as the metaphor enabling this thinking beyond the "divided line" of being and becoming. Appends commentaries on Nietzsche vs. Socrates, and the mirror-play of flesh and text. Annotation copyrighted by Book News, Inc., Portland, OR

Rimmon-Kenan (Hebrew U.-Jerusalem) asserts that responsible talk about representation and subjectivity is possible despite the poststructuralist destabilization of the concepts. She explains how by looking at 20th-century narratives that have taken the concepts as their themes, in particular Faulkner's Absalom, Nabokov's The Real Life of Sebastian Knight, Brooke-Rose's Thru, Beckett's Company, and Morrison's Beloved. Annotation copyright by Book News, Inc., Portland, OR

“A pathbreaking meditation . . . shifts the discussion . . . from . . . notions of guilt and innocence to the complexities of responsibility and accountability.” —Amir Eshel, Stanford University When it comes to historical violence and contemporary inequality, none of us are completely innocent. We may not be direct agents of harm, but we may still contribute to, inhabit, or benefit from regimes of domination that we neither set up nor control. Arguing that the familiar categories of victim, perpetrator, and bystander do not adequately account for our connection to injustices past and present, Michael Rothberg offers a new theory of political responsibility through the figure of the implicated subject. The Implicated Subject builds on the comparative, transnational framework of Rothberg's influential work on memory to engage in reflection and analysis of cultural texts, archives, and activist movements from such contested zones as transitional South Africa, contemporary Israel/Palestine, post-Holocaust Europe, and a transatlantic realm marked by the afterlives of slavery. An array of globally prominent artists, writers, and thinkers—from William Kentridge, Hito Steyerl, and Jamaica Kincaid, to Hannah Arendt, Primo Levi, Judith Butler, and the Combahee River Collective—speak show how confronting our own implication in difficult histories can lead to new forms of internationalism and long-distance solidarity. “A significant work by a major scholar . . . .While drawing on a global range of histories and texts, the book never loses focus on the contemporary moment.” —Robert Eaglestone, Royal Holloway, University of London “Offer[s] a fresh vocabulary to confront our personal and collective responsibility in the face of massive political violence, past and present.” —Marianne Hirsch, Columbia University

Psychology has had a number of things to say about black and coloured people, none of them favourable, and most of which have reinforced stereotyped and derogatory images. Beyond the Masks is a readable account of black psychology, exploring key theoretical issues in race and gender. In it, Amina Mama examines the history of racist psychology, and of the implicit racism throughout the discipline. Beyond the Masks also offers an important theoretical perspective, and will appeal to all those involved with ethnic minorities, gender politics and questions of identity.

A Retrospective on the work of Jospence. Jo Spence [London, 1934-1992] began her artistic career during the critical re-thinking of modern photography and body art in the mid 70s. This is a wide-ranging selection of Spence's texts with the most significant photographic works of her career.

For roughly two decades after the collapse of the military regime in 1983, testimonial narrative was viewed and received as a privileged genre in Argentina. Today, however, academics and public intellectuals are experiencing "memory fatigue," a backlash against the concepts of memory and trauma, just as memory and testimonial films have reached the center of Argentinian public discourse. In Rethinking Testimonial Cinema in Postdictatorship Argentina, Verónica Garibotto looks at the causes for this reticence and argues that, rather than discarding memory texts for their repetitive excess, it is necessary to acknowledge them and their exhaustion as discourses of the present. By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony, and the ideological uses of documentary and fiction. She argues that recurrent concepts—such as trauma, mourning, memory, and subalternity—miss how testimonial films have changed over time, shifting from subaltern narratives to official, hegemonic, and iconic accounts. Her work highlights the urgent need to continue to study these types of narratives, particularly at a time when military dictatorships have become entrenched in Latin America and memory narratives proliferate worldwide. Although Argentina is Garibotto's focus, her theory can be adapted to other contexts in which narratives about recent political conflicts have shifted from alternative versions of history to official, hegemonic accounts—such as in Spanish, Chilean, Uruguayan, Brazilian, South African, and Holocaust testimonies. Garibotto's study of testimonial cinema moves us to pursue a broader ideological analysis of the links between film and historical representation.

Charles E. Snyder considers the New Academy's attacks on Stoic epistemology through a critical re-assessment of the 3rd century philosopher, Arcesilaus of Pitane. Arguing that the standard epistemological framework used to study the ancient Academy ignores the metaphysical dimensions at stake in Arcesilaus's critique, Snyder explores new territory for the historiography of Stoic-Academic debates in the early Hellenistic period. Focusing on the dispute between the Old and New Academy, Snyder reveals the metaphysical dimensions of Arcesilaus' arguments as essential to grasping what is innovative about the so-called New Academy. Resisting the partiality for epistemology in the historical reconstructions of ancient philosophy, this book defends a new philosophical framework that re-positions Arcesilaus' attack on the early Stoa as key to his deviation from the metaphysical foundations of both Stoic and Academic virtue ethics. Drawing on a wide range of scholarship on Hellenistic philosophy in French, Italian, and German, Beyond Hellenistic Epistemology builds bridges between analytical and continental approaches to the historiography of ancient philosophy, and makes an important and disruptive contribution to the literature.

Beyond the Subjectivity Trap challenges the paradigm of the hard problem of consciousness by contesting the relevance and primacy of human thought. By tracing the evolved egocentricity of the 'I' as an entrapping limitation on our thinking the book argues that once the Subjectivity Trap is understood and escaped we can appreciate the non-existence of the mind–body divide, the pure functionality of the brain, and the limitlessness of our potential.

Georg Wilhelm Friedrich Hegel gave many lectures in logic at Berlin University between 1818 and his untimely death in 1831. Edited posthumously by Hegel's son, Karl, these lectures were published in German in 2001 and now appear in English for the first time. Because they were delivered orally, Lectures on Logic is more approachable and colloquial than much of Hegel's formal philosophy. The lectures provide important insight into Hegel's science of logic, dialectical method, and symbolic logic. Clark Butler's smooth translation helps readers understand the rationality of Hegel's often dark and difficult thought. Readers at all levels will find a mature and particularly clear presentation of Hegel's systematic philosophical vision.

This book offers a series of critical commentaries on, and forced encounters between, different thinkers. At stake in this philosophical and psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.